Nikon D300 Review
Performance - How well does it take pictures?
Ultimately, it is the image quality that makes a camera worth buying. For an SLR, image quality greatly depends on the lens used. While color, noise, exposure and contrast are properties of the camera, distortion, vignetting and chromatic aberrations are properties of the lens. Sharpness depends on the weakest link. That is, the camera cannot capture more details than the lens lets through. Conversely, it is possible for a lens to transmit more details than the sensor can capture.
Exposure is generally excellent with the D300 with a conservative tendency. This means that highlights are rarely overexposed but images occasionally appear darker than expected. Based on matrix metering using a 1005-pixel RGB sensor, the D300 meters extremely consistently. This reduces worry about exposure accuracy as it means that small changes in viewpoint are unlikely to cause drastic changes in exposure. Since this is not optimal for printing unmodified images, more positive exposure-compensation than usual is required for scenes with bright highlights.
The Nikon D300 has punchy colors by default. Although such oversaturated colors are not realistic, they are appealing to certain photographers. The default color tone is also slightly warm. Luckily, the D300 caters to other photographers by offering several modes: Standard, Neutral and Vivid. There is also a Monochrome mode for black-and-white photography. Each Picture Control mode can be adjusted in terms of sharpening, contrast, brightness, saturation and hue. The adjustments are always relative to the mode but are quite fine grained. Using the Standard color mode and slightly reducing saturation can result in realistic colors.
The white-balance system is very accurate when preset or manually set. Automatic white-balance often leaves a noticeably warm color cast, though. This problem unfortunately occurs with most digital SLR cameras but the Nikon D300 seems to have it a bit worse than others we have seen lately.
Noise levels are very low until ISO 400 and moderately low but noticeable at ISO 800. At ISO 1600, noise is evident but has a fine grain as to not appear disruptive. In response to higher noise, the D300 softens details with obvious noise-reduction. With this approach, this DSLR keeps noise generally lower than competing cameras. The ISO 3200 setting is quite noisy and soft, although a small print should be possible. At ISO 6400, noise levels are even higher and details get smeared even more. Even for a small print, ISO 6400 borders on useless.
Image sharpness is controllable in 10 steps. At the default setting, images appear slightly soft, but this is easily corrected by increasing sharpness in-camera. It is common for high-end DSLR to produce slightly soft images by default since those images fair better during post-processing. Sharpening steps are fine with the maximum level being rather sharp with some sharpening artifacts. At a setting of 6, up from a default of 2 within a range of 0 to 9, you get good sharpness without the over processed look or jaggies. Remember that final image sharpness depends on the lens, focal-length and aperture used.
In operation, the Nikon D300 is extremely responsive. Most operations are nearly instant, including power-on and the all-important shutter-lag. The focusing system is fast but not the fastest we have ever seen, this honor goes to the Sony Alpha A700
Sony Alpha A700. Since Nikon uses two different types of focus drive, one driven by a motor in the camera and one driven by a motor in the lens, focusing speeds can vary greatly between lenses. Image playback and zoom is nearly instant as well. The D300's continuous drive mode is top-notch, it shoots fast and clears the buffer fast.
The only sub par measurement we had with the D300 is below average battery-life (using the battery that Nikon ships with the D300). The D300 does support other battery types, so battery-life can vary more than usual. Speaking of the battery, the Nikon D300 has a sophisticated gauge system which measures battery-life in percentage, number of shots and life-expectancy. A nice touch is that the charger has a description of the status light printed right on it. No more doubting if yellow means still charging or done!
Live view is new to most DSLRs. Although the Nikon D300 has one of the most sophisticated live-views, it is still behind the experience of live-preview on fixed-lens digital cameras. Live-view here is treated as a drive-mode, very similarly to mirror lock-up. After selecting the live-view mode, the shutter-release must be pressed to enable the live-view display.
To obtain focus in live-view, one must use the AF-ON button, as the halfway point of the shutter-release is not used. There are two ways to focus in live-view, both of them really slow. We would not recommended any without camera support. One way is the DSLR-standard phase-detect which requires to flip the mirror but adds about one second of blanking to the preview. The other way uses the sensor to perform contrast-detect AF.
Live-view on the Nikon D300 shows focus and white-balance accurately but it does not preview exposure. For adjusting focus manually, the D300 allows live-view to be zoomed-in although this is mostly useful for the focus plane as DOF-preview is not available. Since the D300's viewfinder shows 100% coverage there is no need to use live-view for framing, only for precise manual focusing made easy by a 3" LCD and zooming feature.
The Nikon D300 is certainly an excellent professional camera. Thanks to its 12 megapixels image sensor and high-speed continuous drive, this DSLR is great for every type of photography. Its professional status is well complemented by a durable weatherproof body and large viewfinder with 100% coverage. Another of the D300's most important features for professional photographers is the flexibility of its controls. The D300 is one of the most customizable cameras available.
