Digital Camera Buying Guide - Basics
This general Digital Camera Buying Guide consists of 4 easy steps. Those who are already familiar with digital cameras and are considering a DSLR should read the DSLR Buying Guide. If you are not sure what a DSLR is, keep reading, you are on the right page.
Step 1 - this page - introduces basic digital camera concepts. The terms explained here are often prominently displayed on camera boxes and advertisements. Understanding these is essential for knowing what to pay attention to when comparing digital cameras.
Megapixels is a measure of resolution. With more megapixels, a camera can capture smaller details. This makes it possible to make larger prints without looking blurry.
A few years ago, megapixels were the high mark for which cameras competed. Now that modern cameras rarely have fewer than 12 MP, more megapixels are not needed except by those intent on making huge prints. Buyers would better concentrate on other digital camera features now.
Camera makers label their cameras with the maximum number of megapixels they can capture. This is usually written as 18 MP, with MP standing for MegaPixels. Specifically, a megapixel corresponds to roughly one million pixelsFor example, a 3 megapixel image is composed of about 3 million dots. A pixel is a tiny dot from which all digital pictures and videos are composed.
Optical zoom is the ability of a camera to photograph a smaller area from a given point of view. Greater optical zoom lets you capture more details from distant subjects. This is important for certain subjects, like wildlife and sports photography where you cannot easily get physically close to your subject.
Optical zoom 4X
Optical zoom is actually a property of the lens, so it applies only to cameras with a fixed lens. It is measured by how much closer the camera can zoom compared to its widest setting. For example, a 2X optical zoom can make a subject appear twice as close. A few cameras have fixed-focal length lenses, which means they do not zoom at all.
Plenty of cameras, have interchangeable lenses, meaning that the lens can be changed. Those are called ILC which stands for Interchangeable Lens Camera. In this case, each lens may have its own optical zoom and the camera's reach can usually be extended both longer and wider by buying new lenses for it.
Digital zoom refers to a digital camera's attempt to emulate optical zoom. Digital zoom gives the impression of getting closer to a subject without actually capturing any more detail. Digital zoom is the equivalent of cutting the center of a picture and blowing-up just that portion.
- Digital Zoom
- Digital Zoom
Digital zoom must be ignored when purchasing a digital camera because it can easily be done with better quality and precision by computer after a picture is taken. Camera manufacturers tend to emphasize digital zoom in small models to compensate for short optical zoom but this only confuses buyers.
Despite cameras having up to 50X optical zoom now, certain manufacturers still boast regarding digital zooms but hide it under other names, such as Smart Zoom, Fine Zoom, Quality Zoom, etc. These are all digital zooms in desguise.
LCD stands for liquid crystal display. It refers to the small screen on the back of a digital cameraSome very old digital camera did not have an LCD but all the ones from this decade do. which is used for viewing the pictures you took and, in most cases, to preview the picture you are about to take. When an LCD previews the image correctly, it is called Exposure-Priority as opposed to display-priority, which shows a bright and clear image regardless of exposure.
LCDs are described by their sizeA 3" LCD measures 3 inches diagonally. and by their resolutionA 920K pixel LCD has 920,000 pixels.. Larger sizes give a more comfortable experience but small differences are not easily noticeable. Between a 3" and a 3.2" LCD, usability is the same but not between 2" and 3". A higher resolution means a more crisp display and makes judging focus easier. At least 460K pixels is recommended to show fine details clearly.
DSLRs, which are a type of cameras supporting interchangeable lenses and known for their high image quality, are intended to be used through their optical-viewfinder (OVF). Recent models can also preview images on the LCD which is called Live-View. Not all Live-View are equal but, regardless, the performance of DSLRs drops in terms of autofocus speed and sometimes limited functionally when using Live-View.
Table of Digital Camera Viewfinders
All non-DSLRs. Most DSLRs with limitations.
On most large ultra-zooms. Built-in on some mirrorless cameras. Optional on many mirrorless cameras.
Some compact cameras.
