Digital Camera Buying Guide - More Choosing
Digital Camera Choosing
Continue reading this page to learn more about choosing between digital cameras. For more important factors, go back to Digital Camera Choosing Basics, step 2 of this Digital Camera Buying Guide.
There are quite a few types of memory cards, which is where all modern cameras store the photos and video they capture. The SD-HC format is by far the most common one and is also the cheapest per capacity. Just a few non-DSLRs will not accept SD-HC cards and entry to mid-range DSLRs as well. The high-end memory is still Compact Flash due to its potential for fast transfer speeds and high capacities.
Current prices for memory cards are sufficiently low that one should not give much importance to which memory card type a digital camera uses. There are far more important features to choose!
|Compact flash memory is realively cheap, it is available in the largest capacities and the fastest speeds.|
|Some cameras only accept Type 1 Compact Flash cards, which are slimmer than Type II cards. This effectively means no MicrodrivesMicrodrives are tiny hard drives. They used to be quite economical and available in large capacities, this is no longer the case. Microdrives are more fragile than memory cards and cannot operate above 10,000ft of altitude..|
|CFast is the original Compact Flash successor and based on the SATA disk interface. A CFast card is essentially a tiny SSD which offers similarly fast speeds, from 600 MB/s for reading and 150 MB/s for writing.|
|This second Compact Flash successor uses a high-speed interface and a smaller form-factor similar to SD cards. It offers faster speeds than Compact Flash, from 500 MB/s for reading and 125 MB/s for writing.|
|SD memory is very common and has the widest compatibility among devices such as digital photo-frames, card-readers and laptops.|
|SD-HC cards are high-capacity SD cards which are generally not compatible with SD devices. SD cards can always be used where SD-HC cards are accepted. SD-HC are now the cheapest memory cards and are the most commonly accepted among digital cameras.|
|SD-XC cards are extended capacity SD-HC cards that support sizes above 32GB, theoretically up to 2 TB. Any camera which accepts SD-XC cards will accept SD-HC and SD cards as well. The reverse is not true though, so SD-XC cards are only accepted in SD-XC compatible cameras and devices.|
|Micro SD-HC cards are small versions of SD-HC cards. Originally used in cellular phones, some cameras come with adaptors to use a Micro SDHC card instead of their native memory type.|
|Micro SD-XC cards are small versions of SD-XC cards. Although mostly common in cellular phones, some ultra-compact digital cameras accept this type of memory too.|
|xD can be found in Olympus and Fuji cameras, it is one of the most expensive memories, limited in capacity and rather slow. Modenn Fuji cameras either accept both xD and SD-HC or only SD-HC. Certain Olympus cameras take Micro-SD cards using an adapter which fits in the xD slot.|
|Memory Stick are used by Sony cameras and are also quite expensive. The Pro version is faster but otherwise identical.|
|Memory Stick Duo is simply a smaller versionA Memory Stick Duo can be used in a Memory Stick slot using an adapter but not vice-versa. of the Memory Stick. There is also a faster Pro version.|
Digital cameras preview images either using an LCD screen or a kind of viewfinder. LCD displays can be hard to see in bright light due to unwanted reflexions and exposure to direct sunlight. A viewfinder is preferable but rarely available on small cameras, particularly ultra-compact models. The general advantages of a viewfinder are that it rarely reflects stray light and it provides an extra point of stability for precise framing. Many types of viewfinders exist:
- Electronic viewfinders are tiny LCD displays that preview the image as seen by the sensor. They can be extremely accurate in terms of exposure, color, white-balance and framing. Except for those used by now-defunct Konica-Minolta, they are hard to see in low-light. Top of the line EVFs currently have enough precision to judge focus.
- An optical reflex viewfinder is highly recommended for night photography and continuous shooting. Judging focus is rather easy with a reflex viewfinder which is needed for precise manual focusing. On the other hand, optical viewfinders do not preview exposure, color or white-balance.
- An optical tunnel is formed using a second lens above the camera's photographic lens. It is sometimes but rarely seen on compact digital cameras. This allows coarse framing when the LCD is not usuable due to movement or bright light.
- Viewfinder Coverage is the visible percentage of the final picture. The closer to 100% the better. Most EVFs and LCDs show 100% coverage but optical viewfinders generally only show 95% coverage. 100% coverage viewfinders are found on most high-end DSLRs since they are essential to professionals.
- A higher magnification viewfinder shows a larger view and is preferable. It allows more comfortable viewing of the subject and better judement for focus and depth-of-field.
Standard size batteries such as "AA" are highly preferable:
- They cost considerably less than any other type of battery.
- These batteries can easily be replaced by disposable ones found almost anywhere in the world.
- AAs keep getting better. Year-after-year, manufacturers produce more powerful and longer lasting versions.
- Solar-chargers are readily available.
Custom Lithium-Ion batteries may last longer than a single set of rechargeable AA batteries but you can afford several sets of AAs for the same price as a one Lithium-Ion battery. Plus, in an emergency it would be nearly impossible to find the right battery since there are so many different models.
