Canon EOS Rebel SL1 Review
The Canon Rebel SL1 is the smallest DSLR ever. It packs a second generation 18 megapixels APS-C CMOS sensor with Hybrid Phase-Detect autofocus. A standard 9-point Phase-Detect AF system is used during normal shooting, while the Hybrid AF II system covers 80% of the frame during Live-View and video capture.
The SL1 offers nearly the same feature set and controls as any other Canon Rebel DSLR. This includes full manual-controls, including Depth-of-Field preview and Spot metering, plus Custom White-Balance. A single control-dial and a cropped optical viewfinder mark it as an entry-level offering.
This DSLR features an ISO 100 to 12800, expandable to 25600, sensitivity range. It can shoot continuously at 4 FPS for a whopping 1140 JPEG images or a typical 8 RAW files. Full 1080p HD capture at 30 FPS is supported, even with a stereo audio source. There is also support for wired and wireless remote which are normally found on higher-end models.
As usual for an entry-level DSLR, the Canon Rebel SL1 offers a standard hot-shoe and standard EF-S lens mount with 1.6X crop-factor. It has a 3" Touchscreen LCD with 1 megapixel which shows a complete implementation of Live-View, including a Live-Histogram.
This review takes a close look at the Canon Rebel SL1 in terms of features, ergonomics, usability, performance and image quality.
Canon Rebel SL1 Key Features
- 18 Megapixels APS-C CMOS sensor
- ISO 100-12800 Standard sensitivity
- Expanded ISO 25600
- Customizable Auto ISO maximum
- JPEG, RAW or JPEG+RAW Output
- Automatic sensor cleaning
- PATM Exposure modes
- 1/4000s-30s Shutter-speed, plus Bulb
- EC, ±5 EV, 1/2 or 1/3 EV steps
- Multi-Segment, Center-Weighed, Partial & Spot metering
- AEB, 3 Frames, ±2 EV, 1/3 or 1/2 EV steps
- WB bracketing, 3 Fames, 3 step sizes
- ½ or 1/3 EV Exposure steps
- 9-Point Phase-Detect AF via OVF
- Hybrid AF II during Live-View, 80% frame coverage
- Automatic or Single-Point AF selection
- Single-Shot, Continuous, Automatic or Manual focus-drive
- Automatic, Preset and Custom white-balance
- White-Balance fine-tuning, 2-axis, 19-steps
- Auto plus 6 Built-In Picture Style modes
- Sharpness, 8 steps
- Contrast, 9 steps
- Saturation, 9 steps
- Color Tone, 9 steps
- Optional Highlight Tone Priority
- Optional Auto Lighting Optimizer, 3 levels
- Optional High-ISO Noise-Reduction, 3 levels
- Optional Multi-Frame Noise-Reduction, 4 frames
- Optional Long Shutter Noise-Reduction
- Optional Chromatic Aberration Correction
- Optional Vignetting Correction
- 4 FPS Drive, Max 1140 JPEG or 8 RAW
- Self-Timer, 2s or 1-10 frames @ 10s
- Dual Wireless remote receivers
- Wired remote terminal
- Mirror Lock-Up
- Auto HDR from 3 frames
Viewfinder & Displays
- 95% Coverage viewfinder, 0.87X magnification
- 3" Touchscreen LCD, 1 megapixel
- True Live-View
- Eye-Start sensor
Body & Construction
- Canon EF-S lens mount
- Single control-dial
- 4-Way Controller
- Standard Hot-Shoe
- NTSC/PAL output
- 1080i HDMI output
- USB 2.0 connector
- Proprietary Lithium-Ion battery
- Single SDXC memory slot
- Metal tripod mount
- 1920 x 1080 @ 30 FPS
- 1280 x 720 @ 60 FPS
- Auto or Manual exposure
- Built-in mono microphone
- External stereo audio source
- Adjustable Audio-Levels
- Optional Wind-Filter
- Optional Sound-Attenuation
Capability - What can it do?
