logo
RSS Twitter YouTube

Nikon D5500 Review

24 Megapixels24 MegapixelsSingle Lens ReflexSingle Lens ReflexHigh ISO: ISO 6400 or more is available at full-resolution.High ISO: ISO 6400 or more is available at full-resolution.Continuous DriveContinuous DriveFull 1080p HD Video: 1920 x 1080 resolution or more.Full 1080p HD Video: 1920 x 1080 resolution or more.Manual Controls: Both fully-manual (M) and semi-automatic modes (T and V).Manual Controls: Both fully-manual (M) and semi-automatic modes (T and V).Custom White-Balance: Specifies exactly what should be white to the camera.Custom White-Balance: Specifies exactly what should be white to the camera.Action Photography: Shutter speeds of 1/1500 or more.Action Photography: Shutter speeds of 1/1500 or more.Night Photography: Reaches shutter-speeds longer than 4 seconds.Night Photography: Reaches shutter-speeds longer than 4 seconds.Hotshoe: Allows external flash units to be attached.Hotshoe: Allows external flash units to be attached.Spot MeteringSpot MeteringAccepts Secure Digital Extended Capacity (SDXC), SDHC and SD memory.Accepts Secure Digital Extended Capacity (SDXC), SDHC and SD memory.Neocamera detailed reviewNeocamera detailed review

Introduction

The Nikon D5500 is an entry-level DSLR. It offers a nearly identical specifications to the D5300
Nikon D5300
which precedes, except in a notably revised design. At its core is a 24 megapixels APS-C 1.5X-Crop CMOS sensor without anti-alias filter. It sports the usual electronic-only Nikon F-mount, allowing full use of all Nikkor AF-S lenses.

This DSLR boasts an ISO 100 to 25600 sensitivity-range, 1/4000-30s shutter-speed range with a 5 FPS continuous drive for up to an impressive 100 JPEG images. It can record full 1080p HD video at 60 FPS with stereo sound.

Its entry-level status implies a single control-dial and a cropped 95% viewfinder with an Eye-Start sensor in a lightweight and relatively compact body. This time, there is built-in WiFi but no GPS, actually extending the battery-life of the D5500 well beyond its predecessor. A large 3.2" rotating LCD with 1 megapixels helps framing using Live-View and during video-capture.

This digital camera review takes a close look at the Nikon D5500's features, ergonomics, usability, image quality, performance, photographic controls and all-new video recording features.

Nikon D5500 Features

Sensor

  • 24 Megapixels CMOS sensor
  • ASP-C, 1.5X crop-factor
  • No Anti-Alias filter
  • Built-in Dust-Reduction
  • Nikon F-mount without AF-Coupling

Exposure

  • ISO 100 - 25600 Sensitivities
  • Auto ISO, 200 - 25600 Max, 5 Speeds
  • Night Vision, B&W, ISO 51200 - 102400
  • 1/4000s - 30s Shutter-Speeds, plus Bulb
  • Multi-segment, center-weighed and spot metering
  • PASM Exposure-Modes, with Program-Shift
  • Fully Automatic and No Flash modes
  • 16 Additional Scene modes
  • Automatic HDR, 4 levels
  • AEB, 3 Frames, ±2 EV increments
  • Exposure-Compensation: ±5 EV, 1/2 or 1/3 steps
  • Flash-Compensation: -3..+1, 1/2 or 1/3 steps
  • Flash-Modes: On, Redeye, Slow, Slow-Sync Redeye and Rear-Sync

Image Parameters

  • Automatic and preset White-Balance, all fine-tunable along 2 axis in 25 steps
  • 7 sub-types of fluorescent white-balanceSodium-Vapor, Warm White, White, Cool White, Day White, Daylight and Mercury Vapor.
  • Custom WB, immediate or reference image
  • 6 Color-Modes, plus a Monochrome one
  • Adjustable Sharpness, 37 steps
  • Adjustable Clarity, 41 steps
  • Adjustable Contrast, 25 steps
  • Adjustable Brightness, 13 steps
  • Adjustable Saturation, 25 steps
  • Adjustable Hue, 25 steps
  • Optional Adaptive D-Lighting, 4 levels
  • Optional Noise-Reduction, 3 levels
  • Optional Long-Exposure Noise-Reduction
  • Optional Automatic Distortion Correction
  • Optional Vignetting Correction, 3 levels
  • sRGB or Adobe RGB color space
  • JPEG and RAW14-bit or 12-bit modes
  • Built-in RAW Conversion
  • Built-in Image Retouching

