Sony Cybershot DSC-H9 Review
The Sony Cybershot DSC-H9 boasts some of the most advanced specifications of any current digital camera. With a stabilized 15X optical zoom lens, a 3" LCD screen, an 8 megapixels image sensor, a maximum ISO of 3200 and full manual control, this ultra-zoom has a lot of appeal. Add to that its relatively light weight and compact form factorThe H9 is smaller than most cameras with 12X optical zoom. and you get a very interesting digital camera. To round off the specifications, the H9 is equipped with a DVD-quality movie mode, night-shot capability and output to HDTV.
Important features of the Sony Cybershot DSC-H9 are:
- 15X Optical zoom, equivalent to 31-465mm.
- Optical image stabilization.
- Full manual controls: P, S, A and M modes.
- Aperture range: F2.7 (wide) F4.5 (tele) to F8.
- Shutter speed range: 1/4000 to 30 seconds.
- ISO: 80, 100, 200, 400, 800, 1600, 3200 and Auto (80-800).
- Exposure compensation: -2..+2 stops, 1/3 stop increments.
- White-Balance: auto, daylight, cloudy, fluorescent, incandescent, flash and custom.
- Metering: multi-segment, center-weighed and spot.
- Auto focus: single, continuous and monitor.
- Focus: multi-point focus, center-focus, selectable focus-point and manual focus.
- Flash mode: auto, forced, off, slow sync, with or without redeye.
- Unlimited 640x480 30 FPS movie mode with zoom and sound.
- 2.2 FPS Continuous drive, up to 100 frames.
- 3 Image exposure bracketing, 1/3-1 EV steps.
- Night shot images and video in complete darkness.
- Wireless remote capable and included in most areas.
Suitability - What is it good for?
As an 8 megapixels digital camera, the Sony H9 is expected to produce prints at least 12"x16" in size. The 15X stabilized zoom starts at a 31mm equivalent focal-length and goes up to 465mm. This zoom range is a bit wider and a bit longer than most ultra-zoom cameras, thus covering most common focal-lengths up to super-telephoto. Such a long zoom is ideally suited for wildlife photography and is an asset for macro and street photography. In terms of macro, the H9 can get as close as 1cm (0.4") from its subject when the lens is at its widest, capturing a very small area. Since the H9 goes wider than most digital cameras, it is even an asset for architecture photography.
With a full set of manual controls including manual exposure, semi-automatic exposure, custom white balance, manual focus and metering options, the Sony Cybershot DSC-H9 is quite suitable for creative photography. Additionally, two automatic modes and several scene modes allow for point-and-shoot photography. A powerful top-mounted pop-up flash serves to illuminate subjects in low-light and provide fill-flash to reduce contrast in bright light. The wide-range of ISO, from 80 to 3200, makes the H9 usable for outdoor and indoor lightIncandescent. Finally, there is a Night-Shot mode, usable for still images and movies, which allows photography and filming in complete darkness, although with some important restrictions.
Since available shutter-speeds go from 1/4000s to 30s, the H9 can be used in very low-light - using a tripod, of course - and for shooting fast moving subjects. Even though the H9 has a continuous drive mode running at 2.2 FPS, the LCD and EVF do not keep up enough to reliably capture a decisive moment. Since the H9 can capture up to 100 frames continuously, performances which are relatively still can be followed extensively.
The Sony H9 has a high-quality 640x480 30 FPS movie mode which is now typical of modern digital cameras. Unlike most digital cameras, this one allows its zoom to be used during filming. In movie mode, the camera zooms slower and refocuses slowly on its subject to avoid recording the sound of its internal motors. The movie mode also allows live exposure-compensation and manual focusing during recording. This makes the H9 one of the most capable digital cameras for movie recording.
Usability - How easy is it to use?
At first sight, the Sony Cybershot DSC-H9 shows stylish curves among a relatively simple design. This ultra-zoom digital camera feels surprisingly light considering its 15X optical zoom lens. It is also relatively small. Even most cameras with a shorter 12X optical zoom are larger and heavier. Note that the only camera with a longer zoom, the Olympus SP-550 is actually smaller than the H9. The H9's light weight makes it quite portable but does not feel so sturdy. Larger ultra-zoom cameras such as the Panasonic DMC-FZ30, feel considerable more solid.
