Nikon D7200 Review
The Nikon D7200 is the new flagship APS-C DSLR from Nikon, following the D7000 introduced almost 3 years ago. While the D7000 remains a capable camera today, the D7200 introduces a new 24 megapixels CMOS sensor without Anti-Alias filter and the 51-point AF system used in Nikon's full-frame DSLRs.
The D7200 boasts professional camera features in an advanced cropped-sensor DSLR using its state-of-the-art high-resolution sensor. This sensor covers an ISO 100 to 25600 sensitivity range while shooting continuously at 6 FPS or capturing full 1080p HD video. The durable magnesium body of the Nikon D7200 includes a large 100% coverage viewfinder and is weather-sealed against dust and moisture.
This digital camera is designed for efficiency with dual control-dials and over two dozen direct controls. The D7200 also emphasizes video as one of its class-leading capabilities with a sophisticated full-time autofocus system, external stereo sound input, headset output jack and video manual controls.
This review covers the D7200 in terms of ergonomics, image quality and performance.
Nikon D7200 Key Features
- 24 Megapixels CMOS sensor
- No Anti-Alias Filter
- 1.5X crop-factor, Nikon DX
- ISO 100-6400 normal sensitivity
- IS 12800-25600 expanded sensitivity
- Customizable Auto ISO
- Built-in Dust-Reduction
- JPEG, RAW or JPEG+RAW Output
- PASM exposure modes with Program-Shift
- 1/8000s-30s Selectable shutter-speed
- Bulb and Timed mode up to 30 minsRequires optional remote
- Exposure-Compensation, ±5, 1/2 or 1/3 EV steps
- Flash-Compensation, -3...+1, 1/2 or 1/3 EV steps
- Matrix (Multi-Segment), Center-Weighed, Average & Spot metering
- AEB, 2-5 Frames, ±3 EVMax ±2 at 5 frames., 1/3 or 1/2 EV steps
- AE, AE & Flash, Flash, WB, ADL Bracketing
- ½ or 1/3 EV Exposure and ISO steps
- Exposure fine-tuning, ±1 EV, 1/6 EV steps
- 51-Point autofocus, 15 cross-type
- Single-Point, Dynamic-Area or Auto focus-point
- Single-Shot, Continuous or Automatic focus-drive
- Face-Detect & Tracking Live-View autofocus
- Optional Autofocus Fine-Tuning
- Optional AF-Assist lamp
- 6 FPS Continuous Drive, Max 100 JPEG or 6 RAW
- Customizable Self-Timer, 1-9 Shots, 2-20s Start Delay, ½-3s Interval
- Quiet-Shutter with delayed mirror-return
- Exposure-Delay, 1-3 seconds
- Multiple-Exposure, 2-3 shots, optional auto gain
- Internal-Timer, 1-9 shots, 1-999 times, 1s-24h interval
- Built-in HDR, 4 blending levels
- Dual IR receivers for remote trigger
- Automatic, Preset, Kelvin and Custom white-balance
- White-Balance fine-tuning, 2-axis, 13-steps
- 6 Built-In Picture Styles
- Automatic or Manual Sharpness, 10 steps
- Automatic or Manual Contrast, 7 steps
- Automatic or Manual Saturation, 7 steps
- Manually Adjustable Hue, 7 steps
- Manually Adjustable Tone-Curve, 3 levels
- Optional High-ISO Noise Reduction, 3 levels
- Optional Long Shutter Noise Reduction
- Optional In-camera Distortion-Correction
- Optional Active D-Lighting (ADL), 4 levels
- 1920x1080 @ 30 FPS 16:9 HD
- 1280x720 @ 60 FPS 16:9 HD
- Contrast-Detect AF
- Quicktime with H.264 codec
- Two compression qualities
- Stereo microphone, 20 levels
- Stereo mini-jack input
- Headset mini-jack output
- Optional sound
- Dual control-dials
- Combined configurable AE-L/AF-L button
- Optional Easy ISO or EC control
- Independent AEB button
- Modal exposure-mode dial
- Modal drive-mode dial
- Customizable Function button
- Customizable DOF-Preview button
- Live-View button with Video switch
- Direct Video-Recording button
- Focus-Point lock
Viewfinder & Displays
- 100% Coverage viewfinder, 0.94X magnification
- 3.2" LCD, 1.2 Megapixels
- Illuminated top LCD status display
- Editable status display on rear LCD
- Single-Axis Digital-Level
- OVF DOF-Preview
- Optional OVF grid
Body & Construction
- Nikon lens mount
- Weather-sealed, resistant to dust and moisture
- Durable magnesium frame
- Metal tripod mount
- Built-in pop-up flash (GN 12)
- Modeling flash
- Wireless Flash control
- Hot-Shoe for external lighting
- Stereo sound-input mini-jack
- Dual SDXC memory card slots
- Proprietary Lithium-Ion battery
- 1080i HDMI output
- USB 2.0 connector
- Optional GPS
Performance - How well does it take pictures?
