Nikon 1 V1 Review
Usability - How easy is it to use?
Nikon took the chance to reinvent things with the introduction of their V1 and J1
Nikon 1 J1 SLDs and the result is reviewed here. Overall, the new interface is reasonably simple and easy to learn but it has its share of oddities. Keep in mind that future Nikon 1 cameras may operate quite differently, operating around the newly defined mount and sensor-size.
The camera body is rectangular with a substantial feel to it. To the rear, the EVF protrudes for added comfort and, to the front, a small vertical line serves as grip. The front of the camera is mostly smooth and the rear has a small rubberized area. While better than nothing, the V1 never feels secure without two hands holding it. A neck-strap is provided with the camera.
The camera feels very solid and even the combined battery and memory card compartment door is top-notch. The EVF frame is rubberized for extra comfort. It compared in size to a large compact or a medium-sized SLD. Given the placement of the sensor halfway through the thickness of the body, there is room to make Nikon 1 cameras a lot smaller.
Supporting the camera from the lens, the V1 has a good weight but does not feel heavy at all. Since zooming is done mechanically for both the 10-30mm F/3.5-5.6
Nikkor 1 10-30mm F/3.5-5.6 VR and 30-110mm F/3.8-5.6
Nikkor 1 30-110mm F/3.8-5.6 VR lens, this is the natural thing to do. These lenses both have a collapsible design originally pioneered by Olympus. To expand the lens, press the round button on its barrel and twist. Neatly, this camera automatically turns on when the lens passes the unlocked position.
The top plate is somewhat bare with a flat power button, a flat shutter-release and a video-record button. Also visible from the top is the EVF bump and accessory port cover. Regardless of the mode, the shutter-release captures and image and the video-record button starts and stops video capture. As described in the previous page of this review, image and video framing always match the preview.
The shutter-release is a standard two-stage release with short travel and a very soft halfway point. Luckily, it does not release if focus has not been acquired in AF-S mode. Placement could be better though as it is a little from from the side of the camera. The shutter-release is only slightly higher than the video-record button, so confusing the two is unfortunately possible.
Remaining controls are all found on the back of the V1. Some of these are unique to the V1 and its near-twin, the J1, so more explaining than usual is required. There is a rubberized area to rest the thumb between these controls and the rear LCD. Right next to it is an unusual mode-dial with four positions:
- Standard Image mode is marked by a green camera icon. This lets the V1 operate similarly to advanced compact cameras. An option in the menu lets the V1 operate in Program, Shutter-Priority, Aperture-Priority, Manual or Automatic Scene Selection mode. The camera is set to 3:2 aspect ratio for both images and video.
- Video mode is marked by the silhouette of a classic film camera. This lets the V1 shoot both video and images with a 16:9 aspect ratio in any PASM mode with the obvious limitation that the shutter-speed cannot be set below the frame-rate.
- Smart Photo Selector is an extension of Nikon's own BSS seen on some Coolpix cameras. This takes advantage of the extremely fast burst rates of the CMOS sensor to buffer a series of images starting when the shutter-release is pressed half-way. On the full-press, the camera saves the 5 best images for sharpness and composition. It presents the best image according to its metric as the final result.
- Motion Snapshot takes a 16:9 aspect-ratio shot along with a one second slow motion video of the scene which preceded the shot. It also adds one of four sound-tracks while playing the whole thing back. This is a rather gimmicky trick which we would rather see replaced by traditional exposure-modes.
The mode-dial is vertically mounted with textured sides to make it easy to change. Indeed it is, perhaps even too easy despite the detents, since it frequently unintentionally moved from its last position.
Depending on the mode-dial's position, the F button near the top of the camera takes on different functions. In Standard Image mode, it selects between Mechanical, Electronic and High-Speed Electronic shutters. This last mode forces the camera in Auto mode, including Auto ISO with a 3200 limit. It feels like this is the wrong control for the user since there is no easily understood connection between a type of shutter and photographic results. With High-Speed Electronic, a menu option appears to chose between 60, 30 or 10 FPS continuous drive.
In Video mode - which we grateful to see on any camera - the F button chooses between HD and Slow-Motion. The exact video mode is then chosen via the menu. In HD mode, options are 1080i @ 60 FPS, 1080p @ 30 FPS or 720p @ 60 FPS. In Slow-Motion mode, choices are 400 or 1200 FPS. The F button does nothing in Smart Photo Selector mode and chooses the background music in Motion Snapshot.
Right next to the F button is a vertical rocker. This one is labeled with the zoom-in and zoom-out symbols which is what it does in Playback mode. In image and video modes, it controls the primary exposure parameter or Program-Shift in P mode. In Manual mode, it controls the shutter-speed while a thin control-dial around the 4-way controller adjusts aperture.
The 4-way controller is surrounded by a control-dial and 4 buttons. These four buttons have traditional functions: Display changes the display mode, Playback enters Playback mode, Delete deletes images and Menu enters the menu system. Additionally, each direction on the 4-way controller is assigned a function:
- Up is AE-L/AL. This is configurable to lock exposure, focus or both. Since this button must be held while recomposing or waiting for action, its placement is uncomfortably low.
- Right is for EC which is then adjusted ±3 EVs in 1/3 increments with the control-dial. Unfortunately setting EC is done blind since the display does not update until after the adjusted is accepted by pressing OK or the right direction again.
- Down is for AF with choices of AF-S, AF-C, MF and AF-A. Since Nikon 1 lenses lack a focus ring, manual focus is performed using the rear dial. The granularity of MF-steps is fine and the resolution of the display is sufficient to distinguish between each step.
