Fujifilm Finepix HS10 Review

The basic camera operation of the Fuji Finepix HS10 is strait forward. Although the number of buttons is high, advanced users appreciate having external controls for all commonly used features. The deep contoured grip provides a secure hold on the camera and is mostly comfortable.

The HS10 is powered on by a rotating switch which surrounds the shutter release. It feels solid and has two well-defined positions with audible clicks. Every other button feels just as solid. The camera has an aggressive auto-sleep feature which turns the camera off after a period of inactivity. Unfortunately, waking the camera up requires moving the power-switch to the Off position and back to On. This makes it slower to wake up than most cameras which are woken up by a half-press of the shutter-release.

A pleasure of a few digital cameras is a mechanical zoom lens. Fuji has equipped the HS10 with zoom ring which turns smoothly. It small size and the position of the flash means that one has to be careful when turning to not bump against flash-housing. Still, this is much better than not having a zoom ring.

Having a mechanical zoom ring means that zooming from 24 mm to 720 mm can be done in a half a second and there are no zoom steps. There is also a fly-by-wire focus ring which also turns smoothly. The focus ring is responsive and sensitive enough.

The shutter release is pretty standard with a short travel distance. The two buttons behind the shutter, exposure compensation and drive mode are unfortunately too far and indistinct for comfort. Behind those are t he mode dial and top-mounted control-wheel. Both dials rotate easily and have gentle click-stops to avoid accidental changes. Both the mode dial and control wheel are set on a slant for easy reach using the thumb.

Pressing the exposure-compensation button, shows a luminance histogram which is updated in real time as exposure is changed. Unfortunately the HS10 screws up big-time here, something that the S100FS actually got right. The histogram actually is that of the display. Now, if the HS10 was exposure-priority all the time, it would not be a problem. However, the HS10 does not always show the correct exposure before the shutter is pressed halfway, so the preview histogram while using EC can be quite off. This problem should be correctable via a firmware update but since the other CMOS camera
Nikon Coolpix P100 tested exhibited an even worst problem, we have some doubts that there could be a technological problem. The LCD is unfortunately never exposure-priority in S, A, or M mode.

The camera rear is dominated by a large 3" LCD with 230K pixels mounted using a double-hinge for framing flexibility. The hinge seems solid enough that this is not much of a liability problem. Above it is a tiny EVF with an eye-start sensor which switches between the LCD and EVF automatically. Once used to one of these, it is hard to accept anything else. The EVF is not so precise but easy to see and keeps up well. A switch next to the EVF allows to manually switch between the two display, but only if the option to do so is selected in the setup menu.

To the left of the LCD is a column of buttons to be used in conjunction with the control-wheel. All these functions require two handed operation, so letting go of the lens zoom ring. Unfortunately ISO is among those buttons, it could have been switched with drive mode which is not used as quickly in general. The remaining buttons are: AE, AF mode, AF drive and WB.

The ISO button is also used in conjunction with the control-wheel. It shows the list of possible ISO values, plus 3 Auto settings. Each Auto setting differs in the maximum ISO value that can be chosen. Resolution and dynamic range are automatically adjusted for the chosen ISO when the current setting is incompatible.

The rear of the camera also has a movie-record button, an AE-L button, a Display button, a Playback button and a 4-way control with central OK/Menu button. The movie record button starts and stops video recording. To start it must be held for a second and then it takes about 4s for recording to start. Honestly this is quite terrible for video recording as it makes it easy to miss a moment. One thing that Fuji did well is that they include a display mode which shows some guides as to what the video framing will be like. This at least allows to set up initial framing for still objects. It would have been much better to have a dedicated video mode which makes sure the camera is ready to record video and shows accurate framing.

The 4-way controller has a center button to activate the menu system and select menu options. Each direction is also assigned a function in shooting mode. To the right, the flash mode can be set, but only when the flash is up. The choices available are Auto, Forced and Slow-Synchro. Down chooses 2 or 10s self-timers. Each time a self-timer is used, it resets itself. Left activates Macro or Super-Macro mode. Up activates digital zoom.

The menu system is easy to navigate and most options are quite intuitive. The menu is divided into 2 main tabs. The camera menu is then divided into 4 pages and the setup menu into 6. That is certainly more customization options that we are used to see outside of DSLRs, very well done.

There is an off-center tripod mount at the bottom of the Fuji Finepix HS10. This is problematic for panoramas but for other uses, the camera will be better balanced.