Camera Bag Guide
Finding the perfect camera bag is not as difficult as finding the right camera, but there are much more brands and shapes of camera bags than there are digital cameras. Since the equipment combinations that one must carry are nearly infinite, it is impossible to precisely recommend a specific camera bag model. Instead, we present common types of camera bags, discuss their advantages and disadvantages and present several models available in a variety of sizes. Because different types of camera bags suit different situations, it may be useful to own several types of models but beware that some camera bags can cost more than some cameras.
Camera holsters are designed to hold a single camera with a minimum number of small accessories. Typically, they have one or two pockets to keep extra batteries, extra memory and a camera cleaning cloth. Holsters are usually held with a wide shoulder strap. Some models also include a belt loop.
Holdsters can fit the largest fixed-lens camera or a non-pro DSLR with a single general purpose lens. This is the most common type of bag for ultra-zoom digital cameras. People who buy DSLR cameras and use them as fixed-lens cameras, either by buying only the kit lens or a single large zoom-factor lens, can easily manage with a holster.
When the size is right, these bags are very practical. They keep the camera in sight and accessible at all times. The only times when holsters are less than ideal is while doing activities which require a lot of mobility such as mountain climbing. Due to their small size, they are rarely very disruptive.
Nearly every camera bag manufacturer produces holsters for fixed-lens cameras. Several make holsters for a DSLR equipped with a relatively large lens. The larger models from Lowepro also feature all-weather covers to protect against heavy rain.
- Very light weight.
- Camera remains easily accessible.
- Bag is visible while being worn.
- Counts as a personal item which can be brought in addition to one piece of carry-on on most flights.
- Dangles unless equipped with belt-loops.
Belt packs are mid-sized camera bags which are worn at the waist. These bags typically have a large padded belt to secure them to the wearer's hips. Belt packs can be large enough to hold a DSLR, several lenses and other mid-size accessories like external flashes. This type of bag can feature several pockets and special hooks at attach secondary bags for extra lenses and accessories.
Since belt packs are wide but normally relatively shallow, most equipment remains easily accessible when opening the top lid. The best belt packs are designed to open away from the photographer so that the lid stays away while the bag's contents are accessed. Having the camera bag fixed to the wearer's waist creates a comfortable distribution of weight. Additionally, most belt packs keep camera gear reachable and visible at all times.
On the downside, belt packs can be a hindrance for some movements like crouching. Smaller ones can be temporarily pushed to the side, but not a larger fully-loaded one. Sitting down with a chunky belt pack can also be difficult. That means that stopping for a snack often means having to take off the belt pack and keeping an eye on it.
- Comfortable distribution of weight.
- Equipment remains easily accessible.
- Bag is visible while being worn.
- Generally counts as a personal item which can be brought in addition to one piece of carry-on on most flights.
- Sitting and crouching is difficult.
- All but the smallest belt packs have to be removed while sitting. This is a security risk in public areas.
Shoulder bags, sometimes called messenger bags, are worn just like holsters but can be much larger. They greatly vary in size, from ones designed to hold a single camera plus a few accessories, to ones designed to hold two professional DSLR cameras, accessories, plenty of lenses and a laptop computer. Shoulder bags have much more compartments than holsters and their interior can be reorganized by moving padded dividers. They are designed to carry numerous pieces of equipment together but keep them from damaging each other.
Shoulder bags can carry large amounts of gear, including multiple cameras and lenses. Some of these can also attach a tripod to their exterior, usually underneath the main compartment. Just like holsters and belt packs, shoulder bags keep gear accessible and within sight at all times.
Shoulder bags can open in different ways. A large flap which covers the top and one side of the bag is the most common way. That flap normally includes pockets for small items. Other ways include a zipper along the outer-upper edge or in the middle of the bag's top-side. While the gear is always accessible, bags which open on the upper-outer edge with no flap on the zipper's side are ideal to work with gear (change lenses, install filters, swap batteries, etc).