Even between the same type of viewfinder, there can be significant differences. The size of the optical viewfinder on a DSLR greatly influences how precisely one can judge focus. EVFs have the broadest range of performance from very poor 0.2" ones with 115K pixels to large 0.5" ones with a whopping 2.4 megapixels. The best show an Exposure-Priority view at all times and make the camera completely usable at eye-level.
Digital Camera Types
There are various types of digital cameras as explained in Demystifying Digital Camera Types although, lately, boundaries are blurring. Broadly speaking, the simplest models are called Point & Shoot and give the lowest image quality. They are small and often referred as Compact or Ultra-Compact for pocket-size models.
|Single Lens Reflex||A Digital SLR is made so that the viewfinder actually looks through the lens of the camera. All current Digital SLRAlso called a DSLR cameras allow their lenses to be changed. Digital SLR cameras are usually sold without lenses. They are known for high image quality and fast performance. These are used by professional photographers for most of their work.|
Bridge or Premium cameras give more control than a point-and-shoot while sharing similar technology. Most models therefore offer a step above in image quality but cannot compete with DSLRs. A handful of exceptions exist though.
Mirrorless cameras are the newest type of digital camera. They are designed to offer high quality and flexibility without the bulk of a DSLR. Models differ greatly with some large models offering the same image-quality as DSLRs, small ones with compact-like image-quality and plenty of models in-between. Consult the Mirrorless Camera Guide for details.
A flash on a digital camera, just like on a film camera, is a small lamp that can add light to close by objects when a picture is taken.
A pop-up flash is normally hidden and pops-up when it is required. A flash is described by the maximum distance of objects it can sufficiently illuminate when the lens is wide-open and when it is completely zoomed-in.
Most digital cameras have a built-in flash. Those that do not, always accept an optional unit. The most common interface for optional units is called the hot-shoe with a few variants, so not all flashes function or even attach to all hot-shoe.
There is little need to worry about flash when comparing digital cameras except for specialized needs such as studio or high-speed photography.
The vast majority of digital cameras can record short video clips. This can range from a few seconds to minutes or even hours, although European regulations limit this to under 30 minutes per clip. These clips are made by rapidly taking a sequence of images.
The video capability of a digital camera is described by its maximum resolutionThe number of pixels in each image., frame-rateThe number of frames taken each second. and durationThe length of the longest video clip that can be captured without interruption when enough memory is available.. While it is usually the highest resolution video mode which is prominently advertised, some cameras can also record High-Speed, Slow-Motion or Time-Lapse video. High-Speed videos cannot be acheived another way, so if this is important to you, look for that feature explicitly. Keep in mind that resolution drops rapidly as frame-rate goes up, so these videos are of limited use.
|Full 1080p HD Video: 1920 x 1080 resolution or more.||1080p video is the highest HD resolution and is sometimes referred to as Full HD. It has a resolution of 1920x1080 with a 16:9 wide-screen aspect-ratio. Frame rates vary between 24 and 60 FPS with 30 being the most common. Digital cameras with CMOS sensors almost always do 1080p.|
|720p HD Video: 1280 x 720 resolution or more but less than 1920 x 1080.||720p is still HD but with a lower resolution of 1280x720 with a 16:9 wide-screen aspect-ratio. Digital cameras that do 720p and slightly higher, without reaching 1080p, are also labelled with this icon. A frame-rate between 24 and 60 FPS is very common for 720p with 15 or 120 FPS sometimes available.|
|VGA Video: 640 x 480 or more but less than 1280 x 720.||VGA video has a resolution of 640x480 or 848x480 for wide-screen aspect-ratio. This is the standard for older cameras but most cameras do at least 720p now. CCD sensors which are presently slower than CMOS sensors, rarely do more than 720p.|
Video capabilities are relatively new among DSLRs, yet their video quality is excellent. The shallow depth-of-field provided by DSLRs makes video feel more cinema-like. They can also film in very low-light compared to smaller cameras. On the flip-side, DSLR are much more sensitive to focus precision, so produce out-of-focus videos most more frequently than cameras with smaller sensors when focus is not perfect.
