Introduction

The Sony Cybershot DSC-H5 holds great consumer appeal because of its high specifications. With a 12X optical zoom lens, a 3" LCD screen and a 7 megapixels image sensor, it has nearly the maximum specifications of all digital cameras. Another aspect that will appeal to consumers is its relatively light and compact form factor (the H5 is smaller than most cameras with 12X optical zoom). To round off the specifications, this camera is equipped with complete manual controls and a DVD-quality movie mode.

Important features of the Sony Cybershot DSC-H5 are:

Suitability - What is it good for?

As a 7 megapixels digital camera, the Sony H5 is expected to produce prints at least 10"x13" in size. The 12X stabilized zoom starts at a 35mm equivalent focal-length and goes up to 420mm. This zoom range covers most commonly used focal-lengths plus telephoto and super-telephoto. Such a long zoom is ideally suited for wildlife photography and is an asset for macro and street photography. Presently, 12X optical zoom is the largest available stabilized zoom of any digital camera. In terms of macro, the H5 can get as close as 2cm (0.8") from its subject when the lens is at its widest, capturing a very small area. Since the H5 does not cover wide-angle focal-lengths, it is not ideal for architectural photography.

With a full set of manual controls including manual exposure, semiautomatic exposure, custom white balance, manual focus and metering options, the Sony Cybershot DSC-H5 is quite suitable for creative photography. Additionally, two automatic modes and several scene modes allow for point-and-shoot photography. A powerful top-mounted pop-up flash serves to illuminate subjects in low-light and provide fill-flash to reduce contrast in bright light. The wide-range of ISO, from 80 to 1000, makes the H5 usable for outdoor and typical indoor light.

Since available shutter-speeds go from 1/1000s to 30s, the H5 can be used in very low-light - using a tripod, of course - and for shooting slow moving subjects. The Sony Cybershot DSC-H5 is less suitable for action photography since it lacks the top shutter-speeds required to freeze high-speed action like racing and fast sports. Even though the H5 has a continuous drive mode running at 1.1 FPS, it is too slow to reliably capture a decisive moment. Buffering is also very shallow at a maximum of 5 images, meaning that action cannot be followed for long.

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The Sony H5 has a high-quality 640x480 30 FPS movie mode which is now typical of modern digital cameras. Unlike most digital cameras, this one allows its zoom to be used during filming. In movie mode, the camera zooms slowly and refocuses slowly on its subject to avoid recording the sound of its internal motors. The movie mode also allows metering, white-balance and focus modes to be set before recording. Even manual focus can be chosen and the focus distance changed during filming. This makes the H5 one of the most capable digital cameras for movie recording.

Usability - How easy is it to use?

At first sight, the Sony Cybershot DSC-H5 shows stylish curves among a relatively simple design. This ultra-zoom digital camera feels surprisingly light considering its 12X optical zoom lens. It is also relatively small. Among cameras with 12X optical zoom, only the Canon Powershot S3 IS and the Kodak Easyshare Z712 are smaller and lighter. The H5's light weight makes it quite portable but does not feel so durable. Larger ultra-zoom cameras such as the Panasonic DMC-FZ30, feel considerable more sturdy.

Design wise, the Sony H5 is reminiscent of a miniature DSLR with a deep hand-grip, angled shutter-release, front control-wheel, protruding lens barrel and rotating mode dial. The grip is deep and mostly comfortable once the optimal position is found. The key is to hold the camera at an angle so that the forefinger lands on the shutter-release and the thumb falls on the zoom controller. This way, it is possible to hold the camera tightly without having the metal eyelet for the strap dig into your hand. After a day of shooting though, you may notice the camera's rear lower right corner pressing against the ball of your hand.

The rear side of the H5 is dominated by a high-resolution 3" LCD, leaving very little room for anything else. The LCD has excellent visibility in most lighting conditions. Even in direct sunlight, the subject is distinctively visible. In low light, the LCD gains up slightly, just enough to see the brighter parts of the subject. When moving the camera, ghosting is frequently apparent. This is probably due to a slow refresh rate and large display size.

