To the photographer, the viewfinder is the most visible part of a camera. Yet photographers barely want to notice it. What they are interested in is what they see through the viewfinder: their subject and sometimes a few unobtrusive indicators of the camera's status. Surprisingly, the viewfinder is one of the most controversial parts a modern camera. With the advent of digital cameras, the controversy has escalated.
To each their own
Practically all digital cameras sport an LCD (Liquid Crystal Display). For non-SLR digital cameras, it can be used to preview pictures taken and therefore serves the same purpose as a viewfinder. For several modern digital cameras, the LCD has become their only viewfinder. A growing number of digital cameras, particularly long-zoom and wide-angle cameras, use an EVF (Electronic Viewfinder) in addition to the camera's rear LCD. These miniature LCDs are the only eye level viewfinder alternatives for long zoom cameras. Just like their film counter-part, point and shoot digital cameras can have an optical-tunnel viewfinder. An optical tunnel viewfinder is a small tunnel going through the camera with a miniature lens which is fixed above or next to the camera's photographic lens. Finally, DSLR (Digital Single Lens Reflex) cameras use optical viewfinders which see through the lens using a pentaprism or porro finder just like their film SLR counterparts.
What you see is mostly what you get
The percentage of a picture that is seen through a viewfinder is called coverage. The closer the coverage is to 100% the better.
Just like a viewfinder, an LCD shows the subject being photographed. In fact, it shows what will make it into the final picture extremely well. LCDs get their information directly from the camera's sensor. As such, LCDs can easily have 100% coverage. With respect to coverage, EVFs behave exactly like LCDs, 100% coverage is easily obtainable.
Contrarily to LCDs, optical tunnel viewfinders show a different picture than the one that will be taken. This is due to the fact that an optical tunnel looks through a different lens than the one used to take the picture. The closer the subject is to the camera, the greater the difference between what is seen and what will be pictured. This is called parallax error. Even at a distance, the coverage of an optical tunnel varies between 60% and 85%, which is far from ideal.
DSLR camera viewfinders look through the photographic lens and therefore show part of what will be pictured with no parallax errors. Due to manufacturing constraints however, most DSLR viewfinders don't show the entire picture. Typical coverage of DSLR viewfinders is between 92%-95%.
An LCD is a small display made up of a limited number of pixels; much less than the number of pixels that will be captured in a digital picture. This implies that even though LCDs can be quite large compared to a viewfinder, the amount of details they can show is limited. Of course, some LCDs are better than others. At 86,000 pixels, an LCD is very coarse, at 235,000 pixels it is much better, but this is still very far from what a camera's CCD can capture. This is where an LCD starts to fail the photographer, it cannot show the precise details that will be captured and more importantly it cannot show focus precisely.
Just like LCDs, EVFs can't show very fine details. On most prosumer cameras however, EVFs have much higher resolution than LCDs. This makes the problem less pronounced. Fuji, Kodak, Konica-Minolta, Nikon and Olympus each have several cameras with 220,000 to 311,000 pixels EVFs. The EVF champion however is the Konica-Minolta A2 at 922,000 pixels. This is equivalent to having a 0.44" TV right in front of your eye!
Optical tunnels do show details. They show all the details which our eyes can see. The only problem is that they don't show the details through the photographic lens. This means that what you see through an optical tunnel is not affected by changes to a camera's lens (except for zoom, which is simulated and causes parallax errors). In other words, you can't see the effect of focusing at all. Some optical tunnels even show everything blurry!
For visualizing focus, SLR cameras are the champions. They allow our eye to see through the photographic lens and pick up every slight change in focus. It turns out most SLR cameras default to keeping the aperture wide open until after the shutter is fully pressed. A larger aperture actually has a shallower depth of field (DOF) and therefore exaggerates the blurring outside the plane of focus. To see accurately what will be in focus, one must use the DOF-Preview function present on most modern DSLR and even some prosumer digital cameras.
Neocamera Blog is a medium for expressing ideas related to digital cameras and photography. Read about digital cameras in the context of technology, media, art and the world. Latest posts links:
Nikon D5500 Review
Compact entry-level DSLR with a 24 MP APS-C sensor without anti-alias filter. 5 FPS drive and full 1080p HD video at 60 FPS. A 3.2" 1 MP rotating touchscreen LCD plus built-in WiFi.
Canon Powershot G7 X Review
Premium compact with a large 20 MP 1" CMOS sensor. Stabilized ultra-bright ultra-wide-angle 4.2X optical zoom lens. ISO 125-12800, 1/2000s-250s shutter-speed, 6.5 FPS and full 1080p HD @ 60 FPS. Dual-controls dials and a tilting 3" LCD.
Fuji X100T Review
The latest classically-styled fixed lens camera from Fuji packs a 16 MP sensor with built-in Phase-Detect AF and a bright F/2 fixed 23mm lens. It offers a unique hybrid EVF/OVF with Digital Range Finder in a highly mechanical design.
Panasonic Lumix DMC-GH4 Review
The most compact interchangeable lens digital camera capable of 4K Ultra-HD video. Equipped with a 16 MP Four-Thirds CMOS sensor capable of 12 FPS. Its class-leading autofocus system is sensitive to -4 EV. Fitted with a 2.4 MP EVF with Eye-Start sensor and 1 MP 3" Rotating LCD.
Fujinon XF50-140mm F/2.8R LM OIS WR Review
Fujinon XF50-140mm F/2.8R LM OIS WR Review added to the Fuji X-T1 Photographer Experience. This is the top-of-the-line X-mount lens with constant maximum aperture in a weathersealed and freezeproof body with built-in optical image-stabilization.
Fuji X-T1 Graphite Hands-On
The Graphite Edition of the excellent Fuji X-T1 adds an ultra-fast electronic-shutter with 1/32000s maximum speed and a number of improvements in a new smooth and highly durable finish.
Nikon D750 Review
The first video-optimized full-frame DSLR features a 24 MP CMOS sensor with ISO 50 - 51200 range, 6.5 FPS and full 1080p HD video at 60 FPS, with stereo sound and AF-tracking. A 100% coverage viewfinder and large 3.2" tilting LCD with 1.2MP allow precise framing.
Best Digital Cameras of 2014
The best digital cameras of 2014, selected among each class and for various types of photography.
Nikon 1 J4 Review
The smallest Nikon mirrorless packs an 18 MP high-speed CMOS sensor capable of 60 FPS drive and full 1080p HD video at 60 FPS, plus slow-motion video up to 1200 FPS.
Panasonic Lumix DMC-GM1 Review
Uniquely compact mirrorless that features a 16 MP LiveMOS Four-Thirds sensor with ISO 125-25600 range, 1/16000s-60s, 5 FPS drive and full 1080p HD video. Full manual controls and a very complete feature-set.