
The Nikon D7000 boasts professional camera features in an advanced cropped-sensor DSLR using a state-of-the-art 16 megapixels CMOS sensor. This sensor covers an ISO 100 to 25600 sensitivity range while shooting continuously at 6 FPS or capturing full 1080p HD video. The durable magnesium body of the Nikon D7000 includes a large 100% coverage viewfinder and weather-seals against dust and moisture.
This digital camera is designed for efficiency with dual control-dials and over two dozen direct controls. The D7000 also emphasizes video as one of its class-leading capabilities with a sophisticated full-time autofocus system, external stereo sound input and video manual controls.
This review takes a close look at the Nikon D7000 in terms of features, ergonomics, usability, performance, image quality and unique photographic controls.
As an advanced DSLR, the Nikon D7000 is suitable for all types of photographic subjects. Its Nikon lens mount accepts lenses with built-in autofocus motors and those using body-driven autofocus. This gives it access to all modern Nikkor lenses. Given that Nikon and Canon produce more lenses than all other camera manufacturers and also have the most third-party lenses built for them, lens flexibility for the D7000 is top-notch.
The D7000 is particularly well suited for low-light photography, both hand-held and tripod-supported. Its high-ISO range means it can shoot in lower light compared to previous-generation cropped-sensor DSLRs without using a tripod. Choosing a bright or stabilized lens greatly helps too. From a tripod, metered exposures up to 30 seconds combined with high-ISO sensitivities lets it capture very dark scenes. This can be extended to capture star-trails and moonlit scenes using Bulb or Timed exposure modes. Note that Timed exposures of up to 30 minutes require an optional remote, which is also recommended for all long exposures.
Action photography is well covered by this Nikon. The top shutter-speed of 1/8000s is as fast as DSLRs reach, while the speedy 39-point AF system is capable of tracking action using distance and color information as a subject moves across the frame. The continuous drive of the D7000 has a maximum shooting rate of 6 FPS. This is relatively fast but behind the older D300S and a few higher-end models. Advertised buffer-depth of 100 is misleading since at 6 FPS only a maximum of 15 JPEG or 10 RAW files can be captured. Still, when action can be anticipated within a 2-3 second window, the D7000 has a good chance of capturing the perfect moment.
Studio work requires the use of external lighting, which the D7000 supports via its hot-shoe. There is no Sync-Port as on the D300S but the advent of wireless flash-triggers, sold by third-parties, makes working with external lighting much more convenient. There is no need to worry about tripping cables and making sure they are long enough. The D7000 is also compatible with Nikon's own Creative Lighting System (CLS).
Street photography is possible although, like most DSLR cameras, the D7000 does not afford much discretion due to its size. Still, this very quick and responsive camera can take the shot and move-on without much fuss. All types of still-subject photography such as landscape and architecture are extremely well handled by the Nikon D7000 with a suitable choice of lens.
As the feature list in the introductions shows, the Nikon D7000 has all features expected from a modern DSLR. Since we have described all those features in plenty of reviews already, only things over the minimum or usual functionality is described in this part of the review.
The Nikon D7000 has a 3-way power-switch. Two positions are the usual On and Off choices. The third position is spring-loaded and triggers illumination of the top status LCD. Optionally, the status LCD can be permanently illuminated while the camera is On. Even when the camera is off, the status LCD nicely indicates which card is inserted and how much space is available in the first occupied slot.
The mode-dial has the usual PASM modes plus five additional positions. The Auto position is similar to P mode except that it enables Auto ISO and Auto Flash while disabling EC, Metering choices, WB and FC. In this mode it is possible to set the flash to Forced-Off and to set the ISO manually. Flash-Off mode is the same as Auto except that the flash never fires. The next position is SCENE which lets the camera use one of 20 scene modes. The specific scene mode is selected by rotating the rear control-dial. The final two positions are for User-Defined modes.