To accommodate such a large LCD, Sony had to pack numerous controls into a small area. While this is admittedly better than removing them, the placement of some controls is problematic. The 4-way controller which is used for menu navigation, changing flash mode, toggling macro mode, activating a self timer and exposure compensation is too low, making it difficult to use while maintaining a solid grip on the camera. The display and menu buttons are prone to accidental activation. While it happened only a few times during testing, several review sites noted this including DP Review and Imaging Resource. Lastly, the power, stabilization and playback buttons are so flush that they are nearly impossible to press with gloves on. This may not apply to everyone, but if you shoot in cold winter places, it is worth knowing.

Still on the subject of controls, the zoom controller is easy to use and its pressure-sensitivity is efficient for zooming over such a large range. The harder you press, the faster it zooms. Behind the shutter-release are easily accessible buttons for changing the focus mode and the drive mode. These two buttons are very easy to use while shooting without shifting your grip. It would be really nice if they would control white-balance and ISO or simply be customizable.

The Sony Cybershot DSC-H5 also includes a tiny EVF which conveniently protrudes from the camera's back. This is a nice design touch rarely found on digital cameras. Even high-end digital SLRs often have their viewfinder flush with the camera's back. With this design, one's nose does not press as much against the rear LCD. The view through the EVF is bright and clear but quite small.

In use, the Sony H5 is straight forward. Most controls behave as expected. The shutter-release is quite sensitive with a slight halfway point for locking exposure and focus. In shooting mode, pressing a direction on the 4-way controller rotates through various settings. Up is for the flash mode except for the redeye reduction setting, which is chosen separately using the setup menu. Right toggles macro on and off. Down sets a 10 second timer, a 2 second timer or no timer at all. Left enters or exits exposure compensation mode. The 4-way controller is also used for navigating the menu system which is entered and exited using the Menu button. Strangely, the center button is neither used to confirm menu selection nor to dismiss the menu system. Instead the center button is used for manual focusing and focus point selection.

Near the top of the grip, there is an unusual control-wheel. Like with most advanced cameras, the control-wheel is used to change aperture, shutter-speed and exposure compensation. The particularity of this control-wheel is that it can be pressed like a button. Initially, the control wheel changes a single parameter: aperture in aperture-priority mode or shutter-speed in shutter-priority mode. When pressed, the wheel changes which parameter is changed. It must be pressed again to actually let the wheel control the newly chosen parameter. Why it does not simply toggle between parameters is a mystery. In each more there are always two parameters: aperture and exposure compensation (A), shutter-speed and exposure compensation (S), aperture and shutter-speed (M) or shift and exposure compensation (P). Toggling would save two wheel presses and one rotation every time! The second mystery is why the wheel cannot be pressed to select exposure compensation in P (automatic exposure) mode? It works in S, A and M modes. In automatic exposure mode, the left arrow of the 4-way controller must be pressed to allow the control wheel to set exposure compensation. This is actually the only circumstance where the left-arrow is needed to change exposure.

When off, the Sony H5 is protected by a very sturdy lens cap which holds securely to the lens barrel. A nifty feature is that the camera indicates when the lens cap is on thanks to a small peg on the inside of the lens barrel. On the lens cap, there is also a small eyelet which can be used to strap the cap to the camera. Note: such a strap was not included in our evaluation unit but may be included in retail boxes, depending on the place of purchase.

The camera is equipped with a tripod mount which is in-line with the camera's center rather than the lens' center. This is ideal for stability but not for panoramas without special gear. Also on the bottom-side, there is a combined battery and memory compartment door. The H5 accommodates 2 AA batteries for power and Memory Stick Duo cards for storage. Note that Sony requires the use of a Memory Stick Pro Duo card for recording movies of the highest quality. AA batteries are cheap and very practical. Memory Stick Duo cards are priced higher than other common formats such as Secure Digital and Compact Flash. This must be considered in the camera's total cost. The door has a double-hinge design which would be clever if it were not very difficult to take out the memory card without opening the second hinge.

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