RSS Twitter YouTube

Fuji Finepix S100FS Review

11 Megapixels11 MegapixelsUltra-Zoom: At least 10X optical zoom.Ultra-Zoom: At least 10X optical zoom.Electronic View FinderElectronic View FinderStabilization: Compensates for tiny involuntary movements of the camera.Stabilization: Compensates for tiny involuntary movements of the camera.Continuous DriveContinuous DriveVGA Video: 640 x 480 or more but less than 1280 x 720.VGA Video: 640 x 480 or more but less than 1280 x 720.Manual Controls: Both fully-manual (M) and semi-automatic modes (T and V).Manual Controls: Both fully-manual (M) and semi-automatic modes (T and V).Custom White-Balance: Specifies exactly what should be white to the camera.Custom White-Balance: Specifies exactly what should be white to the camera.Action Photography: Shutter speeds of 1/1500 or more.Action Photography: Shutter speeds of 1/1500 or more.Night Photography: Reaches shutter-speeds longer than 4 seconds.Night Photography: Reaches shutter-speeds longer than 4 seconds.Hotshoe: Allows external flash units to be attached.Hotshoe: Allows external flash units to be attached.Spot MeteringSpot MeteringAccepts Secure Digital High Capacity (SDHC) and SD memory.Accepts Secure Digital High Capacity (SDHC) and SD memory.Accepts xD memory.Accepts xD memory.Neocamera detailed reviewNeocamera detailed reviewDiscontinued: No longer produced by the manufacturer. May still be in stock or found used.Discontinued: No longer produced by the manufacturer. May still be in stock or found used.

Introduction

The Fuji Finepix S100FS is a large high-end fixed lens digital camera aimed at prosumers. Fuji calls it the most sophisticated camera ever made. It is an SLR-styled camera with complete manual controls, a mechanical lens and numerous buttons to give it a professional feel.

This camera's outstanding feature set includes:

  • 11 Megapixels sensor
  • 14.3X Stabilized optical zoom lens
  • Starts at 28mm wide-angle and reaches 400mm
  • Mechanical zoom ring
  • Electronic focus ring
  • ISO sensitivity ranging from 100 to 10000
  • Shutter speeds from 1/4000s to 30s
  • Selectable dynamic range from 100% to 400%
  • 4 Film-simulation modes
  • Bracketing of film-simulation, dynamic range and exposure
  • Complete set of manual controls
  • Unlimited high-quality movie recording
  • Hot-shoe and sync-port for external flashes
Fuji S100FS

Suitability - What is it good for?

The Fuji Finepix S100FS is designed for a all sorts of photography. Unlike most fixed-lens cameras, the S100FS is as large as the average DSLR. It is quite sturdy and feels solid. Even the moveable LCD and the memory card door feel sturdier than most. Since it weighs 912gIncluding battery and SD card, it feels more like a professional tool. The camera can be held securely thanks to its large rubberized grip with a horizontal indentation for the index finger. On the back side of the camera, an inward curvature prevents the thumb from slipping to the side.

Fuji Finepix S100FS

Pictures from the S100FS can be printed nicely in sizes up to 20 "x15" thanks to its high quality 11 megapixels Fuji SuperCCD HR sensor. The optical zoom lens starts at 28 mm, which is a moderate wide angle, and goes all the way to 400 mm which is a substantial telephoto. Near the wide-angle end, the lens can focus as close as 1 cm in super-macro mode. This makes this digital camera suitable for most photography subjects including architecture, wildlife and macro.

Since this camera provides ISO settings from 100 to 10000 and shutter-speeds from 1/4000th of a second to 30 seconds, it can be used for a vast range of photographic conditions and creativity. Indoor and social occasions can be captured well using high-ISO settings, while low-light photography can be captured using the slow shutter-speeds. Even indoor sports can be photographed using fast shutter speeds and high-ISO settings available with the S100FS. Other lighting conditions can be helped by using the Fuji S100DS's powerful built-in flash or an external flash attached to the camera's hot-shoe or sync-port. The Fuji S100FS also allows control over the dynamic range it captures. Possible options are 100%, 200% and 400%, although these are not available at all ISO settings.

Storage options are also versatile with both SD-HC and xD cards being supported. Since SD cards are cheaper, faster (See our Memory Performance feature) and available in larger sizes than xD, we recommend people who don't already have memory cards of either type to buy SD cards for the Fuji S100FS.

Capability - What can it do?

Beyond taking pictures in a large variety of conditions suitable for large prints, the Fuji Finepix S100FS packs some useful and interesting features. Below is a list of its most useful features, followed by explanations, when required.