This DSLR offers a complete set of drive modes, most of them fairly obvious. There are two continuous ones: CL and CH. CH shoots at 6 FPS until the memory buffer gets full. CL can be set to between 1 and 5 FPS. The only unusual mode is Q which stands for Quiet Shutter. It works by moving the mirror up and down very slowly to reduce noise made by the camera. It also does not return the mirror to its up-position until the shutter is released. This may be useful in times when the camera sound is distracting.
Interval shooting is set separately from drive modes. Nikon's implementation is the most sophisticated we have seen so far. A start time can be specified, as well as the number of intervals and number of shots to take at each interval. Combined with bracketing, this can be used to even create an DSLR time-laps. The interval can be between 1s and 24h. The number of intervals between 1 and 999, while between 1 and 9 shots can be taken at each interval.
Metering patterns are chosen by a top-mounted button used with the rear control-dial. There are three choices: Matrix, Spot and Center-Weighed/Average. Matrix is Nikon's name for Multi-Segment metering and Spot is, well, Spot metering. Depending on a configuration option, the third choice activates Average metering or Center-Weighed. The same option lets the camera use one of four sizes6mm, 8mm, 10mm or 13mm for the central-portion.
The combined AE-L/AF-L button is customizable:
Bracketing can be enabled for 2 or 3 frames with steps up to ±2 EV. A configuration option controls if flash power is adjusted for the bracket or if virtual bracketing for WB or ADL is performed instead. For WB bracketing, there are 3 step sizes. For WB, only one photo is taken but is saved two or three times with different white-balance fine-tuning.
ISO sensitivity goes from 100 to 25600, although 6400 is considered the standard maximum. To distinguish the highest ISO settings, they are labeled Hi 0.5, Hi 1 or Hi 2. When using these extended ISO settings, the Nikon D7000 does not store ISO information correctly in EXIF data of image files. Auto ISO in the standard PASM exposure modes, works differently than on other brands of DSLRs. The use can configure a maximum sensitivity and minimum shutter-speed. The D7000 then always adjusts the chosen ISO within the permitted range to obtain at least the specified shutter-speed.
White-balance options are plentiful. There are 2 types of Automatic WB. One tries to correct everything, the other leaves warm lighting intact. There are 6 presets and 5 custom white-balance memories. There is also the option to choose WB by color-temperature in Kelvin degrees.
This camera features Nikon's Active D-Lighting image processing technology which lightens up dark areas of images to bring out details. There are 4 levels of ADL which differ by how much shadows get boosted. ADL can be manually or automatically set to one of those levels or turned off entirely. In order to do so, the D7000 also adjusts exposure between levels. This causes ADL settings to indirectly affect RAW capture.
There are two memory-slots on the D7000, both accepting SDXC, SDHC and SD cards under the same weathersealed door. This is such a rare feature that it makes the camera seem professional just for having it! This digital cameras makes excellent use of both slots, offering several modes of operation:
Additionally, videos can be forcibly stored in Slot 2 independently of how both cards manage images.
This DSLR can capture JPEG images or RAW files, using the NEF format. There are two options for NEF compression, one is lossless and the other is lossy while saving about 40% storage. RAW data can be saved using 12-bits or 14-bits per pixel. Obviously, the latter is more precise but consumes roughly 15% more space.



SLR digital camera| 16 Megapixels DSLR | ISO 100-25600 |
| Nikon F Mount (1.5X FLM) | Shutter 1/8000-30s |
| 100% Coverage Large Viewfinder | Full manual controls, including Manual Focus |
| 1 Axis Digital Level | Custom white-balance with 2 axis fine-tuning |
| Weatherproof | Spot-Metering |
| Built-in Dust Reduction | Hot-Shoe |
| 6 FPS Drive, 100 Images | Stereo audio input |
| 1920x1080 @ 24 FPS Video Recording | Lithium-Ion |
| 3" LCD 920K Pixels | Secure Digital Extended Capacity x 2 |
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