The image quality of the D300 rivals the best DSLRs with an emphasis on smooth low-noise images at the expense of some details at high-ISO. While colors and white-balance are oversaturated and warm by default, picture controls and custom white-balance are flexible enough to produce more realistic-looking images. Exposure is accurate and highly consistent with a large number of metering options. This Nikon DSLR is extremely fast in use with near-instant performance for most functions. Focusing speed can be influenced by the lens but is generally fast. The 51-point focus system which includes 15 cross-type sensors provides very flexible focusing options including 3D subject tracking.
The bottom line is that the D300 impresses by its versatile feature set and solid performance. While there are some controls and user-interface which could be improved, it is hard to fault this digital camera.
Nikon D300 Facts
|12 Megapixels DSLR||ISO 100-6400|
|Nikon F Mount|
Sensor-Size: 24 x 16mm
Actual size when viewed at 100 DPI
|Full manual controls, including Manual Focus|
|Weatherproof||Custom white-balance with 2 axis fine-tuning|
|Built-in Dust Reduction||Spot-Metering|
|6 FPS Drive, 100 Images||Hot-Shoe & Sync-Port|
|3" LCD 920K Pixels||Lithium-Ion Battery|
Since no camera is perfect, here are our suggestions to Nikon for improving upon the D300.
- Build a better automatic white-balance system.
- Allow top-speed shooting without battery grip.
- Add Auto ISO option to the options when using the direct ISO button.
- Improve whether seals to keep out rain and snow.
- Reorganize the functions of some controls to make them more consistent. Reorganize the menu system too, it does not seem logically organized.
- Drive mode should be controlled by a modeless button plus control wheel.
- The only major feature missing is stabilization. Nikon sells VR lenses at a premium so it may not be in their current interests soon.
- Dare we ask for AA batteries directly in the body?
DxO ViewPoint 3 Review
Review of DxO ViewPoint 3. Perspective, distortion and horizon correction software.
Nikon D5 XQD Review
Nikon flagship professional DSLR with 20 megapixels Full-Frame CMOS sensor. All-new 153-point Phase-Detect AF sensitive to -4 EV. ISO 50 to unprecedented 3,276,800! 12 FPS Drive for 200 JPEGs or 180 RAW. First Nikon DSLR with 4K Ultra HD video.
Olympus Professional Lens Roundup
Roundup of Olympus Professional and Premium lenses: M.Zuiko 7-14mm F/2.8 PRO, M.Zuiko 12-40mm F/2.8 PRO, M.Zuiko 40-150mm F/2.8 PRO, M.Zuiko 12mm F/2, M.Zuiko 60mm F/2.8 Macro.
Olympus OM-D E-M10 Mark II Review
Olympus second generation base OM-D with an anti-alias-filter-free 16 MP Four-Thirds CMOS sensor mounted on a 5-axis in-body stabilization system. Speedy 8.5 FPS drive, full HD @ 60 FPS and a wealth of features in a compact and lightweight body. Offers a 2.4 MP 0.45" EVF with 0.62X magnification and 100% coverage, plus dual control-dials and a highly customizable interface.
Fuji X-Pro2 Review
Fuji flagship XF-mount mirrorless with 24 MP APS-C X-Trans CMOS III sensor. 273-Point AF with 169 Phase-Detect points. 8 FPS Drive, 1080p video. Dual control-dials, direct dials and a hybrid viewfinder in a weather-sealed freezeproof body.
Panasonic Lumix DMC-ZS100 Review
The only premium travel-zoom! 20 megapixels 1" high-speed CMOS sensor paired with a stabilized 25-250mm F/2.8-5.9 optical zoom. 50 FPS Drive, 4K Ultra-HD video, 1/16000-60s Hybrid Shutter, Post-Shot Focus, 4K Live-Cropping, Time-Lapse Video and more. Dual control-dials plus a built-in EVF with Eye-Start sensor.
Canon EOS Rebel T6s Review
Newly designed Rebel with dual control-dials and top status LCD. 24 MP APS-C sensor, Hybrid AF III with 19 all-cross points and on-sensor Phase-Detect AF. 5 FPS Drive and full 1080p HD video capture.
Canon Powershot G3 X Review
Ultra-zoom with a 25X optical zoom lens and large 20 MP 1" CMOS sensor in a weather-sealed body with dual control-dials, a lens ring and efficient controls. Captures full 1080p HD video at 60 FPS with internal or external stereo sound.
Best Digital Cameras of 2015
The best new digital cameras of 2015. Plus, find out which ones of 2014 still lead their category. Compact, Premium Cameras, Ultra-Zooms, Mirrorless and DSLR are all covered.
Panasonic Lumix DMC-G7 Review
16 megapixels Micro Four-Thirds mirrorless. 2.4 MP 0.5" EVF with Eye-Start sensor plus dual control-dials. 4K Ultra-HD video, 8 FPS continuous-drive, hybrid shutter with 1/16000-60s shutter-speeds, ISO 100-25600 and Contrast-Detect DFD autofocus system sensitive to -4 EV.