The main disadvantages of shoulder bags are that they distribute weight unevenly and that they can hinder mobility. Since shoulder bags can get quite heavy and must be supported by a single shoulder strap, they can become quite tiring after a long day's use. Also, because they are bulky and dangle from only one shoulder, these bags become cumbersome for most activities other than walking. They are truly bothersome during climbing, even if only a ladder.
A personal favorite is the Lowepro Rezo series which come in several sizes, all with rain-protection covers. The Rezo bags are perfect to work with gear since they are designed to open away from the wearer. The largest such bag, the Rezo 190, can accommodate one DSLR and 4 extra medium-sized lenses. This model is still small enough to count as a personal item for boarding a plane with a carry-on too.
Lowepro Rezo 160 AW
For those interested, the largest shoulder bag found that still counts (barely) as a personal item is the Lowepro Nova 200. If worn backwards, working with gear is easy but the bag becomes awkward to open.
- Can be loaded with lots of gear.
- Camera remains easily accessible.
- Bag is visible while being worn.
- May count as a personal item which can be brought in addition to one piece of carry-on on most flights.
- A lot of weight on one shoulder.
- Dangles during moderate activity.
- Cumbersome when good mobility is required
- May be too large to count as a personal item.
Backpacks are the largest and probably the most comfortable way to carry photographic equipment. Camera backpacks generally look like ordinary backpacks but are designed to securely hold photographic gear. These backpacks are fitted with foam dividers which can be rearranged to keep items in place and from knocking against each other. The exterior of some camera backpacks is designed to carry a tripod.
These bags come in a variety of sizes but even the smallest can carry a large camera and several lenses. The largest backpacks can hold several professional DSLR cameras, a dozen lenses, a tripod, a large laptop and numerous other items.
Obviously, the main advantage of a camera backpack is its size. Some gear will only fit in a photo backpack. It is also the most stable way to carry a tripod, except that the tripod is normally left exposed. Comfort of most backpacks is usually excellent. The distribution of weight is ideal since it is held symmetrically using both shoulders. Some large backpacks also have a belt for redistributing weight on the wearer's hips and to steady the backpack into position.
There are also a few models equipped with wheels and a handle. While this is practical for strolling the bag on flat ground, these bags are generally less comfortable when worn because their wheels and backs are hard. Normal camera backpacks have a soft padded back which is more comfortable.
Backpacks have an advantage over other types of camera bags for mobility. Most activities, including crouching and sitting, can be done with a backpack with little difficulty. Backpacks also keep your arms mobile.
On the other hand, all backpacks make gear least accessible by the photographer and most accessible to thieves. A small number of models have their opening against the wearer's back which makes it impossible to open while being worn with slashing.
To change lenses or cameras, a backpack must be removed. Working with gear is extra hard because backpacks rarely support themselves while not worn. They can be put down, but then the photographer has to crouch and the bag may get quite dirty. In some places like in a swamp, this is not practical. Plus, having your gear out of your sight in a crowded place makes it an easy target for thieves.
- Largest possible capacity.
- Comfortable distribution of weight.
- Greatest mobility for activity, arms are free.
- Must be removed to access gear.
- Working with gear is uncomfortable, usually requires bag to be put down.
- Gear is not in sight, higher risk of being robbed.
- Rarely counts as a personal item for flights.
Slings & More
There are plenty of variations to the camera bag theme, each trying to show advantages while minimizing the disadvantages.
One variation offered by several manufacturers is known as the sling. This basically a backpack which open sideways and a single strap which is worn diagonally. The goal of the sling is to wear it as a backpack but rotate it around your body to access gear without taking the bag off. The compartment that opens sideways when seen from the back actually opens upwards when the back is positioned in front of your body.
The result is a bag that is relatively comfortable to carry and keeps its wearer mobile while keeping gear quite accessible. While it does not distribute weight as well as a backpack, the sling is a great compromise. Although it is not designed to be worn in front, it may be carried for short periods in that position to keep your equipment visible. This position is much less comfortable because the strap holding the bag's weight in that position is thin and unpadded.