- Left is for the Self-Timer. There are six options: Off, 10s, 5s, 2, 2s Delayed-Remote and Instant-Remote. Self-timers annoyingly reset themselves after each shot, making tripod shooting with a remote inefficient.
The control-dial spins freely, making it easy to change accidentally. As it stands, in most situations, it does not do anything so this is not much of a problem except in Manual mode.
The Nikon 1 V1 has a high-resolution 0.47" EVF with 1.4 megapixels. It provides 100% coverage and simulation of white-balance setting. The view is bright, crisp and very detailed. Refresh is fluid and it keeps up with action rather well, particularly when using the continuous drive. Truly, using the EVF is one of the things that makes using the V1 quite pleasant. Shooting at eye-level provides greater stability, makes it easy to frame precisely and avoids glare in bright light. There is also an excellent Eye-Start sensor which is hard to live without once you get used to it.
The 3" LCD is great too and plenty sharp with 920K pixels. The view is clear and sharp with good visibility in bright light. Motion is fluid there too. The LCD also keeps up with action well and shows 100% coverage. The display button cycles a few options, including a grid view. Notably absent is a Live-Histogram. A luminance histogram is available on review though. Sadly, neither EVF nor LCD is exposure-priority.
The bottom of the camera features a metal tripod, inline with the optical center of the camera, plus a combined battery and memory compartment door. The door hides a standard SDXC and a large battery.
Nikon V1 Facts
|10 Megapixels Mirrorless||ISO 100-6400|
|Nikon 1 Mount|
Sensor-Size: 13 x 9mm
Actual size when viewed at 100 DPI
|0.47" Built-in EVF 1.4 Megapixels||Full manual controls, including Manual Focus|
|Automatic Eye-Start sensor||Custom white-balance|
|Built-in Dust Reduction||Spot-Metering|
|60 FPS Drive, 60 Images||Hot-Shoe|
|1920x1080 @ 30 FPS Video Recording||Stereo audio input|
|3" LCD 920K Pixels||Lithium-Ion Battery|
|Secure Digital Extended Capacity|
Panasonic Lumix GX850 Review
Highly compact mirrorless with 16 MP Four-Thirds CMOS sensor capable of 4K Ultra-HD video. Fast 10 FPS drive and 1/16000s-60s hybrid shutter. 4K Output for 30 FPS bursts, Post Focus and built-in Focus Stacking.
Olympus OM-D E-M1 Mark II Review
Olympus professional Micro Four-Thirds mirrorless with 20 MP sensor, built-in 5-axis Image-Stabilization, 121-Point Phase-Detect and Contrast Detect AF, 60 FPS Drive, 18 FPS with Continuous AF, Ultra-HD and Cinema 4K Video. Large built-in 2.4 MP 0.45" EVF with 100% Coverage, 0.74X magnification and Eye-Start Sensor in a freezeproof and weatherproof body with dual control-dials.
Fujifilm GFX-50S In-Depth Review
In-depth review of the Fujifilm GFX-50S Medium Format Mirrorless Digital Camera, a groundbreaking 50 megapixels camera with large 44x33mm sensor and unique modular EVF system. ISO 50-102400 range, 3 FPS drive and 1080p video.
Fujinon GFX Lens Roundup
Roundup of reviews for GFX Medium Format Mirrorless lenses: Fujinon GF 23mm F/4R LM WR, GF 32-64mm F/4R LM WR and GF 110mm F/2R LM WR.
Nikon D500 Review
Full-review of the ultimate Nikon flagship APS-C DSLR. The Nikon D500 offers a new 20 MP CMOS sensor with incredible ISO 50-1638400, 10 FPS, 4K Ultra-HD and a 153-Point Phase-Detect AF system sensitive to -4 EV. Built for professionals into a weatherproof body with dual control-dials and large 100% coverage viewfinder with built-in shutter.
DxO ViewPoint 3 Review
Review of DxO ViewPoint 3. Perspective, distortion and horizon correction software.
Nikon D5 XQD Review
Nikon flagship professional DSLR with 20 megapixels Full-Frame CMOS sensor. All-new 153-point Phase-Detect AF sensitive to -4 EV. ISO 50 to unprecedented 3,276,800! 12 FPS Drive for 200 JPEGs or 180 RAW. First Nikon DSLR with 4K Ultra HD video.
Olympus Professional Lens Roundup
Roundup of Olympus Professional and Premium lenses: M.Zuiko 7-14mm F/2.8 PRO, M.Zuiko 12-40mm F/2.8 PRO, M.Zuiko 40-150mm F/2.8 PRO, M.Zuiko 12mm F/2, M.Zuiko 60mm F/2.8 Macro.
Olympus OM-D E-M10 Mark II Review
Olympus second generation base OM-D with an anti-alias-filter-free 16 MP Four-Thirds CMOS sensor mounted on a 5-axis in-body stabilization system. Speedy 8.5 FPS drive, full HD @ 60 FPS and a wealth of features in a compact and lightweight body. Offers a 2.4 MP 0.45" EVF with 0.62X magnification and 100% coverage, plus dual control-dials and a highly customizable interface.
Fuji X-Pro2 Review
Fuji flagship XF-mount mirrorless with 24 MP APS-C X-Trans CMOS III sensor. 273-Point AF with 169 Phase-Detect points. 8 FPS Drive, 1080p video. Dual control-dials, direct dials and a hybrid viewfinder in a weather-sealed freezeproof body.