Ultimately, image-quality makes a camera worth buying. For a digital SLR, image quality greatly depends on the lens used. While color, noise, contrast and exposure are properties of a camera itself, distortion, vignetting and chromatic aberrations are properties of the lens. Sharpness depends on the weakest link. So, a camera cannot capture more details than the lens lets through. Conversely, a lens can transmit more details than a sensor can capture.
Images from the Nikon D7200 have extremely low noise. Up to and including ISO 400, the output is virtually noise-free, even when viewed at 100% which corresponds to a 60" wide print on most monitors. At ISO 800, noise is barely noticeable. It starts being more easily visible at ISO 1600. ISO 3200 has stronger noise yet shows an impressive retention of details with minimal on all but the largest prints.
Obvious image-noise which destroys fine details and reduces maximum print sizes can be seen at ISO 6400. While ISO 12800 is more noisy, it remains usable for mid-size prints. The top standard sensitivity of ISO 25600 is very noisy yet may be usable for small prints in emergencies.
There are now two Black&White expanded ISO beyond that. ISO 51200 is similar to 25600, except without the color. ISO 102400 though is one stop too far and produces completely blurry images. A setup option controls if these can be selected with the control-dial or not, which prevents accidental use.
It is interesting to compare these results with those of the D7100. These two DSLRs actually delivers very similar performances. Nikon managed to achieve slightly better retention of details by easing on Noise-Reduction which makes the first few stops appear a tad noisier. However, the D7200 gains one extra usable stop at the top of its ISO sensitivity-range.
Even when noise-reduction is turned off, the D7200 applies some smoothing, probably at the sensor-level. This means that ISO 1600 and above show a gradual loss of sharpness with each stop reducing potential print sizes. This follows the increase in noise-levels quite well. So, even if NR was not applied, this digital camera would not be able to produce larger prints anyway.
For a camera without an anti-alias filter, the output is unusually soft. The default sharpness of 2 is truly abysmal. Pushing it to 3.5 yields a great improvement. One could go as far as 4.0 which introduces some slightly noticeable sharpening artifacts. Anything beyond that is full of halos and inverted edge-contrast.
Crucially, image sharpness at 24 MP can be severely limited by the lens. This is clearly the case when using a Nikkor AF-S DX 18-140mm F/3.5-5.6G ED VR which is sold along with the D7200 as kit-lens. The Nikkor AF-S DX 17-55mm F/2.8G ED should produce vastly superior results, so be sure to invest sufficient funds into a high-quality lens if you plan on purchasing a D7200.
Dynamic-range of the D7200 is class-leading, even besting the previous champion despite having 50% smaller pixels. This is where the D7200 improves the most over its predecessor. With Picture-Control set to Neutral, the default tone-curve preserves dynamic-range in JPEG images extremely well. Contrast can be varied in 25 very fine steps. As always, the compromise is that lower contrast is required to capture more dynamic-range.
This DSLR struggles with exposure. Its Matrix metering puts considerably too much emphasis on the center of the frame which leads to frequent over-exposure. The same happens with Center-Weighed metering to a lesser extent. Spot and Average metering work just as expected though. This is regrettably the only real issue with the D7200, just like it is on the D7100.
Color rendition of this DSLR is good with a somewhat warm tone by default. Increasing Hue to 1.5 corrects this for the most part, delivering relatively natural colors. Saturation is slightly dull in Neutral. Setting it to +0.5 improves without appear unrealistic. A new image-parameter of the latest generation of Nikon DSLR is Clarity. It enhances details in mid-tones which makes images look crisper. Optimal output is achieved with it set to +1.5.
White-balance is reasonably good. Under most situations, colors come out well balanced. It occasionally leaves a slight yellow-cast and moderate magenta one in low-light. Unless light is very dim, it rarely misses by much. Thankfully, Custom WB works well and is capable of balancing difficult lighting.
Operational speed of the D7200 is exceptional. This DSLR remains responsive under most conditions with only the occasional delay in responding to controls. Its performance is characterized by the following numbers:
- Power On: Instant. Very good.
- Power Off: Barely noticeable. Excellent.
- Autofocus: Below ¼s down to 1s with a slow lens such as the kit one. Highly variable.
- Focus Confirm: Under ¼s for both autofocus and manual focus. Very good.
- Shutter-lag: Nearly instant followed by extremely short black-out. Class-leading.
- Shot-to-Shot Speed: Roughly 1/3s. Good.
- Instant Review: About ¾s. Below average.
- Playback Mode: Immediate. Excellent.
This camera features automatic distortion correction based on pre-programmed lens data. Due to the nature of optical distortion, parts of the captured image get cropped, making precise framing impossible. Enabling lens Distortion Correction slows the D7200 down by adding ½s to the Instant Review delay. At least, it no longer affects continuous shooting buffer-depth.
The 51-point autofocus system on the D7200 can be extremely fast yet some lenses slow it down considerably. When focusing manually, the camera instantly confirms focus. The new Phase-Detect AF sensor is sensitive down to -3 EV which very few cameras can manage, making this DSLR particularly well-suited for low-light photography.
Battery-life is excellent, achieving 1100 shots-per-charge according to the CIPA standard. This is improved compared to the D7100 and is enough for more than one day of photography. Keep in mind that video is much more demanding, particularly for full HD encoding which only lasts 80 minutes-per-charge. It is therefore recommended to buy additional batteries if planning to film.
