The Fuji Finepix S9000 produces amazing pictures. Even though
it sports a 9 megapixel sensor comparable in size to other
high-end fixed lens cameras, its images exhibit very low levels
of noise. Specifically, color noise is extremely low and even
close that of low-end DSLR cameras such as the Nikon D70, Nikon
D100, Olympus E-300 and the Pentax *ist DS. Luminance noise
is very low, not as low as color noise but lower than any camera
of its class. Interestingly, the Fuji Finepix F10 does exhibit
less noise, probably because of its lower pixel count. Noise
levels are kept quite low at all ISO sensitivities, this can
be seen in the day and night 100%
crops.
There is however some detail erosion which is barely visible at ISO 400. Detail
erosion increases at ISO 800 and even more at ISO 1600. Still, keep in
mind that this is far better than any camera in this class. Since the S9000
produces 9 megapixel images, these crops when displayed on a high-resolution
computer monitor would be part of an image over 27" wide. Once
scaled to standard print sizes, detail erosion and noise are nearly invisible.
Check out our scaled 4x6 and 9x12 images.
The S9000 captures detailed images with exceptional sharpness at all focal lengths.
In macro and super-macro mode, the lens still captures plenty of details and
preserves sharpness up to the edges of the frame. Only a very slight amount
of softness is detectable near the corners of the images in macro mode. Super
macro mode shows just slightly more softness. Overall, this 10.7X optical
zoom lens is clearly of very high-quality. The only shortcoming of this
lens is its small maximum aperture at the telephoto end (F4.9) which encourages
the use of high-ISO to avoid blur from camera shake. Instead it would be preferable
if the camera had some form of stabilization.
The Fuji S9000 produces images with beautiful colors which
appear a bit over-saturated. This is designed for consumer
appeal but can be toned down (one step only), producing more
natural looking images. Sharpness, saturation and contrast
can also be increased or decreased by one step. The sharpness
settings are unfortunately too fine to make a visible difference
in printed images. The S9000's image's have excellent dynamic
range and contrast, capturing details in both highlights and
shadows. The contrast setting can either widen or narrow
the range captured. This camera has visibly more dynamic range
than other cameras with similarly sized sensors.
As for speed, this camera is about average. It focuses rapidly at wide
angle but quite slowly at telephoto, probably due to its small maximum aperture.
Low light focusing is also very good at wide angle with one of the most effective
and powerful focus assist lamp we have seen. The S9000 does have trouble focusing
at telephoto in low-light beyond the reach of the assist lamp. Under low-light
or low-contrast, there were even occasional focus misses. This is where manual
focus normally comes in handy but, as we said before, the LCD is too coarse
for precise focusing.
Shot-to-shot speed is slower than average and so is image browsing. By
far, the slowest operation is changing from photography mode to playback mode
which takes roughly 4 seconds. The camera seems to clear its buffer rapidly
but while it does so, it locks up and the menus cannot be used. As for
battery-life, it is reasonably good but not exceptional, but this can easily
be forgiven for the convenience of AA batteries.
Conclusion
It is clear that the Fuji Finepix S9000 delivers images of outstanding quality
with extremely low noise, great sharpness, good detail and nicely saturated colors.
At all ISO settings, the S9000 bested all cameras in its class. With a fantastic
10.7X mechanically linked wide-angle optical zoom lens and such image quality,
the S9000 presents a viable alternative to entry-level digital SLR cameras which
would be less convenient and more expensive when equipped with lenses to cover
a similar range.
For its superb images, the S9000 compromises in operating speed and poor ergonomics.
The shot-to-shot times, focusing speed, playback speed of the S9000 are all less
than average. The main problems with the S9000 are its ergonomics which
frequently get in the way of taking pictures efficiently. Mostly the
menu system is clunky and requires too many clicks while other settings behave
in unexpected ways.
For uncompromised image quality at a good price, the Fuji Finepix S9000 is
the camera to get. For someone who prefers better ergonomics and is ready to
accept less image quality (particularly more high-ISO noise), there are great
alternatives such as the Konica-Minolta A2. For those who aren't ready to compromise
either way, the digital SLR way is the way to go. Keep in mind that there are
significant work flow differences between a fixed lens camera and a DSLR, see
out Digital SLR Difference feature for details.