Focus & Drive

  • Single-Shot, Continuous or Manual Focus
  • 39-Point Phase-Detect autofocus via OVF, Single-Point or Auto-Area
  • Contrast-Detect AF in Live-View, Area, Face-Detect and Subject-Tracking
  • 5 FPS Continuous drive, Max 100 JPEG or 16 RAW
  • Interval Timer, 1-9999 Frames, 1s-24h Interval, Instant or Delayed
  • Optional Exposure-Smoothing
  • 2s, 5s, 10s or 20s self-timers, 1-9 shots
  • Instant or 2s-Delayed remote
  • Front & Back IR remote receivers
  • Wired-remote terminal
  • Quite-Shutter mode
  • Optional AF-Assist lamp

Display & Viewfinder

  • 95% Coverage OVF, 0.82X magnification
  • Eye-Start Sensor
  • 3.2” Rotating Touchscreen LCD, 1 megapixel
  • Partial Live-View implementation
  • Interactive Status-Screen

Video

  • 1920x1080 @ 60 FPS 1080p HD video
  • Two compression levels
  • Built-in microphone, 20 levels
  • Optional Wind-Filter
  • Optional manual-controls
  • Mini-Jack stereo audio input

Misc

  • Built-in popup flash
  • Standard hot-shoe
  • Single control-dial
  • Customizable function button
  • Customizable AE-L/AF-L button
  • Rangefinder MF-Assist
  • HDMI 1080p
  • USB 2.0
  • Lithium-ion battery
  • SDXC memory support

Ergonomics - How easy is it to handle?

Nikon has been extremely consistent over the years in terms of design within each DSLR-series. With the D5500, controls where notably refined, while staying true to the entry-level simplicity and feature-access of its predecessors.

Nikon D5500

The D5500 is compact and very light for a DSLR. Its body is highly sculpted with slanted sides and lots of curves. It has a deep and narrow hand-grip, the the shutter-release comfortably on a ledge towards the center of the camera. For the most part, this camera seems reasonably solid. There is some flex in the memory-compartment door but the weakest point is clearly to rotating LCD hinge. Be careful with the display folded out and be sure not to use it as support, particularly with a heave lens mounted.

The top of the camera has a narrow yet tall hump which houses an optical viewfinder, a built-in flash, a stereo microphone and a hot-shoe. It requires extra height to accommodate the Eye-Start Sensor, discussed in detail further in this review. The flash itself is released via an electronic mechanism which lets it popup automatically when the camera is in certain modes.

Nikon D5500

There are a number of controls on the grip-side of the top-plate. At the front, the shutter-release is nicely mounted at an angle. It is very easy to reach without obstruction. This is a standard two-stage release with a moderate amount of travel and a firm halfway point. Around it, a rotating power-switch turns the camera on or off.

Very close behind, there is a tiny Video-Record button. With Live-View enabled, it starts and stops filming which is possible in any mode. Otherwise it does nothing. Note that this camera does not offer any type of Video mode. It is therefore impossible to setup framing for video since Live-View first shows the image recording-area which has a 3:2 aspect-ratio. Once recording starts, that gets cropped to the 16:9 aspect-ratio of HD video.

Towards the outer edge of the camera, there is a round Exposure-Compensation button. It can be reach by flexing the index-finger back from the shutter-release. It would have been better if it were where the Video-Record button is, yet it works just right. Press down and turn the control-dial to set EC. There is nothing modal about it and there is therefore no way to change exposure accidently.

As a Nikon first, the single-control dial of the D5500 is mounted on the top-plate. This makes it easier to reach than previously, at the expense of real-estate lost to it. The dial is smooth on top with a lightly textured outer-ring. It can be turned with light gloves on and has good detents indicating each increment.

The top of the D5500 also features a traditional Mode-Dial. It has the standard 4 PASM modes, plus 4 other positions: Auto is fully automatic and may deploy the flash, Flash Off is automatic but keeps the flash off, Scene regroups 16 scene modes and Effects regroups all special-effect modes. Particular scenes or effects are chosen by rotating the control-dial. The LCD shows which mode is selected as the control-dial is turned.

At the base of the Mode-Dial, there is a spring-loaded Live-View lever. Pulling it backwards toggles Live-View on or off. This implementation of Live-View is sadly not Exposure-Priority, unless in Manua Video Mode which locks the aperture down and limits the shutter-speed range. This is honestly a rather puzzling choice by Nikon.

