STEP 1 More Digital Camera Basics

Manual Controls
Manual Controls These are features of intermediate level to high end cameras that allow to control things like shutter speed, aperture, ISO equivalent and white-balance. All digital cameras have at least one automatic mode which lets the camera guess the best settings when taking a picture. Most medium or larger cameras have at least some manual controls.
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Aperture

Aperture refers to how much light a camera can let in at a given shutter speed. A larger aperture, denoted by small numbers such as F2.8, lets more light in then a small aperture, denoted by larger numbers such as F8. Aperture also affects the distances that appear to be in focus when a picture is taken. This is called depth of field (DOF).

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Shutter Speed

Shutter speed is the duration for which a camera can record light to take a single picture. The shutter speeds of a camera are described as a range measured in seconds and fractions of a second. For example, if the shutter speeds of a camera are 1/1000 to 4, then it can take pictures from 1/1000th of a second to as long as 4 seconds.

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ISO

Films for traditional cameras come in different sensitivities to light. The ISOs of a digital camera refer its equivalent sensitivities. A higher ISO rating means more sensitivity to light but produces pictures with more noise which is similar to pattern of film grain.

 

Noise
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Focal Length

The focal length is a measurement determined by a camera's lens. When measured in 35 mm film equivalent, it serves to determine the angle of view of  pictures taken. The smallest the equivalent focal length, the wider the angle of view and vice-versa. Optical zoom is the ratio between the longest and the shortest focal length. For example, a lens that is 35-105 has a 3X optical zoom, so does a 50-150 lens. The difference is that the 35-105 equivalent lens sees wider, the 50-150 sees further. Depending on the subject, focal length may be more important than optical zoom. Photographers of architecture typically prefer lenses with shorter focal lengths.

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Focal Length Multiplier

When a lens is mounted on a DSLR, it shows a different angle of view than it would on a 35 mm film camera. The focal length multiplier, sometimes called crop factor, is the ratio between the focal length of the lens and the focal length of a lens which would give the same field of view on a 35 mm film camera. The focal length multiplier is used to determine the angle of view of a lens on a DSLR.

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White Balance
White Balance White balance is the ability of a digital camera to compensate for different lights. If we see a white object lit by yellow light, our eyes adapt so that we still see the object as white. Digital cameras can come preprogrammed to compensate for different. types of light. Advanced digital cameras have a feature called custom white balance which can be programmed for a specific type of light by taking a picture of a white object.

White Balance
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Manual Focus

Normally, digital cameras focus automatically before each picture is taken. This is called autofocus. Digital cameras can also have a manual focus mode to manually select the focus distance. Manual focus is useful in situations when the camera cannot properly focus automatically. It is also useful to take pictures faster when the subject distance is known. Instead of manual focus, some cameras have an infinity focus mode which sets the focus distance to infinity, others have a pan focus mode which sets the closest focus possible so that everything beyond that point is acceptably sharp.

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File Formats

All digital cameras can store their images in the JPEG format. This is an excellent choice because these images are easily viewable on any computer, lots of hardware devices for displaying images and even some DVD players. This is sufficient for most users.

 

For the needs of advanced photographers, some cameras can optionally save their images in RAW or TIFF file formats (or both).

 

 
Advantages
Disadvantages
RAW
Contains all the information captured by the camera.
Needs a special program to be viewed.
No loss of information due to its compression. Effort is required to effectively convert to a standard file.
Some image parameters can be changed after the picture is taken. For example, white-balance and sharpness.
Very large. Lots of cameras freeze for up to 30 seconds while producing RAW files!
     
TIFF
Does not exhibit any compression artifacts or loss of quality due to the format.
Very large. Lots of cameras freeze for up to 30 seconds while producing TIFF files!
Has more color gradations than JPEG.
 
Can be easily read by computers.  

 

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