RSS Twitter YouTube

Olympus OM-D E-M5 Mark II Review

16 Megapixels16 MegapixelsElectronic View FinderElectronic View FinderHigh ISO: ISO 6400 or more is available at full-resolution.High ISO: ISO 6400 or more is available at full-resolution.Stabilization: Compensates for tiny involuntary movements of the camera.Stabilization: Compensates for tiny involuntary movements of the camera.Level: Measures camera tilt and helps to keep the horizon level.Level: Measures camera tilt and helps to keep the horizon level.Continuous DriveContinuous DriveFull 1080p HD Video: 1920 x 1080 resolution or more but less than 4K.Full 1080p HD Video: 1920 x 1080 resolution or more but less than 4K.Manual Controls: Both fully-manual (M) and semi-automatic modes (T and V).Manual Controls: Both fully-manual (M) and semi-automatic modes (T and V).Custom White-Balance: Specifies exactly what should be white to the camera.Custom White-Balance: Specifies exactly what should be white to the camera.Action Photography: Shutter speeds of 1/1500 or more.Action Photography: Shutter speeds of 1/1500 or more.Night Photography: Reaches shutter-speeds longer than 4 seconds.Night Photography: Reaches shutter-speeds longer than 4 seconds.Hotshoe: Allows external flash units to be attached.Hotshoe: Allows external flash units to be attached.Spot MeteringSpot MeteringDepth-Of-Field Preview: Improve perception of DOF before shooting.Depth-Of-Field Preview: Improve perception of DOF before shooting.Weatherproof - Seals protect from dust, humidity and light splashing.Weatherproof - Seals protect from dust, humidity and light splashing.Accepts Secure Digital Extended Capacity (SDXC), SDHC and SD memory.Accepts Secure Digital Extended Capacity (SDXC), SDHC and SD memory.Neocamera detailed reviewNeocamera detailed review

Performance - How well does it take pictures?

Performance starts with image quality, which is the criteria used as the foundation of our digital camera ratings. Ergonomic issues may get in the way, but in the end, image quality counts the most. For an ILC, image quality greatly depends on the lens used. While color, noise, exposure and dynamic-range are properties of a camera, distortion, vignetting and chromatic aberrations are properties of the lens. Sharpness and contrast depend on the weakest link. That is, a camera cannot capture more details than a lens lets through. Conversely, it is quite possible for a lens to transmit more details than a sensor can capture.

Olympus OM-D E-M5 Mark II

Image Noise & Details

The Olympus OM-D E-M5 Mark II delivers very good image quality. It matches closely that of its predecessor with a possibly slightly stronger anti-alias filter. It cannot extract as much sharpness from lenses as its higher-end sibling yet it is less prone to moire artifacts. The new Super-Resolution mode offers another means of increasing image-details which works for completely still subjects.

Image noise is extremely low until ISO 800 and barely there at 1600 where it remains usable for relatively large prints. ISO 3200 shows visible noise with has a slight effect on the finest details. At ISO 6400, fine details get eaten by noise and maximum print size is affected. On 12" x 9" prints, ISO 6400 remains extremely usable with fine noise only visible upon close inspection.

ISO 12800 shows significant noise with fine details gone. This makes noisy mid-size prints, yet completely usable 4" x 6" ones. ISO 25600 is not that usable, except for small emergency prints.

There are three levels of noise-reduction available. NR can also be turned off entirely which avoids increased softness at high sensitivities. Best results are obtained with the NR Off and Sharpness at +1. Anything higher shows clear sharpening artifacts on this camera.

Upon close inspection, Super-Resolution images look quite soft yet they allow for moderately larger prints. These compare reasonably to the output of a 24 MP camera which is still a 50% increase over the E-M5 Mark II's native resolution. Noise characteristics are well-maintained even at 40 megapixels, making very large prints usable throughout the entire ISO 100-1600 sensitivity range.

Olympus OM-D E-M5 Mark II

Color & White Balance

The OM-D E-M5 Mark II struggles with color accuracy. There are lots of Picture Modes but none produce realistic colors across the spectrum. The most realistic colors are obtained in Natural style with Saturation dialed down to -1. The red channel remains too high regardless of settings. This is obviously avoidable for those who shoot RAW.

Automatic While-Balance is excellent. It deals well with a variety of conditions including typical indoor lighting. There are tons of options for the rare cases when AWB has difficulty or to get consistent colors between shots. Custom WB is easy to use on this camera and renders whites perfectly neutral.

Exposure

This digital camera has an excellent multi-segment metering system. It is overexposes only when rather small and bright highlights are present in the scene. Generally, exposures come out perfectly usable without needing any exposure-compensation. Low contrast scenes are exposed towards the mid-tone which makes them look natural.

It is important to know that the LCD clips extreme highlights which may still be correctly captured. This happens when adjusting the highlight tone-curve too. Differences are barely noticeable on the LCD but images are in fact captured differently. Changes to the shadow tone-curve are much easier to see. When in doubt, the Playback histogram must be checked. The Live-Histogram is only truly accurate in M mode.

