Fujifilm Finepix F200 EXR Review
Performance - How well does it take pictures?
The Fuji Finepix F200 EXR turns in an exceptional level of image quality, better than any camera in its class by a wide margin.
In 12 megapixels High-Resolution mode, image noise is well controlled and negligible up to ISO 400. Going a stop higher to ISO 800, noise is apparent but not really objectionable. By ISO 1600, noise becomes stronger and details get destroyed. It goes downhill from there, which is expected for an ultra-compact. Given that this is already an outstanding performance, the Fuji F200's 6 megapixels Low-Noise takes things even further. It is not quite a full-stop advantage but almost. ISO 800 has only a hint of noise and ISO 1600 is quite usable for a medium-sized print. There are ISO settings from 3200 to 12800 too, but these cannot be used in Low-Noise mode, probably because Fuji could not take it that far.
Color on the Fuji F200 is controlled by Film-Simulation: Provia, Velvia, Astia, B&W or Sepia. Provia is the default setting with natural but gently oversaturated colors. The Velvia setting captures over-the-top colors and is better avoided for anything resembling reality. Astia is the soft setting yet maintains slight oversaturation compared to reality. The white-balance system of the F200 is good but not fantastic. Outdoors is does well but it leaves a noticeable color-cast under artificial lighting. This is the only area where the F200 takes a step backwards from its predecessor. Preset and custom white-balance are very accurate though, so realistic colors can always be achieved.
One key characteristic of Fuji cameras is their excellent dynamic range and the F200 takes this even further. As seen on the Fuji F100fd, dynamic-range is under user control. This time the range goes from 100% to 800%, depending on the mode being used. In high-resolution mode, there are 4 options: Auto, 100%, 200% and 400%. Auto works extremely well, and it should, since the camera's metering system is aware of tonalities. The other settings are dependent on the current ISO setting, with all options available from ISO 400 to 3200. Remember that since all JPEG files have the same bit-depth, increasing the dynamic range reduces scene-contrast since more tonalities are squeezed into the same range of RGB values. High dynamic-range mode gives access to the 800% option, limiting image size to 6 megapixels. At 800%, the Fuji Finepix F200 captures up to 3 stops more highlight details. This is a fantastic achievement.
The metering system is simply superb and manages to balance shadows and highlights very well. This is certainly helped by this camera's exceptional dynamic range. In high-dynamic range mode, it is surprisingly difficult to make it burn-out highlights. This is the most impressive and advantageous of all EXR modes. One thing that users will need to know is that the dynamic range captured by the Fuji F200 is much greater than what can be shown on the camera's LCD screen. As such, wide dynamic range images can appear to be underexposed when viewed on the LCD screen.
This ultra-compact digital camera features an excellent stabilized wide-angle 5X optical zoom lens which is sharp from corner-to-corner. Near the wide-angle side, some barrel distortion is noticeable but it quickly goes away as the lens is zoomed-in. One place where Fuji skimped is on the lens aperture. Instead of a physical aperture which varies the size of the entrance pupil, the F200 slides in a neutral-density filter. This darkens the image for a proper exposure but does not affect depth-of-field. In all likelihood this is also why the F200 has an aperture-priority mode but no shutter-priority mode.
The Fuji Finepix F200 does everything fast. Startup is quick, focusing is incredibly quick, zooming is very fast, shutter-lag is short and shot-to-shot speeds are great. Focusing remains fast down to very low light levels. In Playback mode, everything is also extremely fast, even zooming in on images.
The Fuji Finepix F200 has image stabilization which proved extremely effective at all focal lengths. At both ends of the zoom, there is roughly a 3-stop advantage over the usual hand-held rule-of-thumb. Note that this camera generally prefers to increase the ISO, when the ISO is set to automatic, than to lower the shutter-speed and let the stabilizer handle it. Luckily, there are several automatic ISO modes which allow the user to choose an ISO limit from 400 to 3200. This lets users select which is the maximum ISO acceptable to them.
There are 5 continuous drive modes on the Fuji F200 EXR: Top-3, Final-3, High-Speed Top-12, High-Speed Final-12 and Long-Period. The Long-Period mode is not very useful. It shoots at less than 1 FPS and the LCD remains blank half-the-time. The Top-3 shoots up to 3 images continuously at 1.4 FPS, which is not very continuous. Top-12 mode works similarly but shoots 3 megapixels images at 5 FPS up to a maximum of 12.
Final-3 and Final-12 modes perform similarly to their Top-3 and Top-12 counterparts except that they only save the last 3 or 12 images shot, respectively. These modes are designed for action photography where it is difficult to anticipate the action. Unfortunately there is a significant lag between what the LCD displays and the photographs being taken. Like with its predecessors, Entering playback mode strangely cancels continuous shooting mode. Finally, battery-life is below average, even for an ultra-compact. Particularly, Auto-EXR mode is very battery hungry.
There is a new champion among ultra-compacts, the Fuji Finepix F200 EXR. Not only does it equal in terms of noise the performance of the F100fd, it adds improved dynamic-range, faster performance and more advanced controls.
While image quality is at its best, with exceptionally low image noise, excellent dynamic-range, accurate colors and good image sharpness, this is one of the most complex ultra-compact digital cameras. Its large number of modes and settings are highly interdependent and items disappear from menus regularly, depending on which other option has been selected. It gets really twisted as settings sometimes change unexpectedly, although it does inform the user of changes to resolution and dynamic range well.