The H9 has a tiltable LCD screen which, although it adds versatility for shooting at odd angles, contributes to making the camera more fragile. The hinge does seem more solid than some tiltable LCD screens from Fuji but not as sturdy as those from Canon. For a nearly identical but more solid camera, Sony has the Cybershot DSC-H7. The differences are a fixed 2.5" LCD instead and no Night-Shot feature.
Design wise, the Sony H9 is reminiscent of a miniature DSLR with a deep hand-grip, an angled shutter-release, protruding lens barrel and rotating mode dial. The grip is deep and mostly comfortable once the optimal position is found. The key is to hold the camera at an angle so that the forefinger lands on the shutter-release and the thumb falls on the zoom controller. This way, it is possible to hold the camera tightly without having the metal eyelet for the neck-strap dig into your hand.
Unlike the H5 which had a front-mounted control-wheel, the H9 uses a rotating dial which surrounds the 4-way controller to change exposure parameters, ISO sensitivity and focus modes. Being able to change ISO sensitivity without entering the menu system is an improvement over its predecessor. The rotating dial is easy and comfortable to use while holding this digital camera with two hands. One handed operation does not feel secure because the zoom controller and the rotating dial are far enough from each other that going from one to the other requires significantly shifting your grip. This is not so important, but it is worth noting, particularly since the H5 did not have this problem.
The rear side of the H9 is dominated by a high-resolution 3" LCD, leaving very little room for anything else. The LCD has excellent visibility in most lighting conditions. Even in direct sunlight, the subject is distinctively visible. In low light, the LCD gains up well. When moving the camera, the LCD refreshes at a good rate. However, when using the continuous drive, the LCD becomes blank between shots. This makes it difficult to track moving subjects.
To accommodate such a large LCD, Sony had to pack numerous controls into a small area. While this is admittedly better than removing them, the placement of some controls is problematic. The 4-way controller which is used for menu navigation, changing display modes, changing flash mode, toggling macro mode, activating a self timer is too low, making it difficult to use while maintaining a solid grip on the camera. These controls are prone to accidental activation. It actually happened quite a few times during testing. Lastly, the power and playback buttons are so flush that they are nearly impossible to press with gloves on.
Still on the subject of controls, the zoom controller is easy to use and its pressure-sensitivity is efficient for zooming over such a large range. The harder you press, the faster it zooms. Behind the shutter-release are easily accessible buttons for changing metering modes and drive modes. These two buttons are very easy to use while shooting without shifting your grip.
The Sony Cybershot DSC-H9 also includes a tiny low-resolution EVF. Unfortunately, it can only be described as the worst EVF we have ever seen. Its low-resolution means that subject details are hard to make out and overlaid information is hard to read. Also, the EVF on our production unit had a strong blue tint to it, thus showing rather poor color accuracy. Another regression compared to the H5 is that the EVF no longer protrudes from the rear of the camera. This makes it very easy to leave nose marks on the LCD while using the EVF.
In use, the Sony H9 is straight forward. Most controls behave just as expected. The shutter-release is quite sensitive with a slight halfway point for locking exposure and focusExcept when in continuous-focus mode. In shooting mode, pressing a direction on the 4-way controller rotates through various settings. Up is for the display mode. Right is for the flash mode. Down sets a 10 second timer, a 2 second timer or no timer at all. Left toggles macro mode on and off.
The 4-way controller is also used for navigating the menu system which is entered and exited using the Menu button. Strangely, the center button is neither used to confirm menu selection nor to dismiss the menu system. Instead the center button is used to toggle between changing a setting and selecting the setting to change. There is a second menu system which is activated by a button labeled Home. Both menu systems are easy to navigate with a clear and refined appearance. However, having two separate menu systems means having to remember which option is in which menu.
When off, the Sony H9 is protected by a sturdy lens cap which holds securely to the lens barrel. When turning the camera on, the lens will push the lens cap off as it extends. On the lens cap, there is also a small eyelet which can be used to strap the cap to the camera. The lens cap also fits on the supplied lens hood adapter.