Olympus OM-D E-M5 Mark II

Auto Focus

The OM-D E-M5 Mark II has a fast Contrast-Detect autofocus system. Its autofocus speed compares to a mid-range DSLR in good light and is just a little slower in low-light. Focusing accuracy is extremely high. Plus, unlike Phase-Detect AF used in DSLRs, Contrast-Detect AF never suffers from front or back focus issues, which is why no calibration is needed.

With typical Micro Four-Thirds lenses, focus is done via a fly-by-wire ring around the lens-barrel. The E-M5 Mark II keeps up well with no perceptible lag. In DMF mode, a slight turn of the focus-ring shift into manual focus. Because the ring is fly-by-wire, the E-M5 Mark II can reverse the direction to adjust focus. There are several lenses now with mechanical focus-rings and the rotation on those cannot be reversed.

Olympus OM-D E-M5 Mark II

Speed

The E-M5 Mark II is quick and responsive. Buttons, dials and the Eye-Start sensor all respond instantly. Olympus boosted the continuous drive to 10 FPS with autofocus or 5 FPS without. At 5 FPS, the E-M5 Mark II can even shoot until the memory-card fills up. A few functions take a while to process though. During Super-Resolution capture, the camera shows the first exposure while the following ones are being captured.

The Olympus OM-D E-M5 Mark II rarely holds back the photographer. The following measurements characterize its performance:

  • Power-On: 1 second. Average.
  • Power-On to First-Shot: 1½s. Good.
  • Autofocus: ¼s on good to moderate light. Rarely more than ½s, even in low light. Excellent.
  • Shutter-lag: Nearly instant with around ¼s blackout. Very good.
  • Shot-to-shot: Under ¾s. Much faster then the average mirrorless.
  • Playback: ½s to enter, instant to exit. Excellent.
  • Power-Off: Nearly instant second. Very good.
  • Video: 1s to start, instant to stop. Slow.

Overall, the E-M5 Mark II turns in a solid performance. It does particularly well where it counts most: shutter-lag, autofocus and shot-to-shot speed. For video, it starts recording one second too late. This is the one regression compared to the original E-M5 which is unfortunate for videographers. The 10 FPS continuous drive works incredibly well though. The camera even manages to keep the EVF or LCD updated with the latest frame, making it usable for action photography.

The Olympus OM-D E-M5 Mark II is powered by a proprietary Lithium-Ion battery which provides 360-shots per charge with 50% flash using the supplied add-on flash which is powered by the camera. This is below average among mirrorless yet should be enough for a day of casual shooting. For professionals, additional batteries are highly recommended.

Conclusion

Olympus OM-D E-M5 Mark II

The Olympus OM-D E-M5 Mark II is a refinement of its predecessor, improving in many areas while tweaking the interface and slipping on very few aspects. Existing E-M5 owners have nothing to worry about. Coming up from another class of mirrorless though, the E-M5 Mark II is a serious step up. This is a professional camera with a huge feature-set and complexity to match.

Images from this mirrorless are high-quality. Noise is very low until ISO 1600 and images remain usable until ISO 12800 for small prints. The new Super-Resolution mode allows for huge prints, comparable to larger and heavier digital cameras. ISO 100-1600 are quite usable even at 40 MP, only requiring a completely still scene to capture 8 exposures that match. Dynamic-range is good and the HDR mode produces images of high-contrast scenes with stunning clarity.

Metering from the OM-D E-M5 Mark II is excellent and automatic white-balance is highly reliable. Color accuracy could be improved yet is not so that far off after some adjustment. This mirrorless offers tremendous flexibility in tonality rendition thanks to independently adjustable shadow and highlight curves. The same control and flexibility is offered for video too.

The E-M5 Mark II is remarkably quick. The Contrast-Detect AF system remains fast even in moderately low-light and the camera responds to controls without delay. Video performance falters though with a one second recording delay. There is also an unusual 8 second limit when recording 1080p at 60 FPS.

This latest Olympus mirrorless delivers a solid performance and demonstrates the capabilities of the Micro Four-Thirds system. It pairs itself well with any high-end M.Zuiko lens to provide an excellent balance between performance and size.

Excellent
Buy from these sellers:Buy From Amazon.com

By on 2015/05/31
3

Olympus E-M5 Mark II Facts


Mirrorless digital camera

Sensor-Size: 17 x 13mm

Four-Thirds Sensor

Actual size when viewed at 100 DPI

16 Megapixels MirrorlessISO 100-25600
Micro Four-Thirds Mount
2X FLM
Shutter 1/16000-60s
5-Axis Built-in Stabilization, 5-Stop ImprovementFull manual controls, including Manual Focus
0.50" Built-in EVF 2.4 Megapixels (0.74X)Custom white-balance with 2 axis fine-tuning
Automatic Eye-Start sensorSpot-Metering
2 Axis Digital LevelHot-Shoe
Weatherproof down to -10CStereo audio input
Built-in Dust ReductionLithium-Ion Battery
10 FPS Drive, 19 ImagesSecure Digital Extended Capacity
1920x1080 @ 60 FPS Video Recording
3" LCD 1 Megapixels
Buy from these sellers:Buy From Amazon.com

Camera Bag

Clear

Your camera bag is empty. To add a camera or lens click on the star next to its name.

