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Fuji X-E2 Review

16 Megapixels16 MegapixelsElectronic View FinderElectronic View FinderHigh ISO: ISO 6400 or more is available at full-resolution.High ISO: ISO 6400 or more is available at full-resolution.Level: Measures camera tilt and helps to keep the horizon level.Level: Measures camera tilt and helps to keep the horizon level.Continuous DriveContinuous DriveFull 1080p HD Video: 1920 x 1080 resolution or more but less than 4K.Full 1080p HD Video: 1920 x 1080 resolution or more but less than 4K.Manual Controls: Both fully-manual (M) and semi-automatic modes (T and V).Manual Controls: Both fully-manual (M) and semi-automatic modes (T and V).Custom White-Balance: Specifies exactly what should be white to the camera.Custom White-Balance: Specifies exactly what should be white to the camera.Action Photography: Shutter speeds of 1/1500 or more.Action Photography: Shutter speeds of 1/1500 or more.Night Photography: Reaches shutter-speeds longer than 4 seconds.Night Photography: Reaches shutter-speeds longer than 4 seconds.Hotshoe: Allows external flash units to be attached.Hotshoe: Allows external flash units to be attached.Spot MeteringSpot MeteringDepth-Of-Field Preview: Improve perception of DOF before shooting.Depth-Of-Field Preview: Improve perception of DOF before shooting.Accepts Secure Digital Extended Capacity (SDXC), SDHC and SD memory.Accepts Secure Digital Extended Capacity (SDXC), SDHC and SD memory.Neocamera detailed reviewNeocamera detailed review

Introduction

The Fuji X-E2 is the first Fuji mirrorless to feature the unique 16 MP X-Trans CMOS II sensor with built-in Phase-Detect autofocus. Like the one on the X100S
Fujifilm X100S
, this APS-C sensor has a 1.5X crop-factor and 3:2 aspect-ratio ex
cept that it forgoes an anti-alias filter thanks to its unique color-filter which is not prone to Moire.

The X-E2 uses Fuji's own XF lens mount which has a very short flange distance. This makes it easier to design high-quality lenses and lens-mount adaptors, including one made by Fuji for the Leica M-mount. Fuji launched a total of ten lenses so far, mostly bright prime lenses, rather than the usual zooms, reinforcing the X-E2 as a high-end offering with a small footprint. This is crucial for SLDs since they must provide a clear advantage over DSLRs which have an iron-grip on the high-end digital camera market.

This digital camera follows the X-E1 with the same design, including a class-leading 2.4 MP EVF with Eye-Start sensor in a retro-styled body. Its highly mechanical interface offers a classic shutter-speed dial, plus an EC dial and a control-dial to use instead of the aperture-ring on entry-level lenses which do not have one.

Since the Fuji X-E2 is quite similar to its predecessor, large parts of this review are taken from the X-E1 Review. Differences are highlighted below in green, just like this text.

This digital camera review analyses the usability, performance and image quality of the Fuji X-E2.

Fuji X-E2 Features

Sensor

  • 16 Megapixels CMOS sensor
  • X-Trans 6x6 Color-Filter Array
  • No Anti-Alias filter
  • 1.5X Crop factor (APS-C)
  • 3:2 Aspect ratio
  • Phase-Detect AF
  • Fuji XF lens mount
  • Dust-Reduction

Exposure

  • ISO 200 to 6400 sensitivity range, 1/3 EV steps
  • ISO 100, 12800 and 25600 expansion, JPEG only
  • Auto ISO, Selectable maximum from 400 to 6400
  • ISO Bracketing, 3 frames, 1/3-1 EV steps
  • 1/4000-30s Shutter-speeds, 1/3 EV steps
  • Bulb exposure, maximum 1 hour
  • PASM Exposure modes
  • Multi-Segment, Spot and Average metering
  • Exposure-Compensation, ±3, 1/3 EV increments
  • AEB, 3 frames, 1/3-1 EV increments
  • 100%, 200% or 400% Dynamic-Range
  • Dynamic-Range Bracketing, 3 frames
  • Flash-Compensation, ±2, 1.3 EV steps
  • Auto, Forced, Slow-Sync, Rear-Sync, Wireless and Off Flash modes

Image Parameters

  • Automatic, 7 presetsSunny, Shade, 3 Fluorescents, Incandescent, Underwater, Kelvin and Custom WB
  • WB fine-tuning along 2 axis in 19 steps
  • Film Simulation: Provia, Velvia, Astia, Pro Negative Hi, Pro Negative Standard, B&W plus 3 optional filters, Sepia
  • Film Simulation Bracketing, 3 frames
  • Noise reduction, 5 levels
  • Optional Long-Shutter noise reduction
  • Adjustable Color, Sharpness, Highlight Tone, Shadow Tone, 5 steps each

Focus

  • Single-shot or Continuous autofocus
  • Manual-focus (MF), Electronic Magnification
  • Automatic or Manual focus-point selection
  • Hybrid 49-point AF system
  • Optional Digital Split Image
  • Optional Focus Peaking
  • Optional MF-Assist view
  • Optional AF-Assist lamp
  • Fly-By-Wire focus-ring on lenses