Avoid cameras that charge in docks, you cannot use those cameras while recharging them unless the dock can charge a spare too. Charger docks are also an extra thing to carry while traveling.
Weather & Underwater
Weatherproof cameras are designed to withstand adverse weather without actually being submerged under water. They can easily stand rain, snow and dust. Note that a weather-sealed DSLR requires the use of a weather-sealed lens to remain weather-sealed.
Waterproof cameras can actually be submerged under water up to a maximum depth dictated by the camera specifications. This is usually between 3m (10') and 10m (33'), so this is usable for swimming and snorkeling but not for SCUBA diving.
The general solution for deep immersion is to use a specially designed underwater casing. Those are almost always model specific, so if this is a requirement, you must check for availability before deciding on a camera.
New Cameras & Lenses
Zeiss Milvus 25mm F/1.4Weatherproof
Nikon F Mount Prime Lens
Zeiss Milvus 25mm F/1.4Weatherproof
Canon EF Mount Prime Lens
Canon PowerShot G1 X Mark III24 Megapixels Fixed Lens
3X Ultra-Wide Optical Zoom
Samyang AF 35mm F/1.4 FESony E Mount Prime Lens
Fuji Fujinon XF 80mm F/2.8R LM OIS MacroStabilization & Weatherproof
Fujifilm X Mount Prime Lens
Fuji Fujinon GF 45mm F/2.8R WRWeatherproof
Fujifilm GF Mount Prime Lens
Panasonic Lumix GX850 Review
Highly compact mirrorless with 16 MP Four-Thirds CMOS sensor capable of 4K Ultra-HD video. Fast 10 FPS drive and 1/16000s-60s hybrid shutter. 4K Output for 30 FPS bursts, Post Focus and built-in Focus Stacking.
Olympus OM-D E-M1 Mark II Review
Olympus professional Micro Four-Thirds mirrorless with 20 MP sensor, built-in 5-axis Image-Stabilization, 121-Point Phase-Detect and Contrast Detect AF, 60 FPS Drive, 18 FPS with Continuous AF, Ultra-HD and Cinema 4K Video. Large built-in 2.4 MP 0.45" EVF with 100% Coverage, 0.74X magnification and Eye-Start Sensor in a freezeproof and weatherproof body with dual control-dials.
Fujifilm GFX-50S In-Depth Review
In-depth review of the Fujifilm GFX-50S Medium Format Mirrorless Digital Camera, a groundbreaking 50 megapixels camera with large 44x33mm sensor and unique modular EVF system. ISO 50-102400 range, 3 FPS drive and 1080p video.
Fujinon GFX Lens Roundup
Roundup of reviews for GFX Medium Format Mirrorless lenses: Fujinon GF 23mm F/4R LM WR, GF 32-64mm F/4R LM WR and GF 110mm F/2R LM WR.
Nikon D500 Review
Full-review of the ultimate Nikon flagship APS-C DSLR. The Nikon D500 offers a new 20 MP CMOS sensor with incredible ISO 50-1638400, 10 FPS, 4K Ultra-HD and a 153-Point Phase-Detect AF system sensitive to -4 EV. Built for professionals into a weatherproof body with dual control-dials and large 100% coverage viewfinder with built-in shutter.
DxO ViewPoint 3 Review
Review of DxO ViewPoint 3. Perspective, distortion and horizon correction software.
Nikon D5 XQD Review
Nikon flagship professional DSLR with 20 megapixels Full-Frame CMOS sensor. All-new 153-point Phase-Detect AF sensitive to -4 EV. ISO 50 to unprecedented 3,276,800! 12 FPS Drive for 200 JPEGs or 180 RAW. First Nikon DSLR with 4K Ultra HD video.
Olympus Professional Lens Roundup
Roundup of Olympus Professional and Premium lenses: M.Zuiko 7-14mm F/2.8 PRO, M.Zuiko 12-40mm F/2.8 PRO, M.Zuiko 40-150mm F/2.8 PRO, M.Zuiko 12mm F/2, M.Zuiko 60mm F/2.8 Macro.
Olympus OM-D E-M10 Mark II Review
Olympus second generation base OM-D with an anti-alias-filter-free 16 MP Four-Thirds CMOS sensor mounted on a 5-axis in-body stabilization system. Speedy 8.5 FPS drive, full HD @ 60 FPS and a wealth of features in a compact and lightweight body. Offers a 2.4 MP 0.45" EVF with 0.62X magnification and 100% coverage, plus dual control-dials and a highly customizable interface.
Fuji X-Pro2 Review
Fuji flagship XF-mount mirrorless with 24 MP APS-C X-Trans CMOS III sensor. 273-Point AF with 169 Phase-Detect points. 8 FPS Drive, 1080p video. Dual control-dials, direct dials and a hybrid viewfinder in a weather-sealed freezeproof body.