M.Zuiko 40-150mm F/4-5.6 ED MSC - Olympus Micro Four-Thirds Lens Roundup
M.Zuiko 40-150mm F/4-5.6 ED MSC
The M.Zuiko 40-150mm F/4-5.6 ED MSC adds good telephoto reach equivalent to 80-300mm. This almost 4X optical zoom range covers the mostly used focal-lengths for portraits and candid street photography. Some larger wildlife animals can also be captured without getting uncomfortably close. It is generally too short for birding though and the maximum aperture is too narrow for classic portraits.
This lens is relatively light with a plastic barrel and mount. The zoom and focus rings are a little tight but move smoothly. Mounted on a compact SLD, the M.Zuiko 40-150mm looks a tad oversized but balances well. A 58mm thread is present to use most types of filters which one can share with the M.Zuiko 14-42mm using the suggested adaptor.
Sharpness is excellent in the center at wide-angle from the widest F/4 aperture to the F/13 before the diffraction limit hits. The corners are quite soft though at F/4 and improve slowly but do not become really sharp until F/9.5. By F/6.7 though, softness should only be noticeable in large prints. At telephoto, there is some softness wide-open in the center. Things improve stopping down, becoming reasonably sharp at F/8. The corners at 150mm show some light softness at F/5.6, improving noticeably by F/8 and become sharp at F/9.5.
Amazingly this lens is pretty much distortion free across its entire zoom range. Vignetting is noticeable at F/5.6 above 100mm but become unnoticeable at F/8. At wider focal-lengths, it is just a little noticeable at F/4 to F/5.6. Once at F/8 or further, vignetting becomes to low to notice on most subjects.
This lens too does quite well, with only disturbing softness at the corners near wide-angle. Once zoomed-in a little, there is very little to complain about. Overall, a solid performance.
What is shown below are 5 crops taken from a photograph, repeatedly captured for each combination of focal-length and aperture. The smaller pieces are cropped from the extreme corners of the image, while the middle wide crop comes from the center of the image. Select an aperture in a row for a desired focal-length to see the crops from the corresponding image. When judging quality, keep in mind that these crops come from a 12 MP image which is normally used to print an image up to 16x12". On a computer display, these may appear much larger which magnifies image defects.
M.Zuiko 40-150mm F/4-5.6 ED MSC Sharpness
Neocamera Blog is a medium for expressing ideas related to digital cameras and photography. Read about digital cameras in the context of technology, media, art and the world. Latest posts links:
Nikon D610 Review
24 MP full-frame DSLR with 100% coverage OVF, dual-controls in a weather-sealed body. Upgraded from the D600 with 6 FPS continuous drive and 3 FPS quiet drive plus a new improved AWB system.
Ricoh Pentax K-3 Review
The first Ricoh DSLR inherits the K-5 DNA, bringing megapixels to 24 and a unique Anti-Alias Filter Effect along with 8.3 FPS drive and 4K Time-Lapse video. APS-C sensor with ISO 100-5200, 1/8000s, large 100% coverage OVF, dual SDXC slots, all in a solid weather-sealed and freezeproof body.
Best Digital Cameras of 2013
The best digital cameras available in 2013 awarded by category. These exceptional models deliver outstanding image-quality and features for various types of photography.
Panasonic Lumix DMC-GX7 Review
The ultimate Panasonic flagship mirrorless features in-body stabilization for the first time and a ultra-high resolution tilting EVF. Full manual-control with dual-controls dials. Feature-rich, with 16 MP, 5 FPS, 1080p HD @ 60 FPS, WiFi and NFC.
Nikon 1 AW1 Detailed Review
Waterproof to 15m, shockproof to 2m and freezeproof to -10C, the AW1 is the only rugged interchangeable lens camera. Its 14 MP high-speed 1" CMOS sensor delivers 60 FPS and shutter-speeds up to 1/16000s. Full 1080p HD video capable.
Nikon 1 AW1 Preview
Preview of the Nikon 1 AW1, the only waterproof or shockproof interchangeable lens camera. See how Nikon built this mirrorless camera and its equally sturdy lenses.
Amazing Lenses to Make You Want Another System
These amazing lenses, plus a few extra ones for good measure, will make you want to buy another system. These unique will expand your photographic vision. Each is mostly unique to a system making you wish you had one camera for every one of them!
Olympus PEN E-P5 Review
As the fllagship of Olympus PEN series, the E-P5 mirroress camera is brimming with features: a 16 MP LiveMOS with 5-Axis image-stabilization, ISO 100-25600, 9 FPS, 1080p HD with Stereo sound, 1/8000-60s plus to 30mis of Live-Builb. Full manual-controls in a highly customizable and durable metal body with 3 control-dials
Panasonic Lumix DMC-FZ70
An amazing 60X ultra-wide-angle optical zoom with a 16 megapixels CMOS sensor in a body with plenty of external controls. 9 FPS, 1080p HD with stereo sound.
Fuji X100S Review
Premium compact with a large 16 MP X-Trans II CMOS sensor with built-in Phase-Detect AF, a bright 23mm F/2 prime lens, hybrid 2.4 MP EVF/OVF with Eye-Start sensor, full 1080p HD video.