The camera is equipped with a tripod mount which is in-line with the camera's center rather than the lens' center. This is ideal for stability but not for shooting panoramas without special gear. Also on the bottom-side, there is a combined battery and memory compartment door. The H9 accommodates a proprietary lithium-ion battery for power and Memory Stick Duo cards for storage. Note that Sony requires the use of a Memory Stick Pro Duo card for recording movies of the highest quality. Memory Stick Duo cards are priced higher than other common formats such as Secure Digital and Compact Flash. This must be factored into the camera's total cost. The Sony Cybershot DSC-H9 comes with a very slow charger which takes over 5 hours to fully charge a single battery. Sony conveniently sells a much faster changer as an optional accessory. A small bug that we found is that our production H9 stangely did not display the histogram for rotated images.
Sony DSC-H9 Facts
Large digital camera
|8 Megapixels Ultra Zoom||ISO 80-3200|
|15X Optical Zoom||Shutter 1/4000-30s|
|Built-in Stabilization||Full manual controls|
|0.20" Built-in EVF 200K Pixels||Custom white-balance|
|2 FPS Drive, 100 Images||Spot-Metering|
|640x480 @ 30 FPS Video Recording||Lithium-Ion|
|3" LCD 230K Pixels||Memory Stick Duo|
Nikkor AF-S 200-500mm F/5.6E ED VR Review
Nikon constant-aperture super-telephoto zoom with 200-500mm range and the latest Vibration-Reduction effective to 4.5 stops. Built-in super-sonic AF in a sturdy weatherproof body.
Nikon Coolpix P900 Review
In-depth review of the Nikon P900 ultra-zoom with an unprecedented 83X stabilized optical zoom lens paired with a 16 MP BSI-CMOS sensor capable for 7 FPS continuous drive and 1080p HD video at 60 FPS. Built-in 0.2" EVF with 920K pixels and Eye-Start sensor, rotating 3" LCD with 920K pixels, WiFi and a built-in GPS.
Lightroom Architectural Photography
Learn how to process architectural photography images using Adobe Lightroom.
Weatherproof Mirrorless Comparison
In-depth comparison of weather-sealed mirrorless digital cameras. Covers features, capabilities, image-quality and performance of the Fuji X-T1, X-T1 Graphite, Nikon 1 AW1, Olympus OM-D E-M1, E-M5 Mark II, Panasonic GH4 and GX8.
Panasonic Lumix DMC-GX8 Review
Panasonic flagship mirrorless, the first 20 MP Micro Four-Thirds digital camera. Built-in image-stabilization, 2.4 MP 0.44" EVF with 0.77X magnification. 8 FPS Drive and 4K Ultra-HD video. Fully weather-sealed and feature-rich.
Mirrorless EVF Sizes
Find the specifications of EVFs for almost any mirrorless camera here. A table compares the resolution, size, magnification and coverage among mirrorless EVFs.
Fuji X-T10 Review
Premium 16 megapixels Fuji mirrorless with a 16 MP APS-C X-Trans CMOS II sensor, EXR II processor and 2.4 MP 0.39" EVF with 0.62X magnification, 100% coverage and Eye-Start sensor. Hybrid digital and mechanical design with dual control-dials and direct exposure dials plus 7 custom buttons.
Fuji X-A2 Review
Mirrorless with standard 16 megapixels APS-C CMOS sensor. Dual control-dials at an entry-level price, plus 3" tilting LCD, built-in WiFi and 5.6 FPS drive.
Canon Powershot SX610 HS Review
Ultra-compact ultra-zoom with a stabilized 18X wide-angle optical zoom and 20 megapixels high-speed CMOS sensor. ISO 80-3200, 1/2000-15s, 2.5 FPS and full 1080p HD video, plus WiFi and NFC.
Panasonic Lumix DMC-FZ1000 Review
Ultra-zoom prosumer camera with a large 20 MP 1" CMOS sensor and stabilized 16X wide-angle optical-zoom lens. Records full 4K Ultra-HD at 30 FPS. High-speed 4K Photo-Mode and 12 FPS drive.