Drive

  • 7 FPS Continuous Drive
  • 20 JPEG or 12 RAW Buffer
  • Multiple-Exposure, 2 frames
  • Self-timer, 2s or 10s

Video

  • 1920x1080 @ 60 FPS Video
  • 1280x720 @ 60 FPS Video
  • MPEG-4 codec
  • Stereo sound
  • Mini-Jack audio input

Display & Viewfinder

  • 0.5" EVF, 2.4 Megapixels, 100% Coverage
  • 3" LCD, 1 Megapixel
  • Eye-Start sensor
  • Digital Level, 1-axis
  • Depth-Of-Field Preview
  • Optional Live-Histogram
  • Optional Framing-Guides, 3 types

Output Processing

  • 3:2 Native aspect ratio
  • 16:9 and 1:1 cropped aspect ratios
  • 16, 8 and 4 megapixels modes
  • JPEG, RAW, RAW+JPEG capture
  • 2 JPEG Compression levels

Misc

  • Customizable AE-L button
  • Customizable AF-L button
  • 4 Customizable Buttons
  • Full-stop shutter-speed dial
  • Aperture ring on lenses
  • Third-Stop EC dial
  • One adjustment-dial
  • Standard Hot-Shoe
  • Built-in WiFi
  • HDMI (1080i) output
  • USB 2.0 connectivity
  • SDXC memory
  • Lithium-Ion battery
  • Built-In popup flash

Suitability - What is it good for?

The Fuji X-E2 features a 16 megapixels sensor with a unique color-filter array which does not require an anti-alias filter. Normally, an anti-alias filter is placed right in front of the sensor to very slightly blur light reaching the sensor. This avoids the sensor trying to resolve details which are too fine and could result in Moire artifacts. The side-effect of this is that most camera sensors never get as much details as they can capture, assuming a high quality lens, of course.

Having such a high-resolution sensor without an anti-alias filter makes the X-E2 suitable for large prints with extremely sharp details, as long as the lens in use is sufficiently sharp. This is probably why Fuji started the XF-mount with high-quality prime lenses. Otherwise, they might have wiped out the resolution advantage of the new X-Trans technology.

Fuji X-E2

The APS-C sensor of the Fuji X-E2 is the same size as sensors found in most digital SLRs. Only a handful of mirrorless cameras have larger sensors. This gives the X-E2 good resistance to image-noise. With a standard ISO range reaching 6400, the Fuji X-E2 can work in rather low-light. Those shooting JPEG also have access to expanded sensitivities up to 25600 and ISO 100.

Shutter-speeds from 1/4000 to 30s are available at any ISO. It is also possible to perform bulb exposures for up to one hour. For this, it is highly recommended to use a remote-release and the X-E2 supports both a traditional mechanical and an electronic cable.

This digital camera is built in a tough metal body with plenty of external controls including direct dials for shutter-speed, exposure-compensation and aperture (on the lens) for efficient access. Despite the high-end build, the X-E2 is not weather-sealed and neither are any current XF-mount lens. This makes it suitable for professional use but not in adverse weather conditions.

Fuji X-E2

The Fuji X-E2 features a class-leading EVF with Eye-Start sensor. The EVF measures 0.5" and is made of an OLED panel with 2.4 megapixels of resolution, the second highest resolution available today. The image is extremely detailed, bright and shows good contrast. Motion is quite fluid too but slows down a little in low-light.

The EVF, just like the rear LCD, shows 100% coverage. Sadly, this view is not Exposure-Priority, negating the most fundamental advantage of EVFs over OVFs. The optional Live-Histogram is of no help either since it is based on the display brightness.

A full complement of manual controls, including manual focus, choice of metering modes and custom white-balance gives photographers complete control over the creative process with the X-E2. There is also a RAW mode for those who with to process their images differently than the camera. The buffer-depth for the 7 FPS continuous drive is 20 JPEG or 12 RAW.

The Fuji X-E2 is suitable with most types of photography within the limitations of available lenses which span from ultra-wide to medium telephoto. The lack of weather-sealing seems a curious choice by Fuji and should also be considered when deciding if the X-E2 fits your needs.

Fujifilm X-E2
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By on 2013/12/12
3

Fujifilm X-E2 Facts

Mirrorless digital camera
16 Megapixels MirrorlessISO 100-25600
Fujifilm X Mount
1.5X FLM

Sensor-Size: 24 x 16mm

APS-C Sensor

Actual size when viewed at 100 DPI

Shutter 1/4000-30s
0.50" Built-in EVF 2.4 Megapixels (0.64X)Full manual controls, including Manual Focus
Automatic Eye-Start sensorCustom white-balance with 2 axis fine-tuning
1 Axis Digital LevelSpot-Metering
Built-in Dust ReductionHot-Shoe
7 FPS Drive, 20 ImagesStereo audio input
1920x1080 @ 60 FPS Video RecordingLithium-Ion Battery
3" LCD 1 MegapixelsSecure Digital Extended Capacity
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