logo
RSS Twitter YouTube

Sony Cybershot DSC-H5 Outdoor Crops

7 Megapixels7 MegapixelsUltra-Zoom: At least 10X optical zoom.Ultra-Zoom: At least 10X optical zoom.Electronic View FinderElectronic View FinderStabilization: Compensates for tiny involuntary movements of the camera.Stabilization: Compensates for tiny involuntary movements of the camera.VGA Video: 640 x 480 or more but less than 1280 x 720.VGA Video: 640 x 480 or more but less than 1280 x 720.Manual Controls: Both fully-manual (M) and semi-automatic modes (T and V).Manual Controls: Both fully-manual (M) and semi-automatic modes (T and V).Custom White-Balance: Specifies exactly what should be white to the camera.Custom White-Balance: Specifies exactly what should be white to the camera.Action Photography: Shutter speeds of 1/1500 or more.Action Photography: Shutter speeds of 1/1500 or more.Night Photography: Reaches shutter-speeds longer than 4 seconds.Night Photography: Reaches shutter-speeds longer than 4 seconds.Spot MeteringSpot MeteringRuns on standard AA batteriesRuns on standard AA batteriesAccepts Memory Stick Duo memory.Accepts Memory Stick Duo memory.Neocamera detailed reviewNeocamera detailed reviewDiscontinued: No longer produced by the manufacturer. May still be in stock or found used.Discontinued: No longer produced by the manufacturer. May still be in stock or found used.

Outdoor Crops

Below, the Sony Cybershot DSC-H5 is compared to the Konica-Minolta Dimage A2. These are all 100% crops from full-resolution images taken at night using aperture priority, automatic white-balance and set ISO sensitivity. There are visible differences between the output of these two cameras which are reproducible under most conditions. Long exposures of dark scenes like this one bring out high image noise from most digital cameras.

The most noticeable difference between images from the A2 and the H5 is that white-balance is much more accurate on the Konica-Minolta A2. Upon close inspection we can see that two years of evolution has reduced the amount of visible noise. Indeed, the Sony H5 shows less noise at all ISO settings. Noise is relatively low until ISO 200. At ISO 400, there is a noticeable jump in noise and loss of detail is evident. At ISO 800, both cameras are nearly useless. The ISO 1000 crop speaks for itself. It can also be seen that, despite higher image noise, the A2 keeps more details than the Sony Cybershot DSC-H5. This seems to be the result of a better lens and less agressive noise reduction. Notice that the A2 meters slightly higher than the H5.

Sony Cybershot H5 Konica-Minolta A2

ISO 100 - 15s F6.3

ISO 100 - 100 15s F5.6

ISO 200 - 8s F6.3

ISO 200 - 8s F5.6

ISO 400 - 4s F6.3

ISO 400 - 4s F5.6

ISO 800 - 2s F6.3

ISO 800 - 2s F5.6

ISO 1000 - 1.6s F6.3
Sony Cybershot DSC-H5
Buy from these sellers:Buy From Amazon.com
By on 2007/01/04
2

Sony DSC-H5 Facts

Large digital camera
7 Megapixels Ultra ZoomISO 80-1000
12X Optical ZoomShutter 1/2000-30s
Built-in StabilizationFull manual controls
0.20" Built-in EVF 200K PixelsCustom white-balance
1.1 FPS Drive, 7 ImagesSpot-Metering
640x480 @ 30 FPS Video RecordingStandard AA Battery
3" LCD 230K PixelsMemory Stick Duo
Internal Memory
Buy from these sellers:Buy From Amazon.com

Camera Bag

Clear

Your camera bag is empty. To add a camera or lens click on the star next to its name.

Updates

    2016.08.25

  • 2016.08.25

    Nikon D5 XQD Review

    Nikon D5 XQD Review

    Nikon flagship professional DSLR with 20 megapixels Full-Frame CMOS sensor. All-new 153-point Phase-Detect AF sensitive to -4 EV. ISO 50 to unprecedented 3,276,800! 12 FPS Drive for 200 JPEGs or 180 RAW. First Nikon DSLR with 4K Ultra HD video.