Your camera bag is empty.

Add cameras or lenses by clicking on the star next to their name.

Updates

    2019.12.10

  • 2019.12.10

    Best Digital Cameras of 2019

    Best Digital Cameras of 2019

    The Best Cameras of 2019 awarded by Neocamera: Best Travel-Zoom, Best Premium Compact, Best Ultra-Zoom, Best Mirrorless and Best DSLR.

  • 2019.11.26

  • 2019.11.26

    10 Gifts Photographers Will Love

    10 Gifts Photographers Will Love

    The 2019 gift guide for photographers showcases photography gear that amateur and enthusiasts will enjoy. It is divided into 3 price categories to suit different budgets from $50 to $200 USD.

  • 2019.11.25

  • 2019.11.25

    Sony Alpha A7R IV In-Depth Review

    Sony Alpha A7R IV In-Depth Review

    The newest Sony high-resolution mirrorless packs a 61 MP Full-Frame BSI-CMOS sensor on 5-axis Sensor-Shift system. It shoots at 10 FPS, records 4K Ultra-HD video and focuses with a new 567-Point and 425-Area Hybrid AF system with Realtime tracking. This professional-grade camera features a 5.8 MP 0.5" EVF with 0.78X magnification, 100% coverage and an Eye-Start Sensor plus triple control-dials in a weatherproof body. This review shows exactly how the A7R IV performs and compares to top Full-Frame and Medium-Format digital cameras.

  • 2019.11.04

  • 2019.11.04

    Olympus OM-D E-M1X Review

    Olympus OM-D E-M1X Review

    Professional Micro Four-Thirds mirrorless sporting an ultra-high speed 20 MP sensor with 121-Point Phase-Detect AF on a 5-axis image-stabilization system effective to 7-stops. 60 FPS drive with blackout free view on a huge 0.83X magnification 2.4 MP 0.5" EVF. Even a builtin GPS in a dual-grip double dual-control-dial IPX1-rated weatherproof and freezeproof body.

  • 2019.10.17

  • 2019.10.17

    Nikon D3500 Review

    Nikon D3500 Review

    The lightest DSLR packs a 24 MP APS-C sensor with ISO 100-25600 sensitivity-range, 5 FPS drive and Full HD video capture. Basic features with simple ergonomics.

  • 2019.10.16

  • 2019.10.16

    Time-Lapse Photography for Beginners

    Time-Lapse Photography for Beginners

    Learn how to get started with time-lapse photography in 4 easy steps.

  • 2019.10.07

  • 2019.10.07

    Fujifilm X-T30 Review

    Fujifilm X-T30 Review

    The newest 26 MP 4th-Generation X-Trans CMOS sensor and X-Process 4 from the flagship X-T3 in more compact body. ISO 80-51200, 1/32000-30s, 20 FPS Continuous drive, Cinema 4K video. Dual control-dials and 2.4 MP EVF with Eye-Start Sensor.

  • 2019.09.30

  • 2019.09.30

    Nikon Z6 Review

    Nikon Z6 Review

    Nikon Full-Frame Mirrorless with 24 MP and 5-Axis Built-In Image-Stabilization effective to 5-Stops. ISO 100-202400. 12 FPS Continuous Drive. 3.7 MP 0.5" EVF with 0.8X Magnification and 100% Coverage. 4K Ultra-HD video.

  • 2019.04.22

  • 2019.04.22

    Fujifilm GFX 50R Review

    Fujifilm GFX 50R Review

    Medium Format Mirrorless Digital Camera based on 50 MP 0.8X-Crop CMOS sensor without Anti-Alias Filter. ISO 50-102400, 1/16000s-60m Shutter-Speeds, 3 FPS and Full 1080p HD video at 30 FPS. Large 0.5" EVF with 3.7 MP, 100% coverage, 0.77X magnification and an Eye-Start Sensor. Dual control-dials in a weatherproof and freezeproof body.

  • 2019.04.10

  • 2019.04.10

    Fujifilm X-T3 Review

    Fujifilm X-T3 Review

    State of the art 26 MP X-Trans CMOS 4 sensor with 2.1M Phase-Detect pixels, 20 FPS Full-Resolution Continuous Drive, Cinema 4K & Ultra-HD 4K video at 60 FPS. Built-in 0.5" EVF 3.7MP, 100% Coverage, 0.75X magnification and Eye-Start Sensor. Dual control-dials plus dedicated dias in weatherproof and freezeproof body.