Fujifilm Finepix F80 EXR Review
Usability - How easy is it to use?
What keeps this digital camera secure is the supplied wrist-strap which has a tightening element. The camera itself does not have a grip whatsoever. Due to the large rear LCD and mode-dial, the F80 leaves no room on the rear for the thumb which unfortunately must rest on the mode-dial itself. This occasionally causes it to rotate out of its intended position.
The shutter-release and surrounding zoom controller are easy to use and very responsive. Photographs are taken nearly instantly and the lens zooms rapidly from one end of the zoom-range to the other. Also, all other buttons provide instant feedback, unless the camera is writing an image to memory which is indicated by an orange light.
Except for the power button, located near the combined shutter-release and zoom control, camera controls are located on the rear of the Fuji F80: a mode-dial, 4-way control and 4 buttons. Each of these controls is straight forward. Play enters Playback mode, F brings up the Finepix menu, Disp toggles the display mode and Face-toggles face-detection.
Directions on the 4-way controller are assigned a function: up for EC, right cycles through flash-modes, down cycles between self-timers (Off, 2s, 10s) and left toggles macro focusing. The central button is used to activate the menu system and to confirm menu-selection.
The Finepix menu has 3 options: ISO, image size and film-simulation. This is a smaller selection than the F200EXR has which unfortunately means the important white-balance, metering and dynamic-range options are slower to change as they require using the full-length menu system.
The mode-dial has 8 positions, choosing most modes therefore involves rotating the mode dial and selecting a specific mode using the menu system. The Fuji F80's headline mode, for example, EXR has 4 specific modes: Auto, HR, SN and DR. Auto selects both a scene-mode and a EXR-mode for each picture. The chosen mode is displayed when the shutter is pressed halfway.
The Fuji F80's capabilities are spread across various modes. This is where things get twisted, particularly in EXR mode. In non-EXR modes, the F80 normally uses its sensor's HR (high-resolution) mode, meaning that all photosites are read simultaneously and each one is turned into a pixel. In these modes, this Fuji can be set to output images at 12, 6 or 3 MP. The camera does not give any indication of which EXR mode is used below 12 megapixels. It does give some hints though by enabling a different set of dynamic-range options when the flash is off. It would be preferable if things were clearly shown.
P mode can be used as automatic or aperture priority. A menu option selects between the two. In both cases ISO can be set from 100 to 1600 at full-resolution and up to 12800 at lower-resolutions. Since the Fuji F80 does not actually have a physical aperture, it reduces light coming in by sliding a neutral-density filter. Therefore, changing aperture does not affect depth-of-field and that, only two aperture options exist. This is why there is an Aperture-priority mode but no Shutter-priority mode: there are too few aperture settings for the Fuji to allow the selection of arbitrary shutter-speeds. Because the Fuji Finepix F80 must expose for the brightest image area, all dynamic-range options are not always available. At ISO 100, only 100% dynamic-range can be used, at ISO 200 options for dynamic-range expand to 200%. Between ISO 400 and 3200, up to 400% dynamic range can be chosen. At ISO 6400 and 12800, only 100% dynamic range can be selected.
M mode, this time, is actually manual mode. This rare mode among ultra-compacts lets the photographer set aperture and shutter-speed independently, although the 2 aperture settings do not affect depth-of-field due to the lack of a physical aperture. Still, the Fuji F80EXR has an excellent exposure latitude considering ISO goes up to 12800 and shutter-speed up to 8s.
Auto, Natural Light and Natural Light & Flash are fully automatic modes that do not allow ISO, DR, WB or EC to be selected. Auto allows the ISO limit to be set between 400 and 1600. There are 18 scene modes available, all of them fully automatic as well. Movie-mode is straight-forwards, supporting 1280x720 30 30 FPS and 640x480 30 FPS.
There being only one EXR mode seems like Fuji made it an after-thought in this camera's design, rather than a fully-present feature. The EXR mode has 4 sub-modes: Auto, HR (Resolution Priority), SN (High-ISO and Low Noise) and DR (Dynamic Range). Auto-EXR mode is as close to magic as any camera technology ever was. It takes full-control of the camera, including activating continuous-autofocus, scene-mode recognition, auto image size selection, face-detection and disabling EC, WB and ISO settings. Not only that, Auto-EXR drains the battery at super-speed. Still, image aspect ratio can be selected between 4:3, 3:2 and 16:9. Image quality, the self-timer and the flash-mode can be set.
HR mode is nearly identical to automatic P mode, the notable difference being that ISO is limited to 800 max. Resolution can be set to either 12, 6 or 3 megapixels with 4:3, 3:2 or 16:9 aspect ratio. It is not clear why 6MP HR mode would be any different than 6MP SN mode. SN mode limits resolution to 6 megapixels and ISO to 1600. It is still not clear why SN mode cannot use ISO 3200 to 12800, nor can dynamic-range be changed in HR and SN modes and it is fixed at 100% instead.
