Don't dismiss this book as simply a replacement manual for your Konica-Minolta
5D or 7D manual. While the 5D and 7D manuals are well written, this book puts
each feature in the context photography, describing when and how to use it.
The eBook version is available in PDF format readable by Adobe Acrobat
7 and Ghostview 4.7 Ghostview
4.7. Just like Gary Friedman's
previous Konica-Minolta book, pages are layed-out at 4:3 aspect ratio which
is ideally suited for electronic viewing - the layout would be even better if
page numbers didn't alternate sides though.
The book is divided into 10 chapters which cover the cameras at increasing levels of detail. Each chapter starts with a list of topics and ends with a point-form summary. For those who've read the A1/A2 book by Gary Friedman, much of the content is reused and all of the well explained principles remain. Unlike many other books about photography, this one doesn't skimp on real photographic examples. Clearly written with digital photography in mind, readers are subtly welcomed to the digital world by starting chapters at zero.
Chapter 0 is a brief overview of topics covered and the layered teaching approach
used. Chapter 1 is an overview of the 5D and 7D digital cameras which points
out their unique and advanced feature set. It also includes a detailed discussion
on lenses and how they are labeled. For clarity, the frequently misunderstood
focal-lens multiplier is even explained twice. Indeed throughout the book,
the most important concepts are described in several ways. Chapter 2, The
Basic Guide for the Impatient User, covers most of the simple controls
and features, just enough to use these cameras as expensive point-and-shoot models. Chapter
3 is about using your images, printing them, viewing them and saving them. That
chapter is rather short but covers the camera's related features well and generic
computer usage briefly. Actually, there is no real point being more precise since
computers and software can work in so many different ways.
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The 4th chapter explains
the principles of photographic technology (as opposed to the
art of photography). Except for scene modes of the 5D, this
chapter is not really specific to any camera, its principles
are universally applicable to any type of photography - even
film to some extent. Chapter 5 covers advanced features of
the camera such as the extremely useful histogram, focus modes,
spot-metering, exposure locking, anti-shake, white-balance,
flash modes and several more. The greatness of this chapter
is that it presents each advanced feature as a solution to
a photographic problem. For example, zone-matching is
presented as a solution to high-dynamic-range subjects.
Chapter 6, Light and Composition, introduces light and composition. This
chapter is too short to cover these topics adequately but serves a brief introduction. These
principles are very hard to explain and definitely deserve another book for them
alone. Nevertheless, this brief introduction serves to round-off coverage
of photography in this book. Chapter 7 expands on lighting a bit with coverage
of wireless flashes unique to Konica-Minolta.
The 8th chapters covers digital imaging concepts. Specifically, it does an extremely
good job at explaining the relation between Megapixels and print sizes - see
also neocamera's feature explaining this. Chapter 9 is entirely new and
covers the Dimage viewer supplied with Konica-Minolta digital cameras. Step-by-step,
this chapter explains most common image editing operations. There are also some
slightly too brief words about using RAW images.
Overall, this is another great
book about some fantastic Konica-Minolta cameras. The contents are well balanced
between camera specifics and photographic principles. All
the important 5D and 7D features are present and each is explained in proportion
to its importance. Only the topics of composition and RAW images need to
be expanded further. We expect photography novices equipped with a
Konica-Minolta 5D or 7D to really appreciate this book.

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