  • Film-simulation: Provia, Velvia, Soft, Portrait.
  • Dynamic range: 100%, 200% and 400%.
  • White-balance: Auto, 7 Preset and 2 Custom, all fine-tunable in 7 steps on Red-Cyan and Blue-Yellow scales.
  • Metering modes: evaluativeAlso called segment or matrix, spot and average.
  • Focus control: single auto focus, continuous auto focus, manual focus.
  • Drive modes: single frame, first 7-frames, first 50 frames at 3 MP, final 7-frames, long period.
  • Exposure compensation: +2 to -2 EV, in 1/3 stop increments.
  • Flash compensation: -2/3..+2/3, 1/3 EV steps.
  • Exposure bracket: 3 shots, 1/3, 2/3 or 1 EV steps.
  • Film-simulation and dynamic-range bracketing, 3 shots.
  • Auto focus modes: center, multi-pointCamera chooses a point to focus on, areaUser selects an area to focus on.
  • Flash modes: auto, on, off, slow-syncAlso called rear-curtain sync.
  • Face detection with or without redeye removal.
  • Photography modes: fully automatic, program automatic, shutter priority, aperture priority, manual, 2 custom modes, 14 scene-modes and film-simulation bracket.
  • Other: Auto exposure lock or toggle and focus check.

The Fuji Finepix S100FS brings several unique and rare features. The FS in S100FS stands for Film-Simulation and is a newcomer to this class of camera. Fuji offers 4 film types which differ in dynamic-range, color, tone and sensitivity. Additionally, each parameter can be increased or decreased independently of the film-simulation mode. The control over dynamic range is fairly new too. It is somehow related to ISO sensitivity which is why not all dynamic range options are allowed at all ISOs. Basically, dynamic range is increased from the default 100% by simulating capture of parts of the image at different ISO settings.

Fuji Finepix S100FSDrive modes require some explanations. Obviously, in single frame mode, the camera takes a single picture when the shutter is pressed down. The first 7-frames mode is the typical burst mode where the camera focuses once and takes up to 7 picturesMetering for each one. It does so at 3 FPS, and shows a brief review of each picture after its taken. The first 50-frame mode works the same way except that images are shot at 7 FPS and resolution is limited to 3 megapixels. Exposure bracketing produces one properly exposed frame, one underexposed and one overexposed. The increments are selectable to 1/3 EV, 2/3 EV or 1 EV. Film simulation bracketing takes an image in Provia, Velvia and Soft modes. Bracketing of dynamic range takes shots at 100%, 200% and 400%. It is unclear why the camera needs to take three shots when bracketing film-simulation or dynamic-range, instead of taking one and outputting three.

The final 7-frames drive-mode is a Fuji invention which has made it into many Fuji digital cameras and several models from other manufacturers. Simply put, the camera takes pictures continuously at 3 FPS but only saves the last 7 frames taken. This is a very valuable feature for action shots when it is difficult to anticipate the action. Finally, the long period drive mode takes pictures at roughly 1 FPS, the number of pictures taken depending on the speed of the memory used. Most photography modes and scene modes are also typical.

The AE-L button either locks the exposure while it is pressed or sets it until the AE-L button is pressed again. The specific operation of this button depends on an obscure menu which chooses between AE-L 1 and AE-L 2. The Focus-Check button magnifies the center of the live-preview, to facilitate manual focusing or validating the auto-focus. Unfortunately, neither the LCD nor EVF is precise enough to make this entirely accurate.

Fuji Finepix S100FS

Fujifilm Finepix S100FS
Buy from these sellers:Buy From Amazon.com
By on 2008/07/23
3

Fujifilm S100FS Facts


Large digital camera

Sensor-Size: 9 x 7mm

2/3" Sensor

Actual size when viewed at 100 DPI

11 Megapixels Ultra ZoomISO 100-3200
14.3X Mechanically Linked Wide Optical ZoomShutter 1/4000-30s
Built-in StabilizationFull manual controls, including Manual Focus
0.20" Built-in EVF 200K PixelsCustom white-balance with 2 axis fine-tuning
3 FPS Drive, 7 ImagesSpot-Metering
640x480 @ 30 FPS Video RecordingHot-Shoe & Sync-Port
2.5" LCD 230K PixelsLithium-Ion Battery
Secure Digital High Capacity
xD
Internal Memory
Buy from these sellers:Buy From Amazon.com

Dynamic Range Misunderstood

Dynamic range is a problem in photography because the world has a luminance range far greater than any sensor or film can capture. If dynamic range was not a problem, there would be no need for exposure. Exposure controls which range of luminance is recorded in a photograph.

The dynamic range that a camera captures refers to the range of luminance of the world which is recorded by the image sensor. The misconception is that the dynamic range of the resulting image files is different. In reality, all JPEG images have the same dynamic range, they are all 8-bits-per-component (hence 24-bits-per-pixel). That is, each color component can have a value between 0 and 255. No matter which camera produces a JPEG, it can produce one with pixel-components that are 0 and some that are 255.