A currently unique and interesting design is Think Tank's Rotation 360. This is a backpack and belt pack combined. It is worn like a backpack with a built-in belt. The neat part is that the belt can be rotated with the backpack in place, so that a belt pack appears in sight. While in back, the belt-pack is contained within the backpack and so it cannot be opened by pick-pockets. The upper part of the backpack can be used for non-photographic items.
Camera Bag Makers
There are plenty of makers of camera bags. One of the most comprehensive is Lowepro. They produce all types of high-quality bags, most of them with all-weather protection covers and plenty of internal pockets. This is quite important since it is hard to predict when it will be needed. Lowepro produces some completely waterproof bags too. Their website is easy to navigate and very well organized.
Naneu Pro also has an extensive selection of camera bags. Many Naneu Pro bags have a rough military-style with multiple externally-accessible pockets. Their product are presented in a simple website. However, you have to add items to your cart to find out their price.
Think Tank Photo makes many simple looking bags which hide a lot of sophistication in them. They offer several unique designs including expandable holster bags and the Rotation 360 which has its own dedicated mini website.
Tamrac is another major maker of camera bags. Although they do not tend to design their bags as well as Lowepro, they are quite popular due to lower prices. Their website is not great but does have information on all their current products.
Several digital camera manufacturers also sell camera bags, although their selection is quite limited.
Neocamera Blog is a medium for expressing ideas related to digital cameras and photography. Read about digital cameras in the context of technology, media, art and the world. Latest posts links:
Olympus OM-D E-M5 Mark III Review
Third-Generation OM-D that packs a 20 MP Four-Thirds CMOS on a 5-Axis Stabilization System. Fast 121-Point Phase-Detect AF, 30 FPS Continuous Drive, Cinema 4K Video and more in a weatherproof and freezeproof body. Features dual control-dials and a builtin 2.4 MP EVF with Eye-Start Sensor with 0.69X magnification and 100% coverage.
Olympus OM-D E-M1 Mark III Review
20 MP Micro Four-Thirds Mirrorless with 7-Stop 5-Axis Image-Stabilization, 121-Point Phase-Detect AF 30 FPS Continuous Drive and Cinema 4K capability in a weatherproof and freezeproof body with dual control-dials and dual SDXC memory card slots.
M.Zuiko 12-45mm F/4 PRO Review
A review of the M.Zuiko 12-45mm F/4 PRO added to the Olympus Premium Lens Roundup.
Peak Design Travel Tripod Review
Review of the unique Peak Design Travel Tripod with its own ballhead and the universal ballhead adapter.
Nikon Z-Mount DX Lens Roundup
Review of Nikon Z-Mount lenses for APS-C mirrorless digital cameras. Covers all current Z-mount DX lenses available.
Nikon Z50 Review
The first Nikon APS-C mirrorless is built around a 20 MP BSI-CMOS sensor with ISO 100-204800, 209-Point Phase-Detect AF, 11 FPS Drive and 4K Video capability. Compact body with dual control-dials and 2.4 MP 0.39" EVF with 0.68X magnification, 100% coverage and an Eye-Start Sensor.
Mirrorless Digital Camera Buying Guide 2020
The Mirrorless Digital Camera Buying Guide was fully rewritten for 2020, including all new systems from Nikon, Canon and Leica joined by Panasonic and Sigma. This new extensive 2020 Edition shows in 5 simple steps how to choose a mirrorless camera.
Panasonic Lumix DC-GX9 Review
This highly capable and compact mirrorless ranked as Best Beginner Mirrorless Digital Camera of 2019. Its 20 MP Four-Thirds CMOS sensor with Anti-Alias Filter is pared with 5-axis stabilization to maximize sharpness. Features a tilting 2.8 MP 0.39" EVF with large 0.7X view and Eye-Start sensor in a body with dual control-dials.
Best Digital Cameras of 2019
The Best Cameras of 2019 awarded by Neocamera: Best Travel-Zoom, Best Premium Compact, Best Ultra-Zoom, Best Mirrorless and Best DSLR.
10 Gifts Photographers Will Love
The 2019 gift guide for photographers showcases photography gear that amateur and enthusiasts will enjoy. It is divided into 3 price categories to suit different budgets from $50 to $200 USD.