Nikon D5500

The back of the Nikon D5500 is dominated by a huge 3.2" rotating LCD with 1 megapixels. The display has a 3:2 aspect-ratio which makes it fully used when framing. It rotates outwards 180° where it can then rotate vertically 180° up and 90° down. This makes it possible to shoot selfie, even on a tripod. However, it makes it precarious when shooting from a low or high angle. The LCD is also a touchscreen which can thankfully be disabled to avoid accidental shots.

Above the LCD, there is mid-size optical viewfinder with 95% coverage and 0.82X magnification. It is paired with an Eye-Start sensor which automatically switches the LCD off when the camera is held at eye-level. Nicely, this prevents the LCD from glaring while shooting and the touchscreen from being activated by your nose.

This digital camera has quite a number of buttons on its back for an entry-level DSLR. A Menu button is found to the left of the OVF. To the right, there is an Info button which cycles over display modes in Live-View and toggle the status-screen otherwise. Further right, there is a customizable AE-L/AF-L button. It can lock exposure, focus or both, plus trigger AF or hold exposure locked over multiple shots.

Right next to the LCD, there are 5 mode buttons plus a 4-way controller with central OK button. Even though there are 8 arrows on it, it only moves in the 4 cardinal directions, which is usual. It serves to move the focus point and navigate menus.

The Playback button works as expected. Below it, the I button brings up an interactive status display which can set 14 parameters: Image Quality, Image Size, Bracketing, HDR, ADL, WB, ISO, Color Style, Focus Drive, Focus Area, Metering, Flash, Flash-Compensation and Exposure-Compensation. Unexpectedly, only the 4-way controller can set values in this screen. Any movement of the control-dial exists the interactive display.

The Delete button, under the 4-way controller, prompts for deletion in Playback mode. Otherwise, it does nothing. To its left, a pair of button enable MF-Assist in Live-View and Zooming in Playback mode. From Playback mode, Up and Down show various information screens, but only once enabled in the Playback menu.

Nikon D5500

There are three more buttons on the D5500, all on the left side of the body, along the lens mount. At the top, there is the Flash-Release and FC button. When pressed it first releases the flash. If held down, rotating the control-dial sets Flash-Compensation. Just beneath it, there is a customizable Fn button. The only sensible choice for this one is ISO, since there is no dedicated control for it. Other possibilities are: Image Quality/Size, WB, Active D-Lighting, HDR, +RAW, AEB, AF-Area, Display Grid and WiFi.

Much further down, below the lens release, there is a Drive-Mode button. This one is flush with the camera surface and impossible to press with gloves on. It presents a 7 item menu: Single-Shot, Low-Speed Continuous (3 FPS), High-Speed Continuous (5 FPS), Quiet-Shutter, Self-Timer, Delayed Remote and Immediate Remote. While the remote delay is also 2 seconds, the Self-Timer is highly customizable in duration and number of shots. Unfortunately, the timer resets after each use which gets very frustrating when shooting from a tripod.

There are are saving graces to the Self-Timer issue. One is the Exposure-Delay mode which performs MLU followed by a one second delay. The other is the choice of wired and wireless remote. There are IR receptors in front and in back of the camera for added versatility.

Nikon D5500

The bottom of the D5500 has a metal tripod-mount, inline with the center of the lens, which is ideal to capture panoramic images. The battery-compartment door, which is under the grip, is sufficiently far to be opened while the camera is mounted on a tripod or has a typical quick-release plate attached.

Nikon D5500
Buy from these sellers:Buy From Amazon.com
By on 2015/03/02
3

Nikon D5500 Facts

SLR digital camera
24 Megapixels DSLRISO 100-25600
Nikon F Mount
1.5X FLM

Sensor-Size: 24 x 16mm

APS-C Sensor

Actual size when viewed at 100 DPI

Shutter 1/4000-30s
95% Coverage
Medium Viewfinder
Full manual controls, including Manual Focus
Automatic Eye-Start sensorCustom white-balance with 2 axis fine-tuning
Built-in Dust ReductionSpot-Metering
5 FPS Drive, 100 ImagesHot-Shoe
1920x1080 @ 60 FPS Video RecordingStereo audio input
3.2" LCD 1 MegapixelsLithium-Ion Battery
Secure Digital Extended Capacity
Buy from these sellers:Buy From Amazon.com

Camera Bag

Clear

Your camera bag is empty. To add a camera or lens click on the star next to its name.

