Fujifilm X-E2 Review
Performance - How well does it take pictures?
Performance starts with image quality, which is the criteria used as the foundation of our digital camera ratings. Ergonomic issues may get in the way, but in the end, image quality counts the most. For an ILC, image quality greatly depends on the lens used. While color, noise, exposure and dynamic-range are properties of a camera, distortion, vignetting and chromatic aberrations are properties of the lens. Sharpness and contrast depend on the weakest link. That is, a camera cannot capture more details than a lens lets through. Conversely, it is quite possible for a lens to transmit more details than a sensor can capture.
Image Noise & Details
The Fuji X-E2 produces images of exceptional quality, exceeding the quality of the almost all cropped-sensor DSLR throughout its range of ISO sensitivities, making it even comparable to some full-frame models. Image noise is inexistent all the way to ISO 1600 and becomes barely detectable at ISO 3200. ISO 6400 is almost the same and only at ISO 12800 do some details get affected by noise. Still, mid-size prints are possible at such high sensitivity..
The final expanded ISO of 25600 is unusable. Not only is it very noisy but there is also a bluish tint that gradually increases towards the bottom edge of the frame.
While we know the unique X-Trans sensor delivers in terms of sharpness from the X100S review, output was not so sharp with the X-E2 since the only lens available for testing was the Fuji zoom. Even so, fine-details get resolved by that lens, albeit with lower local contrast.
Sharpness is controllable in 5 levels. Things start from a very soft to over-sharp, so each step is quite coarse. The default level leaves a little softness and one above adds a touch of sharpness with minimal artifacts. The image-noise reduction is a little too aggressive which prevents the X-E2 from reaching its full potential. There are 5 levels of noise reduction and they extremely close in output quality.
Color & White Balance
Color accuracy of the X-E2 is very good. Hues realistic with different Film Simulation mode mostly affecting saturation. The standard Provia film exaggerates saturation which can be improved by setting Color to -1. Alternately, using Pro Negative Standard film simulation provides a similar rendition of color.
Automatic White-Balance is quite dependable under typical conditions. It handles both natural and artificial lighting surprisingly well, only leave the occasional yellow cast for incandescent and magenta for fluorescent. The twisted issue though is that AWB is often previewed incorrectly, tricking the user into incorrectly changing settings. The Custom White-Balance option is there for difficult situations and is perfectly accurate.
The Multi-Segment metering system of the X-E2 is extremely reliable and consistent. It is highly conservative which results in darker-than-usual images. It rarely blows anything but the smallest highlights, although it may not seem like it on the EVF and LCD because their dynamic-range is much more narrow than what this camera can capture.
Dynamic-Range of the X-E2 is spectacular when increased to 200% starting at ISO 400 or to 400% starting at ISO 800 which is possible all the way to all the way to 6400. This camera handles high-contrast scenes even better than most digital cameras, including top-of-the-line DSLRs.
The X-E2 features a hybrid Phase-Detect and Contrast-Detect AF system for the first time on a Fuji mirrorless. The camera exposes a 49-point AF system which uses both systems at each point to achieve class-leading autofocus speeds.
Autofocus has been visibly improved from the X-E1. The new system is faster and just as sensitive in low-light. It locks focus more decisively. Under good to moderate light, this Fuji locks focus in less than ½s. AF can take just a little longer in low-light yet it remains better than previous mirrorless generations.
Continuous AF (AF-C) is also much improved. Unlike the Contrast-Detect system of its predecessor, the new hybrid AF finds focus without any back-and-forth motion. It transitions extremely smoothly and quietly between subjects which is great for video but too slow for keeping up with action.
Spot-Focus, sometimes called AF-On by other brands, lets the X-E2 autofocus on-demand while in MF mode. Simply press the AF-L button and, around ½s later, focus will be locked nearly every time. Manual Focusing is done via a fly-by-wire ring at the front of current XF-mount lenses.
The Fuji X-E2 is quick and responsive. Nearly all actions occur without delay. It can shoot continuous at 7 FPS which is comparable to high-end DSLRs but notably slower than many of the latest mirrorless models from Olympus and Sony. The buffer is capable of absorbing 20 JPEG images or 12 RAW in one burst while using a fast memory card.
The following measurements characterize the performance of the Fuji X-E2:
- Power-On: About 1s without sensor-cleaning. Good.
- Power-On to First-Shot: 1½ seconds. Average.
- Autofocus: ¼ - ½s, depending on the light. Great.
- Shutter-lag: Immediate with under ½s blackout. Very good.
- Shot-to-shot: 1¼s even with AF. Average.
- Playback: About 3/4s to enter or exist. On the slow side.
- Power-Off: Under ½s with sensor-cleaning off. Great.
- Video: Nearly instant starting and stopping. Better than most.
The performance of the X-E2 is great yet somewhat uneven. Although entering and exiting Playback mode is slower than usual, only shot-to-shot speeds are disappointing. Autofocus and the crucial shutter-lag are great and go a long way to making this mirrorless camera very usable.
Having a true video mode makes the camera ready to start recording immediately and preview framing correctly. This is not so common among modern digital cameras, so despite Fuji not having emphasized video in the X-E2, it works perfectly. Focus in video can either by continuous or manual. As always, MF is highly recommended for video but, this time, only because the X-E2 may focus on the wrong subject. The back-and-forth movement of Contrast-Detect AF is gone.
