Fuji X-E2 Review
Usability - How easy is it to use?
Fuji designed the X-E2 with a strong resemblance to a range-finder camera, giving it a retro look, just like the X-Pro1 before it. Going retro adds a sense familiarity and luxury while embracing more mechanical controls. Such controls predate camera menus and digital cameras as a whole and provide a much more direct interface. The retro design also comes with a boxy shape which is not as comfortable as modern digital cameras.
The front of the X-E2 is quite bare. There is small rubber hand-grip with an AF-assist lamp on one side and a 3-position switch to control the AF drive mode. The options are Single-Shot autofocus, Continuous autofocus and Manual focus.
The top of the Fuji X-E2 is distinctly retro. Only the Fn button here gives a hint of modernity. That button can be programed to activate: Multiple Exposure, DOF-Preview, ISO, Self-Timer, Image Size, Image Quality, Dynamic-Range, Film Simulation, White-Balance, Photometry, AF Mode, Focus-Area, Custom Settings Selection, Movie Mode, RAW capture, Aperture Setting, WiFi or Advanced Filter. It is a tough call choosing what to put there but ISO and DOF Preview are the best candidates, since they are most likely to be used quickly.
There is an Exposure-Compensation dial, marked from +3 to -3 in 1/3 stops. The dial has good detents and is easily accessible with the camera at eye-level. The retro-price paid here is that exposure increments are hard wired to 1/3 EV and the EC range is smaller. Many modern DSLRs and mirrorless allow ±5.
The other dial on the top plate is the shutter-speed dial which is marked in full stops from 1/4000s to ¼s. The A position indicates the camera should automatically choose shutter-speed. The T position is for exposure times from ½s to 30s. The B position is for Bulb mode which allows up to one hour exposures when the lens aperture ring is set away from the A position. Otherwise, it exposes for 30s.
A dial on the rear is used to select fractional shutter-speeds, moving ±2/3 EVs from the selected shutter-speed. The bug that made the X-E1 forget the fractional part when entering Playback mode is now gone.
The top plate also shows a standard hot-shoe for external lighting. There the usual focal-plane indicator mark which is surprisingly towards the middle of the body, meaning that an XF-mount camera could be made at least 1cm slimmer. A small built-in popup flash exits through the top plate.
The back of the camera is where all the remaining action is. This side looks more modern, at least if we ignore the fake-leather texture. The position of the viewfinder is ideal for comfort and avoids having to press your nose against the LCD. The square frame around it is made of hard rubber and more comfortable than on the X-Pro1. Right next to it is the Eye-Start Sensor that automatically enables the EVF based on proximity. Once used to one of these, there is no going back! Its sensitivity is just right, although you can disable it off using the View Mode button further right.
More to the right is the control-dial which is sadly unused most of the time. It can be used to enable MF-Assist or change settings in the Quick menu which is invoked by pressing the Q button located to the left of the dial. To its right and below are separate and customizable AE-L and AF-L buttons.
The remaining controls on the back are fairly typical of a modern advanced digital camera:
- 4-Way Controller: Navigates menu. Up toggles Macro focusing. Down selects the AF-point.
- OK / Menu: Enters menu and confirms choices.
- DISP / BACK: Cycles through 3 display mode in Capture mode or 4 modes in Playback mode. Goes back one menu level.
- Playback: Enters and exists Playback mode.
- DRIVE: Chooses among 8 drive modes. Note that Movie Mode and Motion Panorama are both found here.
- AE: Shows a choice of metering patterns: Multi-Segment, Average and Spot. The pattern must be selected using the Left and Right direction of the 4-way controller. It would have been more comfortable to use the control-dial instead.
- Fn2: Activates one of 18 selectable functions, just like Fn described above.
The back of this Fuji includes a standard 3" LCD with 1 MP of resolution. The display is very sharp and quite bright with a good refresh rate. Visibility is great both indoors and outdoors. The display is unfortunately not Exposure-Priority outside of Manual mode and neither is the Live-Histogram. This means that exposure is not shown consistently which requires reviewing images more often then necessary.
The bottom of the Fuji X-E2 has a metal tripod mount which is neither in-line with the optical axis nor with the center of gravity of the camera. There is also a single compartment door which gives access to both the SDXC card and the Lithium-Ion battery. Since the door is really close to the tripod mount, it is not possible to change memory or battery while the camera is on a tripod or even just fitted with a quick-release plate.
Since the Fuji X-E2 is an expensive camera aimed to advanced photographers, we have high expectations for its ergonomics and usability. After all, the image quality of a missed shot matters very little and so controls are critical to the success of all high-end cameras. While overall handling could be improved, the X-E2 is a clear step above its predecessor:
- More customizable buttons mean that ISO and WB or the Self-Timer can be directly accessed.