DR mode allows the selection of dynamic-range from 100% to 800%, which represents 3 extra stops beyond the F80's base dynamic-range. Resolution is limited to 6 megapixels and only automatic ISO settings (400 to 1600 max) can be selected. White-balance, exposure-compensation, macro mode and self-timers can be set as well. The Flash-mode is fixed to off though. Now, it is expected that expanded dynamic-range not be available at high-ISO due to high noise-levels, however it is too bad that DR mode is mutually exclusive with manual controls and that shutter-speeds slower than 1/4s are not achievable in this mode.
The full menu of the Fuji Finepix F80 is organized as a two menu systems, one for camera settings and one for setup options. The 3 ” LCD screen is excellent and the anti-reflective coating is among the best. Images on the screen are sharp and fluid.
This camera is well constructed with a sturdy plastic body. Both battery and memory are found behind the compartment door. The battery is held in place with a latch so that it does not fall out while changing memory cards. Another nice touch is that the latch is colored yellow, as is one side of the battery to know which way to insert it. The Fuji Finepix F80 comes with a charger for its battery. This is better than in-camera charging which locks down the camera while a battery is being charged. The F80 drops support for xD cards and supports both SD and SDHC memory.
Fujifilm F80 EXR Highlights
Sensor-Size: 6 x 5mm
Actual size when viewed at 100 DPI
|12 Megapixels Ultra Compact||ISO 100-1600|
|10X Wide Optical Zoom||Shutter 1/2000-8s|
|Built-in Stabilization||Full manual controls|
|1.6 FPS Drive, 5 Images||Custom white-balance|
|1280x720 @ 24 FPS Video Recording||Spot-Metering|
|3" LCD 230K Pixels||Lithium-Ion Battery|
|Secure Digital High Capacity|
Canon RF-Lens Info
Info on all Canon native RF-mount lenses added to the Canon EOS R5 preview.
Canon EOS R5 Preview
Preview of the Canon EOS R5 flagship Full-Frame Mirrorless with 45 MP sensor on a 5-axis stabilization system effective to 8-stops. First 8K video capable digital camera. 20 FPS electronic and 12 FPS mechanical drive.
Olympus OM-D E-M5 Mark III Review
Third-Generation OM-D that packs a 20 MP Four-Thirds CMOS on a 5-Axis Stabilization System. Fast 121-Point Phase-Detect AF, 30 FPS Continuous Drive, Cinema 4K Video and more in a weatherproof and freezeproof body. Features dual control-dials and a builtin 2.4 MP EVF with Eye-Start Sensor with 0.69X magnification and 100% coverage.
Olympus OM-D E-M1 Mark III Review
20 MP Micro Four-Thirds Mirrorless with 7-Stop 5-Axis Image-Stabilization, 121-Point Phase-Detect AF 30 FPS Continuous Drive and Cinema 4K capability in a weatherproof and freezeproof body with dual control-dials and dual SDXC memory card slots.
M.Zuiko 12-45mm F/4 PRO Review
A review of the M.Zuiko 12-45mm F/4 PRO added to the Olympus Premium Lens Roundup.
Peak Design Travel Tripod Review
Review of the unique Peak Design Travel Tripod with its own ballhead and the universal ballhead adapter.
Nikon Z-Mount DX Lens Roundup
Review of Nikon Z-Mount lenses for APS-C mirrorless digital cameras. Covers all current Z-mount DX lenses available.
Nikon Z50 Review
The first Nikon APS-C mirrorless is built around a 20 MP BSI-CMOS sensor with ISO 100-204800, 209-Point Phase-Detect AF, 11 FPS Drive and 4K Video capability. Compact body with dual control-dials and 2.4 MP 0.39" EVF with 0.68X magnification, 100% coverage and an Eye-Start Sensor.
Mirrorless Digital Camera Buying Guide 2020
The Mirrorless Digital Camera Buying Guide was fully rewritten for 2020, including all new systems from Nikon, Canon and Leica joined by Panasonic and Sigma. This new extensive 2020 Edition shows in 5 simple steps how to choose a mirrorless camera.
Panasonic Lumix DC-GX9 Review
This highly capable and compact mirrorless ranked as Best Beginner Mirrorless Digital Camera of 2019. Its 20 MP Four-Thirds CMOS sensor with Anti-Alias Filter is pared with 5-axis stabilization to maximize sharpness. Features a tilting 2.8 MP 0.39" EVF with large 0.7X view and Eye-Start sensor in a body with dual control-dials.