How To Use a Gorillapod
The Gorillapod family of flexible tripods are among the most useful and affordable photographic accessories around. These extremely compact tripods are similar in size to an average table-top tripod, yet are infinitely more versatile. Gorillapods have 3 legs made up of flexible joints which make it possible to support themselves on a great variety of objects and surfaces.
Joby has a multiple Gorillapod models according to the maximum weight they support. The entire lineup is described in the next section of this article. While these tripods are easy to twist and bend, supporting a digital camera steadily and aiming it precisely requires good technique and practice. This is the topic covered in the third article section further down.
Just like a standard tripod, a Gorillapod is designed to provide steady camera support. This is most often used to capture images at slow shutter-speeds but can also be used for self-portraits, time-lapse and videos. Even in bright light, slow shutter-speeds are useful to show motion blur and to make moving objects disappear. A Gorillapod provides the support necesary to do this in an extremely compact size.
The Gorillapod Family
There are 4 sizes of Gorillapod flexible tripods. Each supports a different maximum weight.
- Gorillapod, Gorillapod Magnetic and Gorillapod Video all suport up to 325g. All ultra-compacts and most compact digital cameras are lighter than this.
- Gorillapod SLR supports up to 800g. This includes most ultra-zooms and entry-level DSLRs when paired with a sufficiently light lens.
- Gorillapod SLR-Zoom supports up to 3kg, which is enough for all DSLRs with a small to mid-sized lens.
- Gorillapod Focus supports up to 5kg. This is sufficient for DSLRs, Digital Medium-Format and professional video cameras, at least without a really heavy lens.
The original variants essensially use the same flexible legs, except that the Magnetic version has magnetic feet which let it stick to metal surfaces and the Video version includes a pan-head which makes filming video a little easier. The SLR version is simply a heavier version of the original model. All the models mentioned so far have a built-in quick release plate and a joint above the legs to more easily orient the camera.
The SLR-Zoom and Focus are more heavy duty. Neither has a quick-release plate nor joint above the legs, so pointing the camera in a specific direction is not easy without an added ball-head. Joby now sells a ball-head for each of these, both feature a quick-release plate and bubble-level. This was not the case when we acquired the Gorillapod DSLR-Zoom used for the demonstrations below, so a Manfrotto ball-head was used. Today you can either by the Manfrotto 492 ball-head or buy one from Joby. The Ballhead BH1 is intended for the Gorillapod DSLR-Zoom and the Ballhead X is intended for the Gorillapod Focus.
Joby has created a variety of other products using their flexible joints. GorillaTorch are self-supporting lights. A few models exist, including one with red lights to use as an emergency flare. GorillaMobile are iPad and iPhone supports.
Getting started with any Gorillapod is straight forwards. A quick-release can help speed things up but is not essential since Gorillapods are so light. If not using a quick release, starting with the camera mounted on the Gorillapod is probably best. Then, the Gorillapod is placed into position. Possible positions are either balanced or squeezed.
A balanced position occurs when a Gorillapod is setup similarly to a tripod. All three legs are apart and extend in different directions from the camera. The short legs of this support makes this position less balanced than with a standard tripod. A wider stance improves things as it helps keep the camera's center of gravity between the Gorillapod's legs.
For any camera with a significantly protruding lens, it is good if one of the legs extends outwards just below the lens. This makes sure the weight of the lens is met by resistance. While this is a relatively steady position, it is easy to topple over the whole thing from here.
A balanced position can be make much more stable by increasing the contact area below the Gorillapod. This is easy to do thanks to those flexible joints. Note that since each joint has a strong resistance though, it is better push the legs down against the ground than try to bend them flat. Otherwise the leg section often ends up with uneven contact against the ground.
As the Gorillapod is pushed lower and lower to improve stability, it becomes harder to precisely orient the camera on the models which lack a joint above the legs. This is the primary reason to use a ball head between the Gorillapod and the camera.
The flexibility of the Gorillapod means that it can find a steady position on uneven ground and on a variety of obstacles. For a balanced position, all above rules apply, only legs can be bent around objects. As it was previously suggested, it is better to push the leg down onto the obstacle than to try to shape it before hand.
Given the short height of the Gorillapod, it is bound to find its place above ground. Ledges, benches, rocks and other large objects are ideal for using this support in a balanced position. Care must be taken not to pull on the camera strap while in such position. Most digital camera are quite fragile and even a short fall could damage one beyond the point where repairs are cost-effective.
It is important to know that, even with a steady stance, a Gorillapod is even more susceptible to vibrations than a rigid tripod. It is recommended to use a self-timer or remote trigger to take a shot on all tripods. While the 2s timer is sufficient for a reasonably rigid tripod, a Gorillapod in balanced position may require the longer 10s or 12s timer.
