Image Size & Resolution
Digital pictures have a size, measured in pixels, determined by the camera used. The resolution of an image, measured in dots-per-inch (DPI), is only relevant for printed images or in preparation for printing. For software which relies on DPI, the DPI can be set according to the desired print size. This does not affect in any way the image's pixels, it simply determines how many printer dots must be used to print each image pixel. If DPI is set too high, the printer capability may be exceeded and details will be lost, if DPI is set too low, the image will appear soft and blurry, therefore it is recommended to keep DPI between 72 and 300. For displayed images, DPI is determined by the size of a monitor's pixels and the magnification. A computer display usually has DPI between 72 and 128.
Image Size & Resolution
Image size and resolution are each terms often used to describe different but related concepts. These concepts are important for those who wish to print their digital images. This feature attempts to explain the concepts clearly.
A digital image is composed of pixels. Each pixel represents one colored dot. Together, millions of pixels form an image. The term resolution is frequently used to describe the number of dots which form an image. For example, the resolution of a 3 megapixel image is often described as 2048 pixels wide by 1536 pixels high. Note that 2048 x 1536 is about 3 millions, thus the term megapixel. Photoshop, a popular image manipulation program by Adobe, calls this image size because it uses the term resolution to describe something different. With this definition, resolution does not describe the physical size of an image because the size of each pixel is not known, just how many there are.
The second meaning of the term resolution , the one used by Photoshop, relates pixels to physical size. With this meaning, resolution is measured in DPIdots-per-inch which is the number of dots which, when placed side to side against each other, would measure 1 inch. For example, a 100 DPI image has dots which measure 1/100 of an inch across. When the concepts of image size and resolution are combined (using Photoshop terminology), physical size can be deduced. For example, a 3000x2000 pixel image at 100 DPI has a physical size of 30" x 20".
Now, it is known that digital cameras produce images of a given number of pixels, but what is the resolution of a digital camera image? The real answer is that it depends on viewing or printing size. Therefore, a software cannot tell what the true DPI of an image is without additional input. This is when software like Photoshop can confuse people: it assumes a DPI until correctly set by a user. To do that, one has to access the resizing dialog, change the DPI with the resample option unselected. By unselecting the resample option, the software knows that it must not change the image's pixels in any way. Instead, it simply sets the DPI. Once the DPI of an image is correctly set, the software knows its intended physical size. Some image printing software figure out the right DPI by asking the user for a physical size. In such cases, a number of images sizes are offered and the software figures out what DPI is required. Remember that physical size, image size and image resolution are related, so if any two are known, the third one can be computed.
Once an image's DPI is set, it can be printed easily at a specific size. As noted above however, it is not required to set an image's DPI. In Photoshop, the DPI is used. That is really all that is needed to print an image yourself. Just as there are two ways to tell software how to print images, there are two ways to tell other people how to print images. Most photo labs ask for image size (such as 4x6, 5x7 or 8x10) and they figure out what DPI to use. Other places, won't ask for size but will require a specific DPI. For example, publication magazines often request 300 DPI images. Of course, simply setting the DPI to 300 will set the image size.
|DPI correct||DPI too low|
It is possible to produce an image of a specific DPI and a particular physical size using something called resampling. This is what the resample option in Photoshop does. To use resampling properly, physical size and DPI must be both set properly in Photoshop and the resampling option must be enabled. When an image is resampled, its pixels are replaced by new ones to give the impression that the image is unchanged. Suppose a 300 DPI 8x10 image is required. Logically this implies 2400x3000 pixels (roughly a 7 megapixel image). If an 8 megapixel image is made into a 7 megapixel image, as required by the previous example, details from the 8 megapixel image must be left out, this is called filtering. If a 3 megapixel image is made into a 7 megapixel image, then new pixels must be invented, this is called interpolation. Interpolated images appear soft and blurry because they have more pixels but not more details. This is exactly why images cannot be printed at any size and why large print sizes require higher megapixel cameras.
Computer displays and televisions have full-color pixels just like images. Each display pixel is just like a digital camera image pixel except that it has a fixed size. Thus, a display has a resolution in the Photoshop sense and a resolution in the image size sense. Note that displays can simulate different resolutions using something similar to interpolation.
When an image is viewed at 100% magnification, each image pixel appears in exactly one display pixel. In this case, the image's effective resolution , is the same as monitor's resolution and the selected image resolution is ignored. For example, a 22" monitorMonitor and TV sizes are measured diagonally which is 16" wide at 2048x1536 has a resolution of 128 DPI (2048/16 = 128). When an image is viewed at more than 100%, interpolation is used. Typical image viewing programs have a fit-to-fill mode which selects a magnification factor so that the image fits the entire window or screen. In fit-to-fill mode, an image which has less pixels than the window will be interpolated and an image which has more pixels will have pixels discarded. This explains why displaying images on a screen requires lower megapixels. Most common computer displays have less than 2 megapixels, so extra pixels of higher resolution images have to be discarded so that the entire image fits on the screen.
