Fuji Finepix S100FS Review
Performance - How well does it take pictures?
Pictures from the Fuji Finepix S100FS are amazing. This camera produces images with extremely low image noise. While this is normal among modern digital cameras at low ISO, this one keeps noise low up to ISO 800 while retaining a good amount of details. At ISO 1600, noise becomes intrusive and starts eating away details. Still, small prints look good at ISO 1600. ISO 3200 is not much noisier but somewhat softer. A usable small print can be made from ISO 3200 and even 6400. It won't be so clean but, at those ISO sensitivities, this is a great performance.
Enhanced dynamic range is a big selling point of this digital camera. Frankly, it is surprising that only Fuji has been advancing on this issue, it should be important to any camera. The Fuji Finepix S100FS uses sophisticated firmware to extract up to 400% more dynamic range from its SuperCCD. The great thing is that it actually works. The Fuji S100FS can capture more dynamic range than any fixed-lens digital camera.
Exposure is also excellent with less need to use EC than most cameras. This is somewhat helped by the camera's expandable dynamic range too. As dynamic range is increased, the Fuji S100FS adds to highlight details more than to shadow details. Since the camera knows what the luminance distribution of the scene is like, at can choose the dynamic range automatically.
Color reproduction of the Fuji S100FS depends on the chosen film-simulation mode. In Provia mode, which is the default, colors are realistic but a bit undersaturated. In Velvia mode, you get bright and saturated colors. It is technically oversaturated but not overdone. Soft mode gives natural colors with less contrast and gives a slightly darker image overall.
Another great asset is the 14.3X stabilized optical zoom lens of the S100FS. It is exceptionally sharp throughout its focal length and degrades very little towards the corners. This lens starts at a bright F2.8 maximum aperture and diminishes slowly as it is zoomed in. It only drops to F4 past 200mm. At the telephoto end, the maximum aperture is F5.3 but that it at 400mm.
The problem with most Fuji lenses, including this one, is pronounced chromatic aberrations. This shows up as wider-than-average fringes of purple. On the other hand, although such aberrations are larger than with most cameras, they do occur less often. The expanded dynamic range probably helps because chromatic aberrations are found in areas of over-exposure which themselves occur less with the Fuji Finepix S100FS.
The performance of the Fuji S100FS is reasonable, but far from stellar. It turns on in about 3 seconds, which is average. Focus speeds are good, taking between 1/2 and 1s, on the telephoto end. This is not class leading as other ultra-zooms focus faster than the S100FS. Once pre-focused, shutter-lag is very short. In shooting mode, all controls respond instantly. Shot-to-shot speeds are about average for a high-end camera, about 2 seconds.
Entering and exiting playback mode is quite fast. Since this is a shooting-priority camera, it instantly goes back into shooting mode when pressing the shutter halfway. Although scrolling through images is fast, it takes about 1 second for the basic image info to appear. Pressing any button other than the left or right arrow while info is not displayed has no effect. This is the only aspect of this camera's performance which is slow. The S100FS uses a proprietary lithium-ion battery. The result is that battery-life is short for an ultra-zoom.
It is clear that the Fuji Finepix S100FS delivers superb results for a fixed-lens camera. Image noise is very low, dynamic range is outstanding, color is good, exposure is excellent and its lens is very sharp. This camera is also reasonably fast, without being the fastest though. This is a well-built camera with good ergonomics. The S100FS is also quite capable, with a mechanical lens and optical image stabilization, a complete set of manual controls and several unique features.
While it may not be perfect, there is little not to like about this camera other than the use of a small viewfinder and the use a lithium-ion battery. The dilemma with this model is that its size, weight and price makes it comparable to a DSLR. Some people even mistake it for a DSLR!
Thinking about the compromises between a DSLR and a fixed-lens camera in general, the core compromise is mainly image quality and speed vs size and price. With the Fuji Finepix S100FS, you get a fixed-lens camera at the price of an entry-level DSLR with a similar weight. Even though the image quality of the S100FS is superb, DSLRs still do better. The biggest gap though is in terms of speed. Even an entry-level DSLR is significantly faster than the Fuji S100FS. However, the S100FS has several advantages. The biggest advantage is its integrated lens which covers 28-400mm. A comparable SLR lens, such as the Pentax DA 18-250mm F3.5-6.3 is still half-a-stop slower and not as sharp, so you get better image noise but lose on details at some focal-lengths. Obviously, a DSLR can accommodate a set of high-quality lenses that will trump the S100FS but that adds much more cost and weight. Then there are other features common to fixed-lens cameras such as live-preview and a movie-mode.