Updates

    2016.08.25

  • 2016.08.25

    Nikon D5 XQD Review

    Nikon D5 XQD Review

    Nikon flagship professional DSLR with 20 megapixels Full-Frame CMOS sensor. All-new 153-point Phase-Detect AF sensitive to -4 EV. ISO 50 to unprecedented 3,276,800! 12 FPS Drive for 200 JPEGs or 180 RAW. First Nikon DSLR with 4K Ultra HD video.

  • 2016.07.19

  • 2016.07.19

    Olympus Professional Lens Roundup

    Olympus Professional Lens Roundup

    Roundup of Olympus Professional and Premium lenses: M.Zuiko 7-14mm F/2.8 PRO, M.Zuiko 12-40mm F/2.8 PRO, M.Zuiko 40-150mm F/2.8 PRO, M.Zuiko 12mm F/2, M.Zuiko 60mm F/2.8 Macro.

  • 2016.07.07

  • 2016.07.07

    Olympus OM-D E-M10 Mark II Review

    Olympus OM-D E-M10 Mark II Review

    Olympus second generation base OM-D with an anti-alias-filter-free 16 MP Four-Thirds CMOS sensor mounted on a 5-axis in-body stabilization system. Speedy 8.5 FPS drive, full HD @ 60 FPS and a wealth of features in a compact and lightweight body. Offers a 2.4 MP 0.45" EVF with 0.62X magnification and 100% coverage, plus dual control-dials and a highly customizable interface.

  • 2016.05.11

  • 2016.05.11

    Fuji X-Pro2 Review

    Fuji X-Pro2 Review

    Fuji flagship XF-mount mirrorless with 24 MP APS-C X-Trans CMOS III sensor. 273-Point AF with 169 Phase-Detect points. 8 FPS Drive, 1080p video. Dual control-dials, direct dials and a hybrid viewfinder in a weather-sealed freezeproof body.

  • 2016.04.21

  • 2016.04.21

    Panasonic Lumix DMC-ZS100 Review

    Panasonic Lumix DMC-ZS100 Review

    The only premium travel-zoom! 20 megapixels 1" high-speed CMOS sensor paired with a stabilized 25-250mm F/2.8-5.9 optical zoom. 50 FPS Drive, 4K Ultra-HD video, 1/16000-60s Hybrid Shutter, Post-Shot Focus, 4K Live-Cropping, Time-Lapse Video and more. Dual control-dials plus a built-in EVF with Eye-Start sensor.

  • 2016.02.04

  • 2016.02.04

    Canon EOS Rebel T6s Review

    Canon EOS Rebel T6s Review

    Newly designed Rebel with dual control-dials and top status LCD. 24 MP APS-C sensor, Hybrid AF III with 19 all-cross points and on-sensor Phase-Detect AF. 5 FPS Drive and full 1080p HD video capture.

  • 2016.01.05

  • 2016.01.05

    Canon Powershot G3 X Review

    Canon Powershot G3 X Review

    Ultra-zoom with a 25X optical zoom lens and large 20 MP 1" CMOS sensor in a weather-sealed body with dual control-dials, a lens ring and efficient controls. Captures full 1080p HD video at 60 FPS with internal or external stereo sound.

  • 2015.12.19

  • 2015.12.19

    Best Digital Cameras of 2015

    Best Digital Cameras of 2015

    The best new digital cameras of 2015. Plus, find out which ones of 2014 still lead their category. Compact, Premium Cameras, Ultra-Zooms, Mirrorless and DSLR are all covered.

  • 2015.11.30

  • 2015.11.30

    Panasonic Lumix DMC-G7 Review

    Panasonic Lumix DMC-G7 Review

    16 megapixels Micro Four-Thirds mirrorless. 2.4 MP 0.5" EVF with Eye-Start sensor plus dual control-dials. 4K Ultra-HD video, 8 FPS continuous-drive, hybrid shutter with 1/16000-60s shutter-speeds, ISO 100-25600 and Contrast-Detect DFD autofocus system sensitive to -4 EV.

  • 2015.11.03

  • 2015.11.03

    Nikkor AF-S 200-500mm F/5.6E ED VR Review

    Nikkor AF-S 200-500mm F/5.6E ED VR Review

    Nikon constant-aperture super-telephoto zoom with 200-500mm range and the latest Vibration-Reduction effective to 4.5 stops. Built-in super-sonic AF in a sturdy weatherproof body.