To the photographer, the viewfinder is the most visible part of a camera. Yet photographers barely want to notice it. What they are interested in is what they see through the viewfinder: their subject and sometimes a few unobtrusive indicators of the camera's status. Surprisingly, the viewfinder is one of the most controversial parts a modern camera. With the advent of digital cameras, the controversy has escalated.
To each their own
Practically all digital cameras sport an LCD (Liquid Crystal Display). For non-SLR digital cameras, it can be used to preview pictures taken and therefore serves the same purpose as a viewfinder. For several modern digital cameras, the LCD has become their only viewfinder. A growing number of digital cameras, particularly long-zoom and wide-angle cameras, use an EVF (Electronic Viewfinder) in addition to the camera's rear LCD. These miniature LCDs are the only eye level viewfinder alternatives for long zoom cameras. Just like their film counter-part, point and shoot digital cameras can have an optical-tunnel viewfinder. An optical tunnel viewfinder is a small tunnel going through the camera with a miniature lens which is fixed above or next to the camera's photographic lens. Finally, DSLR (Digital Single Lens Reflex) cameras use optical viewfinders which see through the lens using a pentaprism or porro finder just like their film SLR counterparts.
What you see is mostly what you get
The percentage of a picture that is seen through a viewfinder is called coverage. The closer the coverage is to 100% the better.
Just like a viewfinder, an LCD shows the subject being photographed. In fact, it shows what will make it into the final picture extremely well. LCDs get their information directly from the camera's sensor. As such, LCDs can easily have 100% coverage. With respect to coverage, EVFs behave exactly like LCDs, 100% coverage is easily obtainable.
Contrarily to LCDs, optical tunnel viewfinders show a different picture than the one that will be taken. This is due to the fact that an optical tunnel looks through a different lens than the one used to take the picture. The closer the subject is to the camera, the greater the difference between what is seen and what will be pictured. This is called parallax error. Even at a distance, the coverage of an optical tunnel varies between 60% and 85%, which is far from ideal.
DSLR camera viewfinders look through the photographic lens and therefore show part of what will be pictured with no parallax errors. Due to manufacturing constraints however, most DSLR viewfinders don't show the entire picture. Typical coverage of DSLR viewfinders is between 92%-95%.
An LCD is a small display made up of a limited number of pixels; much less than the number of pixels that will be captured in a digital picture. This implies that even though LCDs can be quite large compared to a viewfinder, the amount of details they can show is limited. Of course, some LCDs are better than others. At 86,000 pixels, an LCD is very coarse, at 235,000 pixels it is much better, but this is still very far from what a camera's CCD can capture. This is where an LCD starts to fail the photographer, it cannot show the precise details that will be captured and more importantly it cannot show focus precisely.
Just like LCDs, EVFs can't show very fine details. On most prosumer cameras however, EVFs have much higher resolution than LCDs. This makes the problem less pronounced. Fuji, Kodak, Konica-Minolta, Nikon and Olympus each have several cameras with 220,000 to 311,000 pixels EVFs. The EVF champion however is the Konica-Minolta A2 at 922,000 pixels. This is equivalent to having a 0.44" TV right in front of your eye!
Optical tunnels do show details. They show all the details which our eyes can see. The only problem is that they don't show the details through the photographic lens. This means that what you see through an optical tunnel is not affected by changes to a camera's lens (except for zoom, which is simulated and causes parallax errors). In other words, you can't see the effect of focusing at all. Some optical tunnels even show everything blurry!
For visualizing focus, SLR cameras are the champions. They allow our eye to see through the photographic lens and pick up every slight change in focus. It turns out most SLR cameras default to keeping the aperture wide open until after the shutter is fully pressed. A larger aperture actually has a shallower depth of field (DOF) and therefore exaggerates the blurring outside the plane of focus. To see accurately what will be in focus, one must use the DOF-Preview function present on most modern DSLR and even some prosumer digital cameras.
Neocamera Blog is a medium for expressing ideas related to digital cameras and photography. Read about digital cameras in the context of technology, media, art and the world. Latest posts links:
Panasonic Lumix DMC-ZS100 Review
The only premium travel-zoom! 20 megapixels 1" high-speed CMOS sensor paired with a stabilized 25-250mm F/2.8-5.9 optical zoom. 50 FPS Drive, 4K Ultra-HD video, 1/16000-60s Hybrid Shutter, Post-Shot Focus, 4K Live-Cropping, Time-Lapse Video and more. Dual control-dials plus a built-in EVF with Eye-Start sensor.
Canon EOS Rebel T6s Review
Newly designed Rebel with dual control-dials and top status LCD. 24 MP APS-C sensor, Hybrid AF III with 19 all-cross points and on-sensor Phase-Detect AF. 5 FPS Drive and full 1080p HD video capture.
Canon Powershot G3 X Review
Ultra-zoom with a 25X optical zoom lens and large 20 MP 1" CMOS sensor in a weather-sealed body with dual control-dials, a lens ring and efficient controls. Captures full 1080p HD video at 60 FPS with internal or external stereo sound.
Best Digital Cameras of 2015
The best new digital cameras of 2015. Plus, find out which ones of 2014 still lead their category. Compact, Premium Cameras, Ultra-Zooms, Mirrorless and DSLR are all covered.
Panasonic Lumix DMC-G7 Review
16 megapixels Micro Four-Thirds mirrorless. 2.4 MP 0.5" EVF with Eye-Start sensor plus dual control-dials. 4K Ultra-HD video, 8 FPS continuous-drive, hybrid shutter with 1/16000-60s shutter-speeds, ISO 100-25600 and Contrast-Detect DFD autofocus system sensitive to -4 EV.
Nikkor AF-S 200-500mm F/5.6E ED VR Review
Nikon constant-aperture super-telephoto zoom with 200-500mm range and the latest Vibration-Reduction effective to 4.5 stops. Built-in super-sonic AF in a sturdy weatherproof body.
Nikon Coolpix P900 Review
In-depth review of the Nikon P900 ultra-zoom with an unprecedented 83X stabilized optical zoom lens paired with a 16 MP BSI-CMOS sensor capable for 7 FPS continuous drive and 1080p HD video at 60 FPS. Built-in 0.2" EVF with 920K pixels and Eye-Start sensor, rotating 3" LCD with 920K pixels, WiFi and a built-in GPS.
Lightroom Architectural Photography
Learn how to process architectural photography images using Adobe Lightroom.
Weatherproof Mirrorless Comparison
In-depth comparison of weather-sealed mirrorless digital cameras. Covers features, capabilities, image-quality and performance of the Fuji X-T1, X-T1 Graphite, Nikon 1 AW1, Olympus OM-D E-M1, E-M5 Mark II, Panasonic GH4 and GX8.
Panasonic Lumix DMC-GX8 Review
Panasonic flagship mirrorless, the first 20 MP Micro Four-Thirds digital camera. Built-in image-stabilization, 2.4 MP 0.44" EVF with 0.77X magnification. 8 FPS Drive and 4K Ultra-HD video. Fully weather-sealed and feature-rich.