A squeeze position is when the Gorillapod legs are tightened around an object to hold the camera against gravity. The joints are exceptionally strong and rubber-coated on the outside which give them a non-slip grip. The non-slip surface is particularly effective at not slipping against other joints. On the right image we see the Gorillapod SLR-Zoom holding a 918g camera with only the pressure of one leg. This makes sense since with all 3 legs, this support is rated to hold 3 kg.
The trick to a powerful one leg squeeze is to let gravity help. Here the camera is pulled downwards by gravity pushing the center of the Gorillapod down against the leg which is wrapped around the pole. Nothing actually prevents the other legs for helping too. We did this for demonstration purposes and did not let go of the camera until it felt certain that the grip will hold.
It would not look so nice in the photo here but using the camera strap and keeping a hold on it can prevent an unfortunate encounter between the camera and a hard surface below it. Just make sure to hold the strap well with just a little loose as to not pull on the camera.
Squeezed positions are very effective and, unlike balanced positions, can hold a camera's center of gravity away from the Gorillapod.
One thing to watch out when trying to wrap a Gorillapod around an object is to make sure the camera will be able to move towards the desired orientation. This is easier to do with the grip away from the object. Giving it a bit of distance lets the ball-head move the camera more freely. Taller ball-heads have an advantage here.
Although not shown here, the Gorillapod can support a camera upside-down. This requires the same carefully technique of wrapping tightly and letting gravity seal the grip. When wrapping around objects, it is convenient to have the legs touch each other. Positions are much more sturdy when more rubber contact is created.
All in all, using a Gorillapod is quite easy. Learning the tips discussed here help set up the camera support faster. Nevertheless, it is always important to take your time and make sure the camera is secure before letting go. If possible, holding the camera strap is an excellent safety net against slippage and accidental knocks by people passing around.
Neocamera Blog is a medium for expressing ideas related to digital cameras and photography. Read about digital cameras in the context of technology, media, art and the world. Latest posts links:
Mirrorless EVF Sizes
Find the specifications of EVFs for almost any mirrorless camera here. A table compares the resolution, size, magnification and coverage among mirrorless EVFs.
Fuji X-T10 Review
Premium 16 megapixels Fuji mirrorless with a 16 MP APS-C X-Trans CMOS II sensor, EXR II processor and 2.4 MP 0.39" EVF with 0.62X magnification, 100% coverage and Eye-Start sensor. Hybrid digital and mechanical design with dual control-dials and direct exposure dials plus 7 custom buttons.
Fuji X-A2 Review
Mirrorless with standard 16 megapixels APS-C CMOS sensor. Dual control-dials at an entry-level price, plus 3" tilting LCD, built-in WiFi and 5.6 FPS drive.
Canon Powershot SX610 HS Review
Ultra-compact ultra-zoom with a stabilized 18X wide-angle optical zoom and 20 megapixels high-speed CMOS sensor. ISO 80-3200, 1/2000-15s, 2.5 FPS and full 1080p HD video, plus WiFi and NFC.
Panasonic Lumix DMC-FZ1000 Review
Ultra-zoom prosumer camera with a large 20 MP 1" CMOS sensor and stabilized 16X wide-angle optical-zoom lens. Records full 4K Ultra-HD at 30 FPS. High-speed 4K Photo-Mode and 12 FPS drive.
Canon EOS Rebel T5i Review
Entry-level DSLR. 18 MP APS-C CMOS sensor with built-in Phase-Detect AF. 5 FPS drive and full 1080p HD video. Single control-dial and 95% crop 0.85X magnification viewfinder in a comfortable and light-weight body.
Nikon 1 J5 Review
The 1 J5 introduces a new 20 megapixels 1" high-speed CMOS sensor in a compact body with dual control-dials, a traditional mode-dial and a tilting 3" touchscreen LCD. Continuous drive up to 60 FPS at full-resolution, 4K Ultra-HD video capture and a 105-point on-sensor Phase-Detect AF system.
Olympus OM-D E-M5 Mark II Review
The new E-M5 brings 40 megapixels Super-Resolution capture to Micro Four-Thirds while improving 5-axis image-stabilization and showing off a new 2.4 MP 0.5" EVF with Eye-Start Sensor. Native 16 MP drive @ 10 FPS and full 1080p HD @ 60 FPS.
Fuji XQ2 Review
Ultra-Compact Fuji premium camera. 12 MP 2/3" X-Trans CMOS II sensor with built-in Phase-Detect AF. Ultra-Bright F/1.8 wide-angle 4X optical-zoom. Dual control-dials, 3" LCD and built-in WiFi.
Panasonic Lumix DMC-LX100 Review
Unique premium compact with 12 MP effective multi-aspect resolution and ultra-wide ultra-bright 24-75mm F/1.7-2.8 lens. 11 FPS Drive and 4K Ultra-HD video at 30 FPS. Plenty of direct controls plus a built-in 2.8 MP EVF with Eye-Start sensor, a 3" LCD and WiFi.