Nikon 1 V2 Review
Performance - How well does it take pictures?
Performance starts with image quality, which is the criteria used as the foundation of our digital camera ratings. Ergonomic issues may get in the way, but in the end, image quality counts the most. For an ILC, image quality greatly depends on the lens used. While color, noise, exposure and dynamic-range are properties of a camera, distortion, vignetting and chromatic aberrations are properties of the lens. Sharpness and contrast depend on the weakest link. That is, a camera cannot capture more details than a lens lets through. Conversely, it is quite possible for a lens to transmit more details than a sensor can capture.
Image Noise & Details
The Nikon 1 V2 shows reasonable image quality with relatively low image noise up to ISO 400. Noise is barely noticeable at ISO 800 with little effect on fine details. ISO 1600 shows obvious noise but it is not very destructive. Still, that sensitivity is very usable, which is impressive considering the small size of this digital camera. It does reduce print sizes a little but even a mid-size print is still possible. At ISO 3200 and 6400, noise becomes visibly more pronounced and fine details disappear. At this point, only small prints are possible.
While this is a similar performance in terms of noise compared to other SLDs which use larger sensors, the weakness of this 2.7X crop sensor comes in the form of reduced dynamic range. Still, this is much better than most compact cameras, showing that this form-factor provides a good compromise in terms of image quality. Sharpness is a quite soft at the default setting of 2 but 4 improves things without artifacts. Setting sharpness to 5 makes things look better while introducing minimal sharpening artifacts.
Color & White Balance
This digital camera does very well in terms of colors. Standard mode provides the most accurate. There is a slightly warm tone by default which is easily corrected by adding +1 to Hue. The default Contrast is slightly high clips abruptly. Setting it to -1 produces images with more details without making them dull.
The V2 has a good automatic white-balance system. AWB captures neutral colors under most situations. It does occasionally fail to correct the strong color-cast of artificial light but not more than most. Custom while balance is also good but not entirely perfect. Keep in mind that this camera shows strong color-noise at high-ISO which tints images towards green.
The Nikon Matrix metering system used by the Nikon 1 V2 is exceptionally good. Exposure is quite consistent and accurate. Highlights are not blown out very often while results are generally bright enough to be usable as is. There is no Live-Histogram to preview exposure, nor is there an Exposure-Priority preview, but a luminance histogram is available during image playback.
The Nikon 1 V2 uses a fast hybrid autofocus system with both Phase-Detection and Contrast-Detection. Phase-Detection is done with 73 points right on the sensor, while Contrast-Detection is measured at 135 points. This digital camera decides which one to use depending on available light.
Phase-Detection has the advantage of being faster and not needing back and forth lens movements to confirm focus. The latter point is particularly important during video which gets recorded as the camera focuses. When light is too low, the camera switches to Contrast-detection.
Autofocus speeds, because of the hybrid system, are variable. When light is good to moderately low, this Nikon focuses extremely quickly. Even under typical household lighting, this camera manages to lock focus faster than any mirrorless. As light levels drop and the camera switches to Contrast-Detection, things slow down gradually. When light is low, it still manages impressively well.
The Nikon 1 V2 is an extremely speedy camera in general. Every button, dial and menu gets an almost instance response. With Phase-Detection it compares well to advanced DSLRs in terms of autofocus speed. This is an amazing performance for a mirrorless camera. These measurements characterize the performance of the V2:
- Power-On: 1½ seconds. Average.
- Power-On to First-Shot: 1½ seconds. Good.
- Autofocus: Under ¼s in good to moderate light. Rarely exceeds ½s except in very low light. Excellent.
- Shutter-lag: Nearly instant with virtually no black out other than for slow shutter-speeds. Absolutely superb.
- Shot-to-shot: Just under ¾s. Very good.
- Playback: Instant to enter, ¼ to exit. Excellent.
- Power-Off: Under ½s. Excellent.
- Video: 1s start delay. Instant stopping. Slow to start, good to stop.
The Nikon 1 V2 is one clearly the fastest mirrorless camera reviewed to date. It improves upon the V1 in all respects except for video recording. Autofocus - as mentioned earlier - is extremely fast. The shutter-lag is spectacular and, considering how quiet the electronic-shutter is, makes the camera so fast it does not even seem to take a picture! Shot-to-shot speed is also twice as fast as on the predecessor which makes it even more usable for action photography.
The Nikon 1 V2 is powered by a proprietary Lithium-Ion battery which provides 310-shots per charge. Despite using a relatively large batter, this is below average among mirrorless cameras, yet it should be enough for a day of shooting.
Performance - How well does it shoot video?
The Nikon 1 V2 is a nice video performer. It can shoot full HD video at 1080p and 1080i with continuous Phase-Detect autofocus and stereo sound. Sound can be recorded using an internal stereo microphone or an external one connected via mini-jack. There is also 720p video at 60 FPS and high-speed video modes at 400 and 1200 FPS. Full PASM exposure-modes are available for video.
Video is saved in Quicktime format using the efficient H.264 codec. This provides good compression and video quality without obvious artifacts. Motion appears smooth with minimal distortion. The autofocus system keeps up reasonably but can be heard in the audio track when using the built-in microphone.
The only drawback is a 1s delay when video recording starts. Despite having a dedicated Video mode, which is the only way to correctly see what is being filmed, the sensor does not appear ready.