Fuji S100FS Facts
Large digital camera
|11 Megapixels Ultra Zoom||ISO 100-3200|
|14.3X Mechanically Linked Wide Optical Zoom||Shutter 1/4000-30s|
|Built-in Stabilization||Full manual controls, including Manual Focus|
|0.20" Built-in EVF 200K Pixels||Custom white-balance with 2 axis fine-tuning|
|3 FPS Drive, 7 Images||Spot-Metering|
|640x480 @ 30 FPS Video Recording||Hot-Shoe & Sync-Port|
|2.5" LCD 230K Pixels||Lithium-Ion Battery|
|Secure Digital High Capacity|
Nikon D5 XQD Review
Nikon flagship professional DSLR with 20 megapixels Full-Frame CMOS sensor. All-new 153-point Phase-Detect AF sensitive to -4 EV. ISO 50 to unprecedented 3,276,800! 12 FPS Drive for 200 JPEGs or 180 RAW. First Nikon DSLR with 4K Ultra HD video.
Olympus Professional Lens Roundup
Roundup of Olympus Professional and Premium lenses: M.Zuiko 7-14mm F/2.8 PRO, M.Zuiko 12-40mm F/2.8 PRO, M.Zuiko 40-150mm F/2.8 PRO, M.Zuiko 12mm F/2, M.Zuiko 60mm F/2.8 Macro.
Olympus OM-D E-M10 Mark II Review
Olympus second generation base OM-D with an anti-alias-filter-free 16 MP Four-Thirds CMOS sensor mounted on a 5-axis in-body stabilization system. Speedy 8.5 FPS drive, full HD @ 60 FPS and a wealth of features in a compact and lightweight body. Offers a 2.4 MP 0.45" EVF with 0.62X magnification and 100% coverage, plus dual control-dials and a highly customizable interface.
Fuji X-Pro2 Review
Fuji flagship XF-mount mirrorless with 24 MP APS-C X-Trans CMOS III sensor. 273-Point AF with 169 Phase-Detect points. 8 FPS Drive, 1080p video. Dual control-dials, direct dials and a hybrid viewfinder in a weather-sealed freezeproof body.
Panasonic Lumix DMC-ZS100 Review
The only premium travel-zoom! 20 megapixels 1" high-speed CMOS sensor paired with a stabilized 25-250mm F/2.8-5.9 optical zoom. 50 FPS Drive, 4K Ultra-HD video, 1/16000-60s Hybrid Shutter, Post-Shot Focus, 4K Live-Cropping, Time-Lapse Video and more. Dual control-dials plus a built-in EVF with Eye-Start sensor.
Canon EOS Rebel T6s Review
Newly designed Rebel with dual control-dials and top status LCD. 24 MP APS-C sensor, Hybrid AF III with 19 all-cross points and on-sensor Phase-Detect AF. 5 FPS Drive and full 1080p HD video capture.
Canon Powershot G3 X Review
Ultra-zoom with a 25X optical zoom lens and large 20 MP 1" CMOS sensor in a weather-sealed body with dual control-dials, a lens ring and efficient controls. Captures full 1080p HD video at 60 FPS with internal or external stereo sound.
Best Digital Cameras of 2015
The best new digital cameras of 2015. Plus, find out which ones of 2014 still lead their category. Compact, Premium Cameras, Ultra-Zooms, Mirrorless and DSLR are all covered.
Panasonic Lumix DMC-G7 Review
16 megapixels Micro Four-Thirds mirrorless. 2.4 MP 0.5" EVF with Eye-Start sensor plus dual control-dials. 4K Ultra-HD video, 8 FPS continuous-drive, hybrid shutter with 1/16000-60s shutter-speeds, ISO 100-25600 and Contrast-Detect DFD autofocus system sensitive to -4 EV.
Nikkor AF-S 200-500mm F/5.6E ED VR Review
Nikon constant-aperture super-telephoto zoom with 200-500mm range and the latest Vibration-Reduction effective to 4.5 stops. Built-in super-sonic AF in a sturdy weatherproof body.