Printers too make images out of tiny dots. Most printers produce dots of a fixed size which is determined by the printer's resolution, also measured in DPI. Comparing image and printer resolutions can be confusing. At first glance, printers appear to have relatively very high resolutions (they are advertised as having up to 5600 DPI). The difference between an image's DPI and a printer's DPI is that each image dot can vary greatly in color and intensity, while a printer dot can be of exactly one color and intensity. For example, an image pixel must be reproduced using a number of printer dots. The combination of dots which tricks our eye into seeing a very specific color is called dithering.
Another fact complicates understanding a printer's resolution: the size of ink dropletsMeasured in picoliters. While a printer may advertise 5600 DPI which makes it seem like it can put 5600 dots side by side within one inch, droplets are typically not small enough for that. Thus, some printers may place a droplet at one of 5600 different positions within an inch, but cannot use consecutive positions. Therefore such a printer can not place 5600 dots within an inch. This is common among inkjet printers, where the paper type affects how much ink spreads and therefore the width of ink droplets on that paper type. Due to this fact, most printers can only print at their highest resolution on special paper that reduces the spreading of ink.
The relation between an image's resolution and a printer's resolution, determines how many printer dots can be used to simulate one image pixel.
|Image pixels||Dithered pixels|
A television screen is made up of rectangular pixels. This means that the resolution (in the Photoshop sense) is different when measured horizontally than vertically. The consequence of this is that images displayed on a TV screen will appear deformed if they are not resampled. Because resampling produces different pixels than those in the original image, image quality is reduced. A standard TV has about 1/3 megapixel. The highest quality HDTV has roughly 2 megapixels.
Mirrorless EVF Sizes
Find the specifications of EVFs for almost any mirrorless camera here. A table compares the resolution, size, magnification and coverage among mirrorless EVFs.
Fuji X-T10 Review
Premium 16 megapixels Fuji mirrorless with a 16 MP APS-C X-Trans CMOS II sensor, EXR II processor and 2.4 MP 0.39" EVF with 0.62X magnification, 100% coverage and Eye-Start sensor. Hybrid digital and mechanical design with dual control-dials and direct exposure dials plus 7 custom buttons.
Fuji X-A2 Review
Mirrorless with standard 16 megapixels APS-C CMOS sensor. Dual control-dials at an entry-level price, plus 3" tilting LCD, built-in WiFi and 5.6 FPS drive.
Canon Powershot SX610 HS Review
Ultra-compact ultra-zoom with a stabilized 18X wide-angle optical zoom and 20 megapixels high-speed CMOS sensor. ISO 80-3200, 1/2000-15s, 2.5 FPS and full 1080p HD video, plus WiFi and NFC.
Panasonic Lumix DMC-FZ1000 Review
Ultra-zoom prosumer camera with a large 20 MP 1" CMOS sensor and stabilized 16X wide-angle optical-zoom lens. Records full 4K Ultra-HD at 30 FPS. High-speed 4K Photo-Mode and 12 FPS drive.
Canon EOS Rebel T5i Review
Entry-level DSLR. 18 MP APS-C CMOS sensor with built-in Phase-Detect AF. 5 FPS drive and full 1080p HD video. Single control-dial and 95% crop 0.85X magnification viewfinder in a comfortable and light-weight body.
Nikon 1 J5 Review
The 1 J5 introduces a new 20 megapixels 1" high-speed CMOS sensor in a compact body with dual control-dials, a traditional mode-dial and a tilting 3" touchscreen LCD. Continuous drive up to 60 FPS at full-resolution, 4K Ultra-HD video capture and a 105-point on-sensor Phase-Detect AF system.
Olympus OM-D E-M5 Mark II Review
The new E-M5 brings 40 megapixels Super-Resolution capture to Micro Four-Thirds while improving 5-axis image-stabilization and showing off a new 2.4 MP 0.5" EVF with Eye-Start Sensor. Native 16 MP drive @ 10 FPS and full 1080p HD @ 60 FPS.
Fuji XQ2 Review
Ultra-Compact Fuji premium camera. 12 MP 2/3" X-Trans CMOS II sensor with built-in Phase-Detect AF. Ultra-Bright F/1.8 wide-angle 4X optical-zoom. Dual control-dials, 3" LCD and built-in WiFi.
Panasonic Lumix DMC-LX100 Review
Unique premium compact with 12 MP effective multi-aspect resolution and ultra-wide ultra-bright 24-75mm F/1.7-2.8 lens. 11 FPS Drive and 4K Ultra-HD video at 30 FPS. Plenty of direct controls plus a built-in 2.8 MP EVF with Eye-Start sensor, a 3" LCD and WiFi.