Fast continuous autofocus is possible during video as is manual focus. Unfortunately the internal microphone records the movement of the control-dial used to focus manually. It is therefore highly recommended to use an external microphone or separate audio recording device when filming with the V2.
The Nikon 1 V2 is an impressive mirrorless camera that delivers a unique performance compromise. Image quality is good, considerably better than the majority of compact cameras, while not matching that of state-of-the-art mirrorless models. In terms of speed though, which is a big concern with mirrorless cameras, it truly excels.
This digital camera shows very low image noise until ISO 400 yet provides usable results up to its maximum sensitivity of 6400. Metering is excellent, while both white-balance and color-accuracy is good. Dynamic-range also falls closer to most mirrorless than to most compact cameras.
The hybrid autofocus brings top focusing speeds to mirrorless ILCs thanks to Phase-Detection which is also extremely advantageous for video recording. The V2 always remains responsive and keeps up the pace better than most digital cameras, similarly. With 60 FPS shooting and a top-shutter-speed of 1/16000, it also exceeds the speeds of all DSLRs.
The downsides of the Nikon 1 V2 are few but worth understanding. In low light, it switches to Contrast-Detect AF. This means that its ability to focus as fast as an entry-level DSLR disappears in dark environments. Still, it remains faster than other mirrorless cameras. The other important limitation is the number of Nikon 1 lenses available. This is obviously the most limiting but should gradually improve as Nikon introduces new lenses.
Overall, the Nikon 1 V2 is an extremely capable camera considering its compact size. Shooting and filming at eye-level with its sharp EVF while zooming mechanically is truly a pleasure. It provides a sense of connection with the scene without much bulk, while its speedy performance keeps the pace quick.
Nikon V2 Facts
|14 Megapixels Mirrorless||ISO 160-6400|
|Nikon 1 Mount|
Sensor-Size: 13 x 9mm
Actual size when viewed at 100 DPI
|0.47" Built-in EVF 1.4 Megapixels||Full manual controls, including Manual Focus|
|Automatic Eye-Start sensor||Custom white-balance|
|Built-in Dust Reduction||Spot-Metering|
|60 FPS Drive, 40 Images||Hot-Shoe|
|1920x1080 @ 30 FPS Video Recording||Stereo audio input|
|3" LCD 920K Pixels||Lithium-Ion Battery|
|Secure Digital Extended Capacity|
Think Tank Photo Spectral 10 Review
Review of the Think Thank Photo Spectral 10 photography shoulder bag.
Fujifilm X-T20 Review
Highly compact mirrorless built around a 24 MP X-Trans CMOS III APS-C sensor and X-Processor Pro capable of 14 FPS drive and 4K Ultlra-HD video. Features dual control-dials and a 2.4 MP 0.39" EVF with 0.62X magnification and an Eye-Start Sensor.
Digital Camera Viewfinder Comparison
Global comparison of viewfinders from all digital cameras. Optical viewfinders (OVF) and electronic viewfinders (EVF) all in one easy to compare table.
Best Digital Cameras of 2017
The Best Cameras of 2017 awarded by Neocamera: Best Travel-Zoom, Best Premium Compact, Best Ultra-Zoom, Best Mirrorless (Beginner, Advanced and Professional) and Best DSLR (Entry, Enthusiast and Professional), now including budget choices.
MindShift Photocross 13 Review
Review of the Mindshift Photocross 13 Sling Bag.
Fujifilm X-E3 Review
Unique Fujifilm rangefinder-styled mirrorless. 24 MP APS-C X-Trans CMOS III sensor with built-in 325-Point Hybrid AF system and X-Processor Pro. 14 FPS Drive with Electronic-Shutter or 8 FPS with Mechanical Shutter. 4K Ultra-HD Video at 30 FPS. Highly compact body with a builtin 2.4 MP 0.39" LCD with Eye-Start Sensor, 0.62X magnification and 100% coverage and 3" Touchscreen 1 MP LCD plus dual control-dials.
Panasonic Lumix GX850 Review
Highly compact mirrorless with 16 MP Four-Thirds CMOS sensor capable of 4K Ultra-HD video. Fast 10 FPS drive and 1/16000s-60s hybrid shutter. 4K Output for 30 FPS bursts, Post Focus and built-in Focus Stacking.
Olympus OM-D E-M1 Mark II Review
Olympus professional Micro Four-Thirds mirrorless with 20 MP sensor, built-in 5-axis Image-Stabilization, 121-Point Phase-Detect and Contrast Detect AF, 60 FPS Drive, 18 FPS with Continuous AF, Ultra-HD and Cinema 4K Video. Large built-in 2.4 MP 0.45" EVF with 100% Coverage, 0.74X magnification and Eye-Start Sensor in a freezeproof and weatherproof body with dual control-dials.
Fujifilm GFX-50S In-Depth Review
In-depth review of the Fujifilm GFX-50S Medium Format Mirrorless Digital Camera, a groundbreaking 50 megapixels camera with large 44x33mm sensor and unique modular EVF system. ISO 50-102400 range, 3 FPS drive and 1080p video.
Fujinon GFX Lens Roundup
Roundup of reviews for GFX Medium Format Mirrorless lenses: Fujinon GF 23mm F/4R LM WR, GF 32-64mm F/4R LM WR and GF 110mm F/2R LM WR.