  • 2016.07.19

  • 2016.07.19

    Olympus Professional Lens Roundup

    Olympus Professional Lens Roundup

    Roundup of Olympus Professional and Premium lenses: M.Zuiko 7-14mm F/2.8 PRO, M.Zuiko 12-40mm F/2.8 PRO, M.Zuiko 40-150mm F/2.8 PRO, M.Zuiko 12mm F/2, M.Zuiko 60mm F/2.8 Macro.

  • 2016.07.07

  • 2016.07.07

    Olympus OM-D E-M10 Mark II Review

    Olympus OM-D E-M10 Mark II Review

    Olympus second generation base OM-D with an anti-alias-filter-free 16 MP Four-Thirds CMOS sensor mounted on a 5-axis in-body stabilization system. Speedy 8.5 FPS drive, full HD @ 60 FPS and a wealth of features in a compact and lightweight body. Offers a 2.4 MP 0.45" EVF with 0.62X magnification and 100% coverage, plus dual control-dials and a highly customizable interface.

  • 2016.05.11

  • 2016.05.11

    Fuji X-Pro2 Review

    Fuji X-Pro2 Review

    Fuji flagship XF-mount mirrorless with 24 MP APS-C X-Trans CMOS III sensor. 273-Point AF with 169 Phase-Detect points. 8 FPS Drive, 1080p video. Dual control-dials, direct dials and a hybrid viewfinder in a weather-sealed freezeproof body.

  • 2016.04.21

  • 2016.04.21

    Panasonic Lumix DMC-ZS100 Review

    Panasonic Lumix DMC-ZS100 Review

    The only premium travel-zoom! 20 megapixels 1" high-speed CMOS sensor paired with a stabilized 25-250mm F/2.8-5.9 optical zoom. 50 FPS Drive, 4K Ultra-HD video, 1/16000-60s Hybrid Shutter, Post-Shot Focus, 4K Live-Cropping, Time-Lapse Video and more. Dual control-dials plus a built-in EVF with Eye-Start sensor.

  • 2016.02.04

  • 2016.02.04

    Canon EOS Rebel T6s Review

    Canon EOS Rebel T6s Review

    Newly designed Rebel with dual control-dials and top status LCD. 24 MP APS-C sensor, Hybrid AF III with 19 all-cross points and on-sensor Phase-Detect AF. 5 FPS Drive and full 1080p HD video capture.

  • 2016.01.05

  • 2016.01.05

    Canon Powershot G3 X Review

    Canon Powershot G3 X Review

    Ultra-zoom with a 25X optical zoom lens and large 20 MP 1" CMOS sensor in a weather-sealed body with dual control-dials, a lens ring and efficient controls. Captures full 1080p HD video at 60 FPS with internal or external stereo sound.

  • 2015.12.19

  • 2015.12.19

    Best Digital Cameras of 2015

    Best Digital Cameras of 2015

    The best new digital cameras of 2015. Plus, find out which ones of 2014 still lead their category. Compact, Premium Cameras, Ultra-Zooms, Mirrorless and DSLR are all covered.

  • 2015.11.30

  • 2015.11.30

    Panasonic Lumix DMC-G7 Review

    Panasonic Lumix DMC-G7 Review

    16 megapixels Micro Four-Thirds mirrorless. 2.4 MP 0.5" EVF with Eye-Start sensor plus dual control-dials. 4K Ultra-HD video, 8 FPS continuous-drive, hybrid shutter with 1/16000-60s shutter-speeds, ISO 100-25600 and Contrast-Detect DFD autofocus system sensitive to -4 EV.

  • 2015.11.03

  • 2015.11.03

    Nikkor AF-S 200-500mm F/5.6E ED VR Review

    Nikkor AF-S 200-500mm F/5.6E ED VR Review

    Nikon constant-aperture super-telephoto zoom with 200-500mm range and the latest Vibration-Reduction effective to 4.5 stops. Built-in super-sonic AF in a sturdy weatherproof body.