- WB preview is always interactive now, even when selecting it from the menu system.
- AE-L is usable with MF where as it was overriden on the X-E1.
- Aperture-Ring detents are still too soft on prime lenses. It is very easy to knock the ring from the A position to F/16 which is beyond the diffraction limit and often causes very low shutter-speeds to be chosen.
- Shutter-Speed needs two dials. As mentioned earlier, the control-dial has to select fractional shutter-speeds but the camera often forgets the faction, notably after entering Playback mode.
- Macro mode needed for non-macro shots. There is a focus limit which prevents lenses from focusing relatively close to the camera. When focusing closer than that limit, autofocus simply fails.
- The left side strap eyelet is still uncomfortable. It is directly on the way to the shutter-release which is in the retro position, flat on top of the camera. At least it is slightly padded now.
Fuji X-E2 Facts
|16 Megapixels Mirrorless||ISO 100-25600|
|Fuji X Mount|
Sensor-Size: 24 x 16mm
Actual size when viewed at 100 DPI
|0.50" Built-in EVF 2.4 Megapixels (0.64X)||Full manual controls, including Manual Focus|
|Automatic Eye-Start sensor||Custom white-balance with 2 axis fine-tuning|
|1 Axis Digital Level||Spot-Metering|
|Built-in Dust Reduction||Hot-Shoe|
|7 FPS Drive, 20 Images||Stereo audio input|
|1920x1080 @ 60 FPS Video Recording||Lithium-Ion Battery|
|3" LCD 1 Megapixels||Secure Digital Extended Capacity|
Nikon D500 Review
Full-review of the ultimate Nikon flagship APS-C DSLR. The Nikon D500 offers a new 20 MP CMOS sensor with incredible ISO 50-1638400, 10 FPS, 4K Ultra-HD and a 153-Point Phase-Detect AF system sensitive to -4 EV. Built for professionals into a weatherproof body with dual control-dials and large 100% coverage viewfinder with built-in shutter.
DxO ViewPoint 3 Review
Review of DxO ViewPoint 3. Perspective, distortion and horizon correction software.
Nikon D5 XQD Review
Nikon flagship professional DSLR with 20 megapixels Full-Frame CMOS sensor. All-new 153-point Phase-Detect AF sensitive to -4 EV. ISO 50 to unprecedented 3,276,800! 12 FPS Drive for 200 JPEGs or 180 RAW. First Nikon DSLR with 4K Ultra HD video.
Olympus Professional Lens Roundup
Roundup of Olympus Professional and Premium lenses: M.Zuiko 7-14mm F/2.8 PRO, M.Zuiko 12-40mm F/2.8 PRO, M.Zuiko 40-150mm F/2.8 PRO, M.Zuiko 12mm F/2, M.Zuiko 60mm F/2.8 Macro.
Olympus OM-D E-M10 Mark II Review
Olympus second generation base OM-D with an anti-alias-filter-free 16 MP Four-Thirds CMOS sensor mounted on a 5-axis in-body stabilization system. Speedy 8.5 FPS drive, full HD @ 60 FPS and a wealth of features in a compact and lightweight body. Offers a 2.4 MP 0.45" EVF with 0.62X magnification and 100% coverage, plus dual control-dials and a highly customizable interface.
Fuji X-Pro2 Review
Fuji flagship XF-mount mirrorless with 24 MP APS-C X-Trans CMOS III sensor. 273-Point AF with 169 Phase-Detect points. 8 FPS Drive, 1080p video. Dual control-dials, direct dials and a hybrid viewfinder in a weather-sealed freezeproof body.
Panasonic Lumix DMC-ZS100 Review
The only premium travel-zoom! 20 megapixels 1" high-speed CMOS sensor paired with a stabilized 25-250mm F/2.8-5.9 optical zoom. 50 FPS Drive, 4K Ultra-HD video, 1/16000-60s Hybrid Shutter, Post-Shot Focus, 4K Live-Cropping, Time-Lapse Video and more. Dual control-dials plus a built-in EVF with Eye-Start sensor.
Canon EOS Rebel T6s Review
Newly designed Rebel with dual control-dials and top status LCD. 24 MP APS-C sensor, Hybrid AF III with 19 all-cross points and on-sensor Phase-Detect AF. 5 FPS Drive and full 1080p HD video capture.
Canon Powershot G3 X Review
Ultra-zoom with a 25X optical zoom lens and large 20 MP 1" CMOS sensor in a weather-sealed body with dual control-dials, a lens ring and efficient controls. Captures full 1080p HD video at 60 FPS with internal or external stereo sound.
Best Digital Cameras of 2015
The best new digital cameras of 2015. Plus, find out which ones of 2014 still lead their category. Compact, Premium Cameras, Ultra-Zooms, Mirrorless and DSLR are all covered.