Since the camera output has always the same dynamic range but sensors differ in the dynamic range which they can capture, a mapping occurs between the two ranges. This mapping compresses the captured dynamic range into the output dynamic range. Therefore, the wider the captured dynamic range, the lower the contrast in the resulting image. This is the reason why it is important to select an appropriate dynamic for the subject matter and not simply leave the camera to its maximum dynamic range.

Camera Bag

Clear

Your camera bag is empty. To add a camera or lens click on the star next to its name.

Your camera bag is empty.

Add cameras or lenses by clicking on the star next to their name.

Updates

    2020.01.01

  • 2020.01.01

    Panasonic Lumix DC-GX9 Review

    Panasonic Lumix DC-GX9 Review

    This highly capable and compact mirrorless ranked as Best Beginner Mirrorless Digital Camera of 2019. Its 20 MP Four-Thirds CMOS sensor with Anti-Alias Filter is pared with 5-axis stabilization to maximize sharpness. Features a tilting 2.8 MP 0.39" EVF with large 0.7X view and Eye-Start sensor in a body with dual control-dials.

  • 2019.12.10

  • 2019.12.10

    Best Digital Cameras of 2019

    Best Digital Cameras of 2019

    The Best Cameras of 2019 awarded by Neocamera: Best Travel-Zoom, Best Premium Compact, Best Ultra-Zoom, Best Mirrorless and Best DSLR.

  • 2019.11.26

  • 2019.11.26

    10 Gifts Photographers Will Love

    10 Gifts Photographers Will Love

    The 2019 gift guide for photographers showcases photography gear that amateur and enthusiasts will enjoy. It is divided into 3 price categories to suit different budgets from $50 to $200 USD.

  • 2019.11.25

  • 2019.11.25

    Sony Alpha A7R IV In-Depth Review

    Sony Alpha A7R IV In-Depth Review

    The newest Sony high-resolution mirrorless packs a 61 MP Full-Frame BSI-CMOS sensor on 5-axis Sensor-Shift system. It shoots at 10 FPS, records 4K Ultra-HD video and focuses with a new 567-Point and 425-Area Hybrid AF system with Realtime tracking. This professional-grade camera features a 5.8 MP 0.5" EVF with 0.78X magnification, 100% coverage and an Eye-Start Sensor plus triple control-dials in a weatherproof body. This review shows exactly how the A7R IV performs and compares to top Full-Frame and Medium-Format digital cameras.

  • 2019.11.04

  • 2019.11.04

    Olympus OM-D E-M1X Review

    Olympus OM-D E-M1X Review

    Professional Micro Four-Thirds mirrorless sporting an ultra-high speed 20 MP sensor with 121-Point Phase-Detect AF on a 5-axis image-stabilization system effective to 7-stops. 60 FPS drive with blackout free view on a huge 0.83X magnification 2.4 MP 0.5" EVF. Even a builtin GPS in a dual-grip double dual-control-dial IPX1-rated weatherproof and freezeproof body.

  • 2019.10.17

  • 2019.10.17

    Nikon D3500 Review

    Nikon D3500 Review

    The lightest DSLR packs a 24 MP APS-C sensor with ISO 100-25600 sensitivity-range, 5 FPS drive and Full HD video capture. Basic features with simple ergonomics.

  • 2019.10.16

  • 2019.10.16

    Time-Lapse Photography for Beginners

    Time-Lapse Photography for Beginners

    Learn how to get started with time-lapse photography in 4 easy steps.

  • 2019.10.07

  • 2019.10.07

    Fujifilm X-T30 Review

    Fujifilm X-T30 Review

    The newest 26 MP 4th-Generation X-Trans CMOS sensor and X-Process 4 from the flagship X-T3 in more compact body. ISO 80-51200, 1/32000-30s, 20 FPS Continuous drive, Cinema 4K video. Dual control-dials and 2.4 MP EVF with Eye-Start Sensor.

  • 2019.09.30

  • 2019.09.30

    Nikon Z6 Review

    Nikon Z6 Review

    Nikon Full-Frame Mirrorless with 24 MP and 5-Axis Built-In Image-Stabilization effective to 5-Stops. ISO 100-202400. 12 FPS Continuous Drive. 3.7 MP 0.5" EVF with 0.8X Magnification and 100% Coverage. 4K Ultra-HD video.

  • 2019.04.22

  • 2019.04.22

    Fujifilm GFX 50R Review

    Fujifilm GFX 50R Review

    Medium Format Mirrorless Digital Camera based on 50 MP 0.8X-Crop CMOS sensor without Anti-Alias Filter. ISO 50-102400, 1/16000s-60m Shutter-Speeds, 3 FPS and Full 1080p HD video at 30 FPS. Large 0.5" EVF with 3.7 MP, 100% coverage, 0.77X magnification and an Eye-Start Sensor. Dual control-dials in a weatherproof and freezeproof body.