The Fuji X-E2 is powered by a small proprietary Lithium-Ion battery which provides 350 shots-per-charge. This is about average and goes down quickly while reviewing images. Another battery is highly recommended not to run out unexpectedly. The small size of the battery makes it quite sensitive to cold and hardly be able to shoot even half its quoted maximum as temperatures approach freezing.
The Fuji X-E2 is an impressive successor to the X-E1. The new 16 megapixels X-Trans CMOS II sensor delivers superb image-quality that is only slightly dulled by overly aggressive image-processing. This can be avoided by shooting RAW yet is not a solution for everyone. More importantly, the X-E2 notably improves usability compared to its predecessor while performing faster in key areas, including autofocus.
Image-quality of the Fuji X-E2 is near the very best mirrorless cameras, falling below only the older X-E1 and full-frame mirrorless cameras introduced this year. Image noise is virtually inexistent until ISO 3200 and only slowly progresses along with softness due to noise-reduction which starts appearing above ISO 800.
The output of this camera is highly usable for mid-size prints until ISO 12800 which is good yet one stop less than the X-E1. The most amazing aspect of the Fuji X-E2 is its incredible dynamic-range which, coupled with its excellent metering system, captures scenes of unusually high contrast.
Performance of the X-E2 is not perfect but quite solid. The hybrid Phase-Detect and Contrast-Detect AF system lives up to its promise and speeds of autofocus which brings the X-E2 up to modern mirrorless standards. Its shot-to-shot speed is not great but the 7 FPS continuous drive performs well while the EVF and LCD lag slightly behind the action.
Overall, the Fuji X-E2 is an excellent camera. It produces great-quality images in a relatively compact size with refined and highly usable ergonomics. The Fuji X-system has grown considerably since its launch with now 10 lenses from Fuji alone, plus some from third-party manufacturers. This makes it and other Fuji mirrorless ones suitable for most non-specialized types of photography. Despite a slight drop in image-quality, the faster speed can more-than-compensate for most users.
Fujifilm X-E2 Highlights
Sensor-Size: 24 x 16mm
Actual size when viewed at 100 DPI
|16 Megapixels Mirrorless||ISO 100-25600|
|Fujifilm X Mount|
|0.50" Built-in EVF 2.4 Megapixels (0.64X)||Full manual controls, including Manual Focus|
|Automatic Eye-Start sensor||Custom white-balance with 2 axis fine-tuning|
|1 Axis Digital Level||Spot-Metering|
|Built-in Dust Reduction||Hot-Shoe|
|7 FPS Drive, 20 Images||Stereo audio input|
|1920x1080 @ 60 FPS Video Recording||Lithium-Ion Battery|
|3" LCD 1 Megapixels||Secure Digital Extended Capacity|
Canon RF-Lens Info
Info on all Canon native RF-mount lenses added to the Canon EOS R5 preview.
Canon EOS R5 Preview
Preview of the Canon EOS R5 flagship Full-Frame Mirrorless with 45 MP sensor on a 5-axis stabilization system effective to 8-stops. First 8K video capable digital camera. 20 FPS electronic and 12 FPS mechanical drive.
Olympus OM-D E-M5 Mark III Review
Third-Generation OM-D that packs a 20 MP Four-Thirds CMOS on a 5-Axis Stabilization System. Fast 121-Point Phase-Detect AF, 30 FPS Continuous Drive, Cinema 4K Video and more in a weatherproof and freezeproof body. Features dual control-dials and a builtin 2.4 MP EVF with Eye-Start Sensor with 0.69X magnification and 100% coverage.
Olympus OM-D E-M1 Mark III Review
20 MP Micro Four-Thirds Mirrorless with 7-Stop 5-Axis Image-Stabilization, 121-Point Phase-Detect AF 30 FPS Continuous Drive and Cinema 4K capability in a weatherproof and freezeproof body with dual control-dials and dual SDXC memory card slots.
M.Zuiko 12-45mm F/4 PRO Review
A review of the M.Zuiko 12-45mm F/4 PRO added to the Olympus Premium Lens Roundup.
Peak Design Travel Tripod Review
Review of the unique Peak Design Travel Tripod with its own ballhead and the universal ballhead adapter.
Nikon Z-Mount DX Lens Roundup
Review of Nikon Z-Mount lenses for APS-C mirrorless digital cameras. Covers all current Z-mount DX lenses available.
Nikon Z50 Review
The first Nikon APS-C mirrorless is built around a 20 MP BSI-CMOS sensor with ISO 100-204800, 209-Point Phase-Detect AF, 11 FPS Drive and 4K Video capability. Compact body with dual control-dials and 2.4 MP 0.39" EVF with 0.68X magnification, 100% coverage and an Eye-Start Sensor.
Mirrorless Digital Camera Buying Guide 2020
The Mirrorless Digital Camera Buying Guide was fully rewritten for 2020, including all new systems from Nikon, Canon and Leica joined by Panasonic and Sigma. This new extensive 2020 Edition shows in 5 simple steps how to choose a mirrorless camera.
Panasonic Lumix DC-GX9 Review
This highly capable and compact mirrorless ranked as Best Beginner Mirrorless Digital Camera of 2019. Its 20 MP Four-Thirds CMOS sensor with Anti-Alias Filter is pared with 5-axis stabilization to maximize sharpness. Features a tilting 2.8 MP 0.39" EVF with large 0.7X view and Eye-Start sensor in a body with dual control-dials.