New Cameras & Lenses
Fuji X-A1016 Megapixels Mirrorless
Fuji X Lens Mount
Nikon D560024 Megapixels DSLR
Nikon F Lens Mount
Olympus OM-D E-M1 Mark II20 Megapixels Mirrorless
Micro Four-Thirds Lens Mount
Weatherproof down to -10C
Nikkor AF-S 70-200mm F/2.8E FL ED VRStabilization & Weatherproof
Nikon F Mount Zoom
Nikkor PC 19mm F/4ENikon F Mount Prime Lens
Sony Alpha A650024 Megapixels Mirrorless
Sony E Lens Mount
Nikon D5 XQD Review
Nikon flagship professional DSLR with 20 megapixels Full-Frame CMOS sensor. All-new 153-point Phase-Detect AF sensitive to -4 EV. ISO 50 to unprecedented 3,276,800! 12 FPS Drive for 200 JPEGs or 180 RAW. First Nikon DSLR with 4K Ultra HD video.
Olympus Professional Lens Roundup
Roundup of Olympus Professional and Premium lenses: M.Zuiko 7-14mm F/2.8 PRO, M.Zuiko 12-40mm F/2.8 PRO, M.Zuiko 40-150mm F/2.8 PRO, M.Zuiko 12mm F/2, M.Zuiko 60mm F/2.8 Macro.
Olympus OM-D E-M10 Mark II Review
Olympus second generation base OM-D with an anti-alias-filter-free 16 MP Four-Thirds CMOS sensor mounted on a 5-axis in-body stabilization system. Speedy 8.5 FPS drive, full HD @ 60 FPS and a wealth of features in a compact and lightweight body. Offers a 2.4 MP 0.45" EVF with 0.62X magnification and 100% coverage, plus dual control-dials and a highly customizable interface.
Fuji X-Pro2 Review
Fuji flagship XF-mount mirrorless with 24 MP APS-C X-Trans CMOS III sensor. 273-Point AF with 169 Phase-Detect points. 8 FPS Drive, 1080p video. Dual control-dials, direct dials and a hybrid viewfinder in a weather-sealed freezeproof body.
Panasonic Lumix DMC-ZS100 Review
The only premium travel-zoom! 20 megapixels 1" high-speed CMOS sensor paired with a stabilized 25-250mm F/2.8-5.9 optical zoom. 50 FPS Drive, 4K Ultra-HD video, 1/16000-60s Hybrid Shutter, Post-Shot Focus, 4K Live-Cropping, Time-Lapse Video and more. Dual control-dials plus a built-in EVF with Eye-Start sensor.
Canon EOS Rebel T6s Review
Newly designed Rebel with dual control-dials and top status LCD. 24 MP APS-C sensor, Hybrid AF III with 19 all-cross points and on-sensor Phase-Detect AF. 5 FPS Drive and full 1080p HD video capture.
Canon Powershot G3 X Review
Ultra-zoom with a 25X optical zoom lens and large 20 MP 1" CMOS sensor in a weather-sealed body with dual control-dials, a lens ring and efficient controls. Captures full 1080p HD video at 60 FPS with internal or external stereo sound.
Best Digital Cameras of 2015
The best new digital cameras of 2015. Plus, find out which ones of 2014 still lead their category. Compact, Premium Cameras, Ultra-Zooms, Mirrorless and DSLR are all covered.
Panasonic Lumix DMC-G7 Review
16 megapixels Micro Four-Thirds mirrorless. 2.4 MP 0.5" EVF with Eye-Start sensor plus dual control-dials. 4K Ultra-HD video, 8 FPS continuous-drive, hybrid shutter with 1/16000-60s shutter-speeds, ISO 100-25600 and Contrast-Detect DFD autofocus system sensitive to -4 EV.
Nikkor AF-S 200-500mm F/5.6E ED VR Review
Nikon constant-aperture super-telephoto zoom with 200-500mm range and the latest Vibration-Reduction effective to 4.5 stops. Built-in super-sonic AF in a sturdy weatherproof body.
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