The Canon Rebel SL1 is an entry-level DSLR with a state-of-the-art 18 megapixels APS-C sensor with built-in Phase-Detection. This put it on par with all but one Canon cropped-sensor DSLR, the 70D with its unique 20 megapixels Dual-Pixel CMOS sensor which is capable of focusing via Phase-Detection at nearly all pixels.
With 18 megapixels of resolution, this DSLR is suitable for producing high-quality prints up to 21" x 14" which exceeds the needs of most people. Its competent ISO 100 to 25600 range gives it a good potential for low-light photography. Given its APS-C size, the sensor of the SL1 is very dense and is quite demanding of lenses.
Like other Canon APS-C DSLR, the SL1 is equipped with an EF-S lens mount. This gives it access to the most extensive lens lineup in the industry. Canon and third-parties make several EF-S specific lenses or it can accept EF lenses intended for full-frame cameras. In either case, there is a 1.6X crop-factor to consider when choosing a lens.
As an SLR, the Rebel SL1 uses mirrors to provide a view through its optical viewfinder. The viewfinder has 95% frame coverage which means that part of what gets captured is not shown. It has a 0.87X magnification which is on the small side and insufficient to judge focus precisely. This is typical of entry-level DSLRs though.
The SL1 also offers Live-View. Canon offers the best and most complete implementation there is. It addresses all the short-comings of the OVF by providing 100% coverage, accurate preview of exposure and white-balance, plus Manual-Focus Assist magnification. There is an optional Live-Histogram which remains very accurate and representative of the resulting exposure.
While using the OVF, the Canon Rebel SL1 uses a standard 9-point Phase-Detect AF sensor with a cross-type point at the center for lenses F/5.6 or faster. This is minimal. When Live-View is enabled though, the SL1 uses an interesting hybrid focusing method that combines Phase-Detect and Contrast-Detect. The former is used to approximately set focus, while the latter refines it until focus is achieved.
The new hybrid system is designed to reduce back-and-forth autofocus motion which is so disturbing during filming. This works best with lenses optimized for small incremental movements which is what Canon's STM lenses are. There are now 5 of those, ranging from ultra-wide to moderate telephoto.
Canon offers different options for the autofocus drive with the OVF than in in Live-View. For the former, the usual Single-Shot AF, Continuous AF and Servo AF are all that is available. For those not familiar with Canon DSLRs, Servo automatically chooses between Single-Shot and Continuous based on subject movement. For Live-View, options are Face-Tracking, Multiple Zone, Single Zone and Quick AF. This last option is poorly named as it is not quick at all. It uses the same Phase-Detect sensor as shooting from the OVF and therefore blanks-out the preview during focus.
Canon managed to maintain a typical feature-set on the SL1, despite its diminutive size. The usual full manual-controls, including custom white-balance and manual focus are obviously there. There are 4 metering patterns to choose from: Multi-Segment, Center-Weighed, Partial and Spot. We are glad to see Spot metering which is missing from some Canon DSLR. Partial works the same way as spot, except it uses a larger area.
The Canon Rebel SL1 can bracket for exposure or white-balance. In either case, the number of frames is fixed to 3. Steps can reach 2 EV for AEB or 3 mired for WB Bracketing. There is also a simple HDR function to blend three exposures right in-camera. There are a total of 10 Scene modes, one of which is HDR. This means that all control is relinquished at that point.
Drive modes are relatively standard on this DSLR. In addition to the usual single-frame, continuous drive and self-timers, the SL1 offers silent single and continuous drives. The self-timer runs for 2 or 10 seconds. At 10 seconds, it can take up to 10 shots. A remote can also trigger the self-timer.
The SL1 has impressive video features for an entry-level DSLR. It can record full 1080p HD video up to 30 FPS or 720p HD at 60 FPS. There is a mono microphone but it can record in stereo from an external audio source instead. Sound options are comprehensive with a built-in Wind-Filter and Sound-Attenuator. Exposure for video is either fully automatic or completely manual.