The Nikon D7200 is clearly an improvement over the D7100. While not a huge step ahead, it neatly exceeds its predecessor in terms of dynamic-range and speed, plus a number of other improvements.
Just like its predecessor, the Nikon D7200 delivers an impressive performance in all aspects but one. Image-noise and dynamic-range are top notch, while color and white-balance are completely satisfactory. A high-end lens is required to get really good sharpness out of this digital camera. Exposure is certainly the weak-point here. While correctable with EC, this is nevertheless highly inconvenient to most photographers.
The new 24 MP sensor in the D7200 is easily capable of very large prints of outstanding quality until ISO 400. With a top-quality lens, images should be even sharper considering there is no anti-alias filter in front of the CMOS sensor. From ISO 800 to 3200, beautiful prints are still possible, only not as large. Even ISO 6400 and 12800 remain usable which is an admirable performance considering such a high-resolution.
The speed of this DSLR is excellent. There is still an unusual delay to Instant Review but the D7200 never lags when it counts. Both shutter-lag and black-out time are top-notch which makes this camera well-suited for action photography. A maximum buffer for 100 JPEG images or 18 RAW files at 6 FPS greatly helps too.
Nikon D7200 Facts
|24 Megapixels DSLR||ISO 100-25600|
|Nikon F Mount|
Sensor-Size: 24 x 16mm
Actual size when viewed at 100 DPI
|Full manual controls, including Manual Focus|
|1 Axis Digital Level||Custom white-balance with 2 axis fine-tuning|
|Built-in Dust Reduction||Hot-Shoe|
|6 FPS Drive, 100 Images||Stereo audio input|
|1920x1080 @ 60 FPS Video Recording||Lithium-Ion Battery|
|3.2" LCD 1.2 Megapixels||Secure Digital Extended Capacity x 2|
Nikon D500 Review
Full-review of the ultimate Nikon flagship APS-C DSLR. The Nikon D500 offers a new 20 MP CMOS sensor with incredible ISO 50-1638400, 10 FPS, 4K Ultra-HD and a 153-Point Phase-Detect AF system sensitive to -4 EV. Built for professionals into a weatherproof body with dual control-dials and large 100% coverage viewfinder with built-in shutter.
DxO ViewPoint 3 Review
Review of DxO ViewPoint 3. Perspective, distortion and horizon correction software.
Nikon D5 XQD Review
Nikon flagship professional DSLR with 20 megapixels Full-Frame CMOS sensor. All-new 153-point Phase-Detect AF sensitive to -4 EV. ISO 50 to unprecedented 3,276,800! 12 FPS Drive for 200 JPEGs or 180 RAW. First Nikon DSLR with 4K Ultra HD video.
Olympus Professional Lens Roundup
Roundup of Olympus Professional and Premium lenses: M.Zuiko 7-14mm F/2.8 PRO, M.Zuiko 12-40mm F/2.8 PRO, M.Zuiko 40-150mm F/2.8 PRO, M.Zuiko 12mm F/2, M.Zuiko 60mm F/2.8 Macro.
Olympus OM-D E-M10 Mark II Review
Olympus second generation base OM-D with an anti-alias-filter-free 16 MP Four-Thirds CMOS sensor mounted on a 5-axis in-body stabilization system. Speedy 8.5 FPS drive, full HD @ 60 FPS and a wealth of features in a compact and lightweight body. Offers a 2.4 MP 0.45" EVF with 0.62X magnification and 100% coverage, plus dual control-dials and a highly customizable interface.
Fuji X-Pro2 Review
Fuji flagship XF-mount mirrorless with 24 MP APS-C X-Trans CMOS III sensor. 273-Point AF with 169 Phase-Detect points. 8 FPS Drive, 1080p video. Dual control-dials, direct dials and a hybrid viewfinder in a weather-sealed freezeproof body.
Panasonic Lumix DMC-ZS100 Review
The only premium travel-zoom! 20 megapixels 1" high-speed CMOS sensor paired with a stabilized 25-250mm F/2.8-5.9 optical zoom. 50 FPS Drive, 4K Ultra-HD video, 1/16000-60s Hybrid Shutter, Post-Shot Focus, 4K Live-Cropping, Time-Lapse Video and more. Dual control-dials plus a built-in EVF with Eye-Start sensor.
Canon EOS Rebel T6s Review
Newly designed Rebel with dual control-dials and top status LCD. 24 MP APS-C sensor, Hybrid AF III with 19 all-cross points and on-sensor Phase-Detect AF. 5 FPS Drive and full 1080p HD video capture.
Canon Powershot G3 X Review
Ultra-zoom with a 25X optical zoom lens and large 20 MP 1" CMOS sensor in a weather-sealed body with dual control-dials, a lens ring and efficient controls. Captures full 1080p HD video at 60 FPS with internal or external stereo sound.
Best Digital Cameras of 2015
The best new digital cameras of 2015. Plus, find out which ones of 2014 still lead their category. Compact, Premium Cameras, Ultra-Zooms, Mirrorless and DSLR are all covered.