With a 12 megapixels sensor, a stabilized wide-angle lens and manual controls in an ultra-compact body, the Fuji F200 EXR simply has no competition. Add low image noise and superb dynamic-range and you get a unique package. Even though it is not perfect and has its quirks, the F200 stands against cameras outside its league like the Panasonic LX3 and the Canon G10, both of which have far more manual controls than the F200 EXR but significantly lag behind it in terms of image quality.
Fujifilm F200 EXR Highlights
Sensor-Size: 8 x 6mm
Actual size when viewed at 100 DPI
|12 Megapixels Ultra Compact||ISO 100-3200|
|5X Wide Optical Zoom||Shutter 1/1500-8s|
|Built-in Stabilization||Full manual controls|
|1.4 FPS Drive, 3 Images||Custom white-balance|
|640x480 @ 30 FPS Video Recording||Spot-Metering|
|3" LCD 230K Pixels||Lithium-Ion Battery|
|Secure Digital High Capacity|
Fuji F200 EXR vs F100fd
Fuji really improved things with the F200, compared to the F100. The EXR sensor maintains the resolution and performance of the SuperCCD HR at 12 megapixels and manages to surpass it at 6 megapixels mode. Noise is lower by between 1/2 and 1 stops in Low-Noise mode. In High-Dynamic-Range mode, we have another full-stop of highlights being captured as well. Additionally, just about every speed measurement is equal to a bit faster with the F200. The biggest speed improvement is shot-to-shot speed which at under 1 second is much more usable.
There are two aspects where the F200 takes a step back from the F100: battery-life and automatic white-balance. While shorter battery-life can be understood, why white-balance has decreased in accuracy is puzzling. Either way, these two issues can be correct by an extra battery or using preset and custom white-balance.
Physically, the cameras look rather similar in every angle but the rear. A larger LCD by 0.3" and much more usable control layout find their way to the F200. The virtual mode dial is gone, removing the slowest EC and WB interface we had seen in recent years.
In terms of functionality, the F200 is much more powerful than the F100. EXR modes, Aperture-priority and Manual mode round out the new capabilities of this camera. The biggest omission to manual controls is manual focus. It would have been nice if Fuji gave Infinity and Hyperfocal as focus modes too.
Peak Design Travel Tripod Review
Review of the unique Peak Design Travel Tripod with its own ballhead and the universal ballhead adapter.
Nikon Z-Mount DX Lens Roundup
Review of Nikon Z-Mount lenses for APS-C mirrorless digital cameras. Covers all current Z-mount DX lenses available.
Nikon Z50 Review
The first Nikon APS-C mirrorless is built around a 20 MP BSI-CMOS sensor with ISO 100-204800, 209-Point Phase-Detect AF, 11 FPS Drive and 4K Video capability. Compact body with dual control-dials and 2.4 MP 0.39" EVF with 0.68X magnification, 100% coverage and an Eye-Start Sensor.
Mirrorless Digital Camera Buying Guide 2020
The Mirrorless Digital Camera Buying Guide was fully rewritten for 2020, including all new systems from Nikon, Canon and Leica joined by Panasonic and Sigma. This new extensive 2020 Edition shows in 5 simple steps how to choose a mirrorless camera.
Panasonic Lumix DC-GX9 Review
This highly capable and compact mirrorless ranked as Best Beginner Mirrorless Digital Camera of 2019. Its 20 MP Four-Thirds CMOS sensor with Anti-Alias Filter is pared with 5-axis stabilization to maximize sharpness. Features a tilting 2.8 MP 0.39" EVF with large 0.7X view and Eye-Start sensor in a body with dual control-dials.
Best Digital Cameras of 2019
The Best Cameras of 2019 awarded by Neocamera: Best Travel-Zoom, Best Premium Compact, Best Ultra-Zoom, Best Mirrorless and Best DSLR.
10 Gifts Photographers Will Love
The 2019 gift guide for photographers showcases photography gear that amateur and enthusiasts will enjoy. It is divided into 3 price categories to suit different budgets from $50 to $200 USD.
Sony Alpha A7R IV In-Depth Review
The newest Sony high-resolution mirrorless packs a 61 MP Full-Frame BSI-CMOS sensor on 5-axis Sensor-Shift system. It shoots at 10 FPS, records 4K Ultra-HD video and focuses with a new 567-Point and 425-Area Hybrid AF system with Realtime tracking. This professional-grade camera features a 5.8 MP 0.5" EVF with 0.78X magnification, 100% coverage and an Eye-Start Sensor plus triple control-dials in a weatherproof body. This review shows exactly how the A7R IV performs and compares to top Full-Frame and Medium-Format digital cameras.
Olympus OM-D E-M1X Review
Professional Micro Four-Thirds mirrorless sporting an ultra-high speed 20 MP sensor with 121-Point Phase-Detect AF on a 5-axis image-stabilization system effective to 7-stops. 60 FPS drive with blackout free view on a huge 0.83X magnification 2.4 MP 0.5" EVF. Even a builtin GPS in a dual-grip double dual-control-dial IPX1-rated weatherproof and freezeproof body.
Nikon D3500 Review
The lightest DSLR packs a 24 MP APS-C sensor with ISO 100-25600 sensitivity-range, 5 FPS drive and Full HD video capture. Basic features with simple ergonomics.