Canon Rebel SL1 Facts
|18 Megapixels DSLR||ISO 100-12800|
|Canon EF Mount|
Sensor-Size: 22 x 15mm
Actual size when viewed at 100 DPI
|Full manual controls, including Manual Focus|
|Automatic Eye-Start sensor||Custom white-balance with 2 axis fine-tuning|
|Built-in Dust Reduction||Spot-Metering|
|4 FPS Drive, 1140 Images||Hot-Shoe|
|1920x1080 @ 30 FPS Video Recording||Stereo audio input|
|3" LCD 1 Megapixels||Lithium-Ion Battery|
|Secure Digital Extended Capacity|
DxO ViewPoint 3 Review
Review of DxO ViewPoint 3. Perspective, distortion and horizon correction software.
Nikon D5 XQD Review
Nikon flagship professional DSLR with 20 megapixels Full-Frame CMOS sensor. All-new 153-point Phase-Detect AF sensitive to -4 EV. ISO 50 to unprecedented 3,276,800! 12 FPS Drive for 200 JPEGs or 180 RAW. First Nikon DSLR with 4K Ultra HD video.
Olympus Professional Lens Roundup
Roundup of Olympus Professional and Premium lenses: M.Zuiko 7-14mm F/2.8 PRO, M.Zuiko 12-40mm F/2.8 PRO, M.Zuiko 40-150mm F/2.8 PRO, M.Zuiko 12mm F/2, M.Zuiko 60mm F/2.8 Macro.
Olympus OM-D E-M10 Mark II Review
Olympus second generation base OM-D with an anti-alias-filter-free 16 MP Four-Thirds CMOS sensor mounted on a 5-axis in-body stabilization system. Speedy 8.5 FPS drive, full HD @ 60 FPS and a wealth of features in a compact and lightweight body. Offers a 2.4 MP 0.45" EVF with 0.62X magnification and 100% coverage, plus dual control-dials and a highly customizable interface.
Fuji X-Pro2 Review
Fuji flagship XF-mount mirrorless with 24 MP APS-C X-Trans CMOS III sensor. 273-Point AF with 169 Phase-Detect points. 8 FPS Drive, 1080p video. Dual control-dials, direct dials and a hybrid viewfinder in a weather-sealed freezeproof body.
Panasonic Lumix DMC-ZS100 Review
The only premium travel-zoom! 20 megapixels 1" high-speed CMOS sensor paired with a stabilized 25-250mm F/2.8-5.9 optical zoom. 50 FPS Drive, 4K Ultra-HD video, 1/16000-60s Hybrid Shutter, Post-Shot Focus, 4K Live-Cropping, Time-Lapse Video and more. Dual control-dials plus a built-in EVF with Eye-Start sensor.
Canon EOS Rebel T6s Review
Newly designed Rebel with dual control-dials and top status LCD. 24 MP APS-C sensor, Hybrid AF III with 19 all-cross points and on-sensor Phase-Detect AF. 5 FPS Drive and full 1080p HD video capture.
Canon Powershot G3 X Review
Ultra-zoom with a 25X optical zoom lens and large 20 MP 1" CMOS sensor in a weather-sealed body with dual control-dials, a lens ring and efficient controls. Captures full 1080p HD video at 60 FPS with internal or external stereo sound.
Best Digital Cameras of 2015
The best new digital cameras of 2015. Plus, find out which ones of 2014 still lead their category. Compact, Premium Cameras, Ultra-Zooms, Mirrorless and DSLR are all covered.
Panasonic Lumix DMC-G7 Review
16 megapixels Micro Four-Thirds mirrorless. 2.4 MP 0.5" EVF with Eye-Start sensor plus dual control-dials. 4K Ultra-HD video, 8 FPS continuous-drive, hybrid shutter with 1/16000-60s shutter-speeds, ISO 100-25600 and Contrast-Detect